The Great Gatsby Nick Carraway Quotes

Nick Carraway

Quote 21

Why they came East I don't know. They had spent a year in France for no particular reason, and then drifted here and there unrestfully wherever people played polo and were rich together. (1. 17)

Okay, hilarious. Isn't playing polo basically the definition of "being rich together"?

Nick Carraway

Quote 22

His speaking voice, a gruff husky tenor, added to the impression of fractiousness he conveyed. There was a touch of paternal contempt in it, even toward people he liked—and there were men at New Haven who had hated his guts. (1.20)

Wealth makes Tom "paternal," as though it gives him the right to tell the entire world how to behave. But remember—he didn't earn the wealth. He's literally done nothing to deserve it. So why does he get to be mean-dad to everyone?

Nick Carraway

Quote 23

There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and he champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his motor-boats slid the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. (3.1)

All that wealth can't fill the hole in Gatsby's heart—but it probably makes it a little easier to bear. Also, notice the insect imagery? The men and girls like "moths"; the station wagon like a "brisk yellow bug"? What's up with that?

Nick Carraway

Quote 24

The idea staggered me. I remembered, of course, that the World's Series had been fixed in 1919, but if I had thought of it at all I would have thought of it as a thing that merely happened, the end of some inevitable chain. It never occurred to me that one man could start to play with the faith of fifty million people – with the single-mindedness of a burglar blowing a safe. (4.113)

Meyer Wolfsheim fixed the World Series, an enormous crime that Nick thinks is like "a burglar blowing a safe." But the burglar gets caught; Wolfsheim uses his wealth and underworld connections to stay squeaky clean. Apparently you don't have to be high class to benefit from your wealth.

Nick Carraway

Quote 25

"Her voice is full of money," he said suddenly.

That was it. I'd never understood before. It was full of money – that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals' song of it… high in a white palace the king's daughter, the golden girl […]. (7.99)

What would a voice full of money sound like? Whatever the sound, the point is that money isn't something you can separate from the body. If you're born with money, you're actually born with money. That's why everyone knows Gatsby's faking it.

Nick Carraway

Quote 26

I couldn't forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy – they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together and let other people clean up the mess they had made […]. (9.136-145)

There's a reason they call it white-collar crime: rich people's crimes just don't seem to count as much as poor people's crimes.

Nick Carraway

Quote 27

It made no difference to me. Dishonesty in a woman is a thing you never blame deeply – I was casually sorry, and then I forgot. It was on that same house party that we had a curious conversation about driving a car. It started because she passed so close to some workmen that our fender flicked a button on one man's coat. (3.159)

Whew. Ladies, breathe a sigh of relief. There are different standards: you don't have to be as honest as men. Of course, you also don't get to hold the same jobs or make the same wages or have the same freedoms, so, you know. It's a trade-off.

Nick Carraway

Quote 28

Every one suspects himself of at least one of the cardinal virtues, and this is mine: I am one of the few honest people that I have ever known. (3.170)

Well, don't strain anything trying to pat yourself on the back, Nick.

Nick Carraway

Quote 29

I suppose he'd had the name ready for a long time, even then. His parents were shiftless and unsuccessful farm people—his imagination had never really accepted them as his parents at all. The truth was that Jay Gatsby of West Egg, Long Island, sprang from his Platonic conception of himself. He was a son of God – a phrase which, if it means anything, means just that – and he must be about His Father's business, the service of a vast, vulgar, and meretricious beauty. So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was faithful to the end. (6.6-7)

"Jay Gatsby" may be a deception in the eyes of the world, but to James Gatz, "Gatsby" is the truth about him. Is it really a lie if you believe it with all your heart?

Nick Carraway

Quote 30

Well, about six weeks ago, she heard the name Gatsby for the first time in years. It was when I asked you – do you remember? – if you knew Gatsby in West Egg. After you had gone home she came into my room and woke me up, and said: "What Gatsby?" and when I described him – I was half asleep – she said in the strangest voice that it must be the man she used to know. It wasn't until then that I connected this Gatsby with the officer in her white car. (4.145)

This "strangest voice" tips us off that Gatsby is more than some dude Daisy used to flirt with. She had some real feelings for him—and those feelings of the past are about to burst into the present.

Nick Carraway

Quote 31

"It was a strange coincidence," I said.

"But it wasn't a coincidence at all."

"Why not?"

"Gatsby bought that house so that Daisy would be just across the bay." (4.147-151)

Gatsby's entire present existence—the house, the money, the pink suits—is constructed so Daisy will notice him. It may look like he's living for the moment, with his flashy parties and careless wealth, but he's actually stuck in the past.

Nick Carraway

Quote 32

He had passed visibly through two states and was entering upon a third. After his embarrassment and his unreasoning joy he was consumed with wonder at her presence. He had been full of the idea so long, dreamed it right through to the end, waited with his teeth set, so to speak, at an inconceivable pitch of intensity. Now, in the reaction, he was running down like an over-wound clock. (5.111-114)

What happens when you finally get what you've been working toward for years? For most of us, achieving a goal comes with a letdown. Having something in the present is never quite as good as your past self imagined it would be.

Nick Carraway

Quote 33

As I went over to say good-by I saw that the expression of bewilderment had come back into Gatsby's face, as though a faint doubt had occurred to him as to the quality of his present happiness. Almost five years! There must have been moments even that afternoon when Daisy tumbled short of his dreams – not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart. (5.152)

Gatsby's vision of Daisy is way better than the real Daisy. Maybe this is one reason she ends up with Tom—she knows she can't ever live up to who she was for him. (Or maybe it was just the $350K necklace.)

Nick Carraway

Quote 34

He wanted nothing less of Daisy than that she should go to Tom and say: "I never loved you." After she had obliterated four years with that sentence they could decide upon the more practical measures to be taken. One of them was that, after she was free, they were to go back to Louisville and be married from her house—just as if it were five years ago. (6.125)

Gatsby actually wants Daisy to erase the past, like in some sort of mediocre sci-fi movie. Sorry: this is real life, and it can't be done. Everyone has to live with the consequences of their past, whether they want to or not.

Nick Carraway

Quote 35

Across the courtesy bay the white palaces of fashionable East Egg glittered along the water, and the history of the summer really begins on the evening I drove over there to have dinner with the Tom Buchanans. Daisy was my second cousin once removed, and I'd known Tom in college. And just after the war I spent two days with them in Chicago. (1.15)

Oh, fun. Notice how Nick doesn't even say "the Buchanans," just the "Tom Buchanans"? This is evidence that the girl Gatsby was in love with—Daisy—no longer exists.

Nick Carraway

Quote 36

The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house. I must have stood for a few moments listening to the whip and snap of the curtains and the groan of a picture on the wall. Then there was a boom as Tom Buchanan shut the rear windows and the caught wind died out about the room, and the curtains and the rugs and the two young women ballooned slowly to the floor. (1.27)

Ah, the sweet smell of foreshadowing. Here, Tom literally—or is it metaphorically?—deflates the women, just like (SPOILER) he's going to do later on.

Nick Carraway

Quote 37

At any rate, Miss Baker's lips fluttered, she nodded at me almost imperceptibly, and then quickly tipped her head back again—the object she was balancing had obviously tottered a little and given her something of a fright. Again a sort of apology arose to my lips. Almost any exhibition of complete self-sufficiency draws a stunned tribute from me. (1.32)

Complete self-sufficiency—or complete self-sufficiency from a woman? We get the feeling that Nick is half in love with and half repulsed by Jordan because he can't deal with the fact that, unlike Daisy, she doesn't need a man. After all, she's got a phallic symbol of her own: that golf club.

Nick Carraway

Quote 38

Gatsby and I in turn leaned down and took the small, reluctant hand. Afterward he kept looking at the child with surprise. I don't think he had ever really believed in its existence before. (7.53)

There's nothing like meeting your former lover's child to remind you that she's really moved on. While Gatsby was busy living in the past, Daisy was engaged in the ultimate form of future-building: having a child.

Nick Carraway

Quote 39

I looked back at my cousin, who began to ask me questions in her low, thrilling voice. It was the kind of voice that the ear follows up and down, as if each speech is an arrangement of notes that will never be played again. Her face was sad and lovely with bright things in it, bright eyes and a bright passionate mouth, but there was an excitement in her voice that men who had cared for her found difficult to forget: a singing compulsion, a whispered "Listen," a promise that she had done gay, exciting things just a while since and that there were gay, exciting things hovering in the next hour. (1.33)

Is Daisy Buchanan really this much of a caricature of the perfect woman, or are other men (including her cousin—ew) projecting their fantasies onto her? 

Nick Carraway

Quote 40

No telephone message arrived, but the butler went without his sleep and waited for it until four o'clock – until long after there was any one to give it to if it came. I have an idea that Gatsby himself didn't believe it would come, and perhaps he no longer cared. If that was true he must have felt that he had lost the old warm world, paid a high price for living too long with a single dream. (8.111)

In the end, Gatsby does pay a high price for living too long with a single dream: death. Now, we're not saying that you'll end up dead if you don't give up your dream of have made Homecoming Court or a perfect score on the SAT—but we are saying that, at some point, you're probably going to have to move on.