The Glass Menagerie Family Quotes

How we cite our quotes: Citations follow this format: (Scene.Line). Every time a character talks counts as one line, even if what they say turns into a big long monologue.

Quote #21

"And you—when I see you taking after his ways! Staying out late—and—well, you had been drinking the night you were in that—terrifying condition! Laura says that you hate the apartment and that you go out nights to get away from it! Is that true, Tom?" (4.63, Amanda).

While Amanda wants Laura to be more like she was, she fears that Tom will become like his father.

Quote #22

"Oh, I can see the handwriting on the wall as plain as I can see the nose in front of my face! It's terrifying! More and more you remind me of your father! He was out all hours without explanation!-Then left! Goodbye! And me with the bag to hold. I saw that letter you got from the Merchant Marine. I know what you're dreaming of. I'm not standing here blindfolded. Very well, then. Then do it! But not till there's somebody to take your place." (4.91, Amanda).

While Amanda wants Laura to be more like she was, she fears that Tom will become like his father.

Quote #23

"I mean that as soon as Laura has got somebody to take care of her, married, a home of her own, independent-why, then you'll be free to go wherever you please, on land, on sea, whichever way the wind blows you! But until that time you've got to look out for your sister. I don't say me because I'm old and don't matter! I say for your sister because she's young and dependent." (4.93, Amanda).

Despite all her nagging and otherwise unappealing qualities, Amanda displays a real selflessness with regard to her place in the Wingfield family.

Quote #24

"Where is your muffler! Put your wool muffler on!" (4.95, Amanda).

Amanda treats Tom as though he were a child.

Quote #25

"There is only one respect in which I would like you to emulate your father."

"What respect is that?"

"The care he always took of his appearance. He never allowed himself to look untidy." (5.3-5.5, Amanda and Tom).

Amanda repeatedly compares Tom to his father.

Quote #26

"I'll tell you what I wished for on the moon. Success and happiness for my precious children! I wish for that whenever there's a moon, and when there isn't a moon, I wish for it, too." (5.23, Amanda).

Amanda’s maternal instincts direct her every thought and desire.

Quote #27

"What are you doing?"

"I’m brushing that cowlick down! [She attacks his hair with the brush.] (5.82, 5.83, Tom and Amanda).

Amanda treats Tom as though he were a child.

Quote #28

"Laura seems all those things to you and me because she's ours and we love her. We don't even notice she's crippled anymore." (5.122, Tom).

Tom recognizes that familial love can be blinding and misleading.

Quote #29

"Laura Wingfield, you march right to that door!"

"Yes—yes, Mother!" (6.60, 6.61, Amanda and Laura).

Amanda orders and disciplines her children as though they were very young.

Quote #30

"How about your mother?"

"I'm like my father. The bastard son of a bastard! Did you notice how he's grinning in his picture in there? And he's been absent going in sixteen years!" (6.127, 6.128, Jim and Tom).

Tom recognizes that he has become similar to his father.

Quote #31

"That's right, now that you've had us all make such fools of ourselves. The effort, the preparations, all the expense! The new floor lamp, the rug, the clothes for Laura! All for what? To entertain some other girl's fiancé! Go to the movies, go! Don't think about us, an unmarried sister who's crippled and has no job! Don't let anything interfere with your selfish pleasure! Just go, go, go-to the movies!" (7.319, Amanda).

Amanda believes that being a member of a family generates certain obligations.

Quote #32

Tom’s closing speech is timed with what is happening inside the house. We see, as though through soundproof glass, that Amanda appears to be making a comforting speech to Laura, who is huddled upon the sofa. Now that we cannot hear the mother’s speech, she lifts her head to smile at her mother. Amanda’s gestures are slow and graceful, almost dance-like, as she comforts her daughter. At the end of the speech she glances a moment at the father’s picture—then withdraws through the portieres. At the close of Tom’s speech, Laura blows out the candles, ending the play.

Although Amanda often nags and bother her children, her very maternal instincts take on a positive light in the direst of circumstances

"I didn't go to the moon - I went much further-for time is the longest distance between two poles. Not long after that I was fired for writing a poem on the lid of a shoe-box. I left St. Louis. I descended the steps of this fire escape for a last time and followed, from then on, in my father's footsteps, attempting to find in motion what was lost in space." (7.321, Tom).

Tom recognizes that he is like his father.

Quote #33

"Then all at once my sister touches my shoulder. I turn around and look into her eyes. Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be! I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger-anything that can blow your candles out! For nowadays the world is lit by lightning! Blow out your candles, Laura--and so, goodbye… (7.321, Tom).

Tom is unable to relieve the guilt of having abandoned his sister.