Quote 41
It made no difference to me. Dishonesty in a woman is a thing you never blame deeply – I was casually sorry, and then I forgot. It was on that same house party that we had a curious conversation about driving a car. It started because she passed so close to some workmen that our fender flicked a button on one man's coat. (3.159)
This quote gives us an interesting look into Nick's psyche. He's noticed a character flaw in Jordan (she's dishonest), but ultimately he brushes it off because he's into her—and here we thought Daisy and Gatsby were the only ones wearing rose-colored glasses.
Quote 42
So we beat on, boats against the current, borne back ceaselessly into the past. (9.149-153)
As a wise man once said, the term "Future Perfect" will be abandoned "[when it is] discovered not to be." In other words? The future never lives up to our expectations—and, in fact, having expectations of it just binds us to the past.
Quote 43
Through this twilight universe Daisy began to move again with the season; suddenly she was again keeping half a dozen dates a day with half a dozen men, and drowsing asleep at dawn with the beads and chiffon of an evening dress tangled among dying orchids on the floor beside her bed. And all the time something within her was crying for a decision. She wanted her life shaped now, immediately – and the decision must be made by some force – of love, of money, of unquestionable practicality – that was close at hand. (8.19)
You get the feeling that Fitzgerald thinks that women are fundamentally incapable of making up their minds, and so they have to have some dude do it for them. In that way, The Great Gatsby is really about the fight between Gatsby and Tom: whose vision of America is going to win?
Quote 44
It was after we started with Gatsby toward the house that the gardener saw Wilson's body a little way off in the grass, and the holocaust was complete. (8.112-114)
Myrtle's already dead, but we have to wonder: would Wilson have killed her, too? Is he avenging his wife's honor—or her death?
Quote 45
The fact that he had one [a mistress] was insisted upon wherever he was known. His acquaintances resented the fact that he turned up in popular restaurants with her and, leaving her at a table, sauntered about, chatting with whomever he knew. (2.3-4)
Tom is just the worst. It's one thing to have a mistress; it's quite another to embarrass your wife and friends by rubbing that mistress in their face. Right? Right.
Quote 46
Instead of being the warm center of the world, the Middle West now seemed like the ragged edge of the universe—so I decided to go East and learn the bond business. (1.6)
You'd think that returning from war would make Nick satisfied to live a quiet life with his family—but it doesn't. It just makes him restless and, yep, dissatisfied.
Quote 47
Why they came East I don't know. They had spent a year in France for no particular reason, and then drifted here and there unrestfully wherever people played polo and were rich together. This was a permanent move, said Daisy over the telephone, but I didn't believe it – I had no sight into Daisy's heart, but I felt that Tom would drift on forever seeking, a little wistfully, for the dramatic turbulence of some irrecoverable football game. (1.17)
Tom's problem is that he peaked too early, playing football at Yale. It's hard to be satisfied with a normal life of playing polo and yachting when you've been a gridiron star.
Quote 48
I saw them in Santa Barbara when they came back, and I thought I'd never seen a girl so mad about her husband. If he left the room for a minute she'd look around uneasily, and say: "Where's Tom gone?" and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together – it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken – she was one of the chambermaids in the Santa Barbara Hotel. (4.143)
Girls who go with Tom seem to get in trouble, whether it's Daisy's bruised fingers, this girl's broken arm, or Myrtle's mutilated chest. Yeah, we'll be avoiding this guy.
Quote 49
James Gatz – that was really, or at least legally, his name. He had changed it at the age of seventeen and at the specific moment that witnessed the beginning of his career – when he saw Dan Cody's yacht drop anchor over the most insidious flat on Lake Superior. (4.6)
There's being dissatisfied with your clothes or your haircut, and then there's being dissatisfied with your entire existence. James Gatz is dissatisfied with his whole being, and we're pretty sure this isn't going to end well.
Quote 50
I suppose he'd had the name ready for a long time, even then. His parents were shiftless and unsuccessful farm people – his imagination had never really accepted them as his parents at all. (4.7)
James Gatz isn't just embarrassed of his parents like a normal teen; he seems to have fantasies of having different parents entirely. Like secretly being a prince—or belonging to a family that owns polo horses?
Quote 51
He had discovered that Myrtle had some sort of life apart from him in another world, and the shock had made him physically sick. (7.160)
George Wilson can't deal with the fact that Myrtle has a lover. It's not the sex that seems to bother him so much, but the fact that she has some sort of independent existence. Marriage is supposed to be about joining your lives, and so having a separate life is a total betrayal.
Quote 52
He talked a lot about the past, and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could return to a certain starting place and go over it all slowly, he could find out what that thing was… (6.132)
Gatsby can't deal with what his life's become, but instead of wanting to change it going forward, he wants to head back to the past. Hint: it doesn't work like that.
Quote 53
Tom talked incessantly, exulting and laughing, but his voice was as remote from Jordan and me as the foreign clamor on the sidewalk or the tumult of the elevated overhead. Human sympathy has its limits, and we were content to let all their tragic arguments fade with the city lights behind. (7.308)
Well, Tom seems pretty satisfied with himself—but no one else is. They're all unhappy with what's just happened, but Tom has control of this situation.
Quote 54
Usually her voice came over the wire as something fresh and cool, as if a divot from a green golf-links had come sailing in at the office window, but this morning it seemed harsh and dry. (8.49-51)
Talk about dissatisfied. Jordan is the queen of discontent, but now she seems really put out. No wonder—things have taken a very sudden turn for the serious. Plus, without Gatsby, who's going to throw the parties?
Quote 55
"They're a rotten crowd," I shouted across the lawn. "You're worth the whole damn bunch put together." (8.44-45)
Finally, right before Gatsby dies, Nick realizes that all the people he's been hanging around with are no good. Gee, took you long enough, Nick.
Quote 56
I couldn't forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy – they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made […]. (9.145)
Nick may understand Tom, but he's not happy about it: he's dissatisfied with the way Tom and Daisy are dealing with this tragedy, and it's enough to send him scurrying back West in search of something else to be dissatisfied about.
Quote 57
Why they came East I don't know. They had spent a year in France for no particular reason, and then drifted here and there unrestfully wherever people played polo and were rich together. (1.16-17)
Daisy and Tom's crowd may be "rich together," but this sounds an awful lot like loneliness to us.
Quote 58
About half way between West Egg and New York the motor road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. This is a valley of ashes -- a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. (2.1)
West Egg is connected to New York by a road and a set of train tracks. It's not isolated: in fact, the things that happen in the city end up having effects back at West Egg. Trains and other technology like automobiles seemed to decrease isolation throughout the nineteenth century—but did they? Or, like social media, do they just give the appearance of togetherness while making us all more and more isolated?
Quote 59
The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. (3.4)
Talk about isolation. These parties are full of people who instantly forget each other, or never even knew each other to begin with. Trying to meet someone at one of Gatsby's parties would be like trying to have a meaningful conversation at a rave: no one's there to make connections. Well, not the meaningful kind, anyway.
Quote 60
As soon as I arrived I made an attempt to find my host, but the two or three people of whom I asked his whereabouts stared at me in such an amazed way, and denied so vehemently any knowledge of his movements, that I slunk off in the direction of the cocktail table – the only place in the garden where a single man could linger without looking purposeless and alone. (3.10)
Actually, this is good advice: if you head to a party without knowing anyone, head for the snacks.