Quote 41
My depression was not alleviated by the announcement, for, I had supposed that establishment to be an hotel kept by Mr. Barnard, to which the Blue Boar in our town was a mere public-house. Whereas I now found Barnard to be a disembodied spirit, or a fiction, and his inn the dingiest collection of shabby buildings ever squeezed together in a rank corner as a club for Tom-cats. (21.20)
Here's the first sign that Pip's great expectations aren't going to be all that great—and a clue to tell us not to split things in this book into simple categories of "good" and "bad." London may be different from Kent, but that doesn't mean it's nicer.
Quote 42
But I must have lost it longer than I had thought, since, although I could recognize nothing in the darkness and the fitful lights and shadows of our lamps, I traced marsh country in the cold damp wind that blew at us. Cowering forward for warmth and to make me a screen against the wind, the convicts were closer to me than before. The very first words I heard them interchange as I became conscious were the words of my own thought, "Two One Pound notes." (28.20)
We never get to see what lies between Kent and London, even though Pip makes this exact journey like ten million times. There's something almost mystical about the journey between each region. If the landscape of marsh country represents or reflects Pip's inner monologue, then the journey from London to Kent, replete with mistiness and all, is perhaps a journey into a state of self-reflection—like how Pip's thoughts are articulated in the convicts' real-time conversation. In the marsh country, there seems to be less of a division between internal life and external reality.
Quote 43
I turned my head aside, for, with a rush and a sweep, like the old marsh winds coming up from the sea, a feeling like that which had subdued me on the morning when I left the forge, when the mists were solemnly rising, and when I laid my hand upon the village finger-post, smote upon my heart again. There was silence between us for a little while. (30.41)
Just in case we're not getting it, Dickens basically lays it out for us here: the mists of Pip's hometown are an external representation of the mists inside his head. External is internal; internal is external.
Quote 44
Many a time of an evening, when I sat alone looking at the fire, I thought, after all, there was no fire like the forge fire and the kitchen fire at home. (34.1)
It's not all marshes and darkness down by the river: Joe's forge is cozy and warm, especially once the threat of Mrs. Joe is neutralized. This just might be the most home-like of any place Pip goes.
Quote 45
As I declined the proposal on the plea of an appointment, he was so good as to take me into a yard and show me where the gallows was kept, and also where people were publicly whipped, and then he showed me the Debtors' Door, out of which culprits came to be hanged: heightening the interest of that dreadful portal by giving me to understand that "four on 'em" would come out at that door the day after to-morrow at eight in the morning, to be killed in a row. This was horrible, and gave me a sickening idea of London: the more so as the Lord Chief Justice's proprietor wore (from his hat down to his boots and up again to his pocket-handkerchief inclusive) mildewed clothes, which had evidently not belonged to him originally, and which, I took it into my head, he had bought cheap of the executioner. Under these circumstances I thought myself well rid of him for a shilling. (20.19)
Pip's (and our) first introduction to London life appropriately (or inappropriately) involves a tour of the yard where criminals are publicly tortured or executed. Fun, fun, fun. But these aren't necessarily horrible, heinous, bloody crimes that would induce such public punishment (in our 21st century minds)—we hear about the "Debtors' Door" suggesting that people are often punished for issues of money and debt (not exactly the bloodiest crimes ever). There's close relationship between crime, money, and survival.
Quote 46
I consumed the whole time in thinking how strange it was that I should be encompassed by all this taint of prison and crime; that, in my childhood out on our lonely marshes on a winter evening I should have first encountered it; that, it should have reappeared on two occasions, starting out like a stain that was faded but not gone; that, it should in this new way pervade my fortune and advancement. (2.33.43)
Again and again, Pip aids in the breaking of laws. And not just in little ways like double parking or jays-walking, but in big ways like harboring an escaped and exiled convict. However, do we ever feel in our guts like Pip is doing something morally wrong when he takes in Magwitch or steals food for Magwitch? Do we ever say to ourselves, "Oh Pip, we really wouldn't do that. You should definitely kick Magwitch out into the stormy night"? Not really. If Magwitch is deemed by society to be representative of everything corrupt and rotten within it, then how do we feel about society? You think maybe society doesn't really know what's going on?
Quote 47
While my mind was thus engaged, I thought of the beautiful young Estella, proud and refined, coming towards me, and I thought with absolute abhorrence of the contrast between the jail and her. (33.46)
Estella is pretty, the jail is not. Estella wears perfume, the jail doesn't. Estella has nice clothes, the jail doesn't, etc., etc., etc. We get it. They're different. But when we think about it, Estella and the jail would probably hit it off pretty well on a blind date. Remember how Estella was always the gatekeeper when Pip was little? Remember how inaccessible and untouchable Estella is to Pip? Remember how Pip wants to become a gentleman and to be accepted by society in order to please Estella?
Quote 48
I cautioned him that I must hear no more of that; that he was not at all likely to obtain a pardon; that he was expatriated for the term of his natural life; and that his presenting himself in this country would be an act of felony, rendering him liable to the extreme penalty of the law. (40.96)
Jaggers, who is a beacon of truth and lawfulness, lays out very clearly the reasons why Magwitch should not return to England. And the way he phrases it, we have to agree: Magwitch should definitely not ever return to England. The problem? The legal system is broken. Why should Magwitch have to obey a corrupt system?
Quote 49
I still held her forcibly down with all my strength, like a prisoner who might escape; and I doubt if I even knew who she was, or why we had struggled, or that she had been in flames, or that the flames were out, until I saw the patches of tinder that had been her garments, no longer alight but falling in a black shower around us. (49.76)
Pip has told Miss Havisham that he's not mad at her, he's forgiven her, all's well in Denmark, etc., etc. But, uh, there seems to be a tinge of aggression when Pip puts Miss Havisham's fire out. The fact that Dickens invokes prisoner language and imagery here suggests to us that Pip may feel the desire to reprimand or punish Miss Havisham for the destruction she's inspired.
Quote 50
Yet, having already made his fortune in his own mind, he was so unassuming with it that I felt quite grateful to him for not being puffed up. (22.92)
For Herbert, just dreaming of the money to come is enough to satisfy him. He doesn't mope around like a crestfallen six year-old. Pip, on the other hand is never content, even though he's inherited a fortune.
Quote 51
As we got more and more into debt, breakfast became a hollower and hollower form, and, being on one occasion at breakfast-time threatened (by letter) with legal proceedings, "not unwholly unconnected," as my local paper might put it, "with jewellery," I went so far as to seize the Avenger by his blue collar and shake him off his feet—so that he was actually in the air, like a booted Cupid—for presuming to suppose that we wanted a roll. (34.10)
Money isn't all about dreams and visions of grandeur—it's also tied to matters of survival and ugly realities, like having to eat Ramen for breakfast and reuse your coffee grounds. (Just us?)
Quote 52
She said the word often enough, and there could be no doubt that she meant to say it; but if the often repeated word had been hate instead of love—despair—revenge—dire death—it could not have sounded from her lips more like a curse. (29.88)
Well, love is kind of a curse in Great Expectations. Literally the only people who end up together who actually seem to be in love are Clara and Herbert—and they have to go to Cairo for their happy ending.
Quote 53
"Out of my thoughts! You are part of my existence, part of myself. You have been in every line I have ever read, since I first came here, the rough common boy whose poor heart you wounded even then. You have been in every prospect I have ever seen since - on the river, on the sails of the ships, on the marshes, in the clouds, in the light, in the darkness, in the wind, in the woods, in the sea, in the streets. You have been the embodiment of every graceful fancy that my mind has ever become acquainted with. The stones of which the strongest London buildings are made, are not more real, or more impossible to be displaced by your hands, than your presence and influence have been to me, there and everywhere, and will be. Estella, to the last hour of my life, you can't choose but remain part of my character, part of the little good in me, part of the evil. But, in this separation I associate you only with the good, and I will faithfully hold you to that always, for you must have done me far more good than harm, let me feel now what sharp distress I may. O God bless you, God forgive you!" (44.70)
Sigh. This is pretty much one of the best love speeches ever, right? And notice that Pip grounds his description of love in images of nature and of the landscape that surrounds him: Estella isn't even human, she's so much a part of the particles around him. But—and this is just a thought—maybe this is part of the reason that Dickens didn't want Estella and Pip to end up together: his love isn't exactly selfless. In fact, it's still all about himself.
Quote 54
All other swindlers upon earth are nothing to the self-swindlers, and with such pretences did I cheat myself. Surely a curious thing. That I should innocently take a bad half-crown of somebody else's manufacture, is reasonable enough; but that I should knowingly reckon the spurious coin of my own make, as good money! An obliging stranger, under pretence of compactly folding up my bank-notes for security's sake, abstracts the notes and gives me nutshells; but what is his sleight of hand to mine, when I fold up my own nutshells and pass them on myself as notes! (28.1)
Actually, the way Pip describes this self-swindling, it sounds pretty impressive—like when you lie so hard about where you were after curfew that you even convince yourself.