Heart of Darkness Charlie Marlow Quotes

Charlie Marlow

Quote 101

"It was unearthly, and the men were—No, they were not inhuman. Well, you know, that was the worst of it—this suspicion of their not being inhuman. It would come slowly to one. They howled, and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity—like yours—the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was ugly enough; but if you were man enough you would admit to your self that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you—you so remote from the night of first ages—could comprehend." (2.8)

Marlow begins to feel a teeny, tiny sense of kinship with the native Africans, and he even says that he's starting to understand their screams. At this point, Marlow is turning away from the traditional views of imperialists, who do not see the conquered native Africans as human.

Charlie Marlow

Quote 102

"And between whiles I had to look after the savage who was fireman. He was an improved specimen; he could fire up a vertical boiler. He was there below me, and, upon my word, to look at him was as edifying as seeing a dog in a parody of breeches and a feather hat, walking on his hind-legs. A few months of training had done for that really fine chap. He squinted at the steam-gauge and at the water-gauge with an evident effort of intrepidity—and he had filed teeth too, the poor devil, and the wool of his pate shaved into queer patterns, and three ornamental scars on each of his cheeks. He ought to have been clapping his hands and stamping his feet on the bank, instead of which he was hard at work, a thrall to strange witchcraft, full of improving knowledge. He was useful because he had been instructed; and what he knew was this—that should the water in that transparent thing disappear, the evil spirit inside the boiler would get angry through the greatness of his thirst, and take a terrible vengeance. So he sweated and fired up and watched the glass fearfully (with an impromptu charm, made of rags, tied to his arm, and apiece of polished bone, as big as a watch stuck flatways through his lower lip), while the wooded banks slipped past us slowly…." (2.8)

Marlow may not be a total racist jerk, but he still doesn't consider the native Africans his equal. He sees them instead as animals, calling this fireman "a dog in a parody of breeches and a feather hat, walking on his hind-legs." They don't bother teaching him anything about hydraulics or engineering; they just tell him that an evil spirit will take revenge if the boiler ever becomes empty. This is essentially the same as getting your kid to stay in bed by telling her that there's a monster under it.

Charlie Marlow

Quote 103

America, or Africa, or Australia, and lose myself in all the glories of exploration. At that time there were many blank spaces on the earth, and when I saw one that looked particularly inviting on a map (but they all look that) I would put my finger on it and say, 'When I grow up I will go there.'…But there was one yet - the biggest, the most blank, so to speak - that I had a hankering after."(1.17)

Marlow wants to fill the blank spaces on the map with all his discoveries, and so he's drawn to the "most blank" of them all—Africa. (Blank, that is, unless you're actually living there.) Er, we might be reading too much into this (never!), but we think that the desire to "fill" the "blank spaces" has a kind of sexual feeling to it.

Charlie Marlow

Quote 104

"Near the same tree two more bundles of acute angles sat with their legs drawn up. One, with his chin propped on his knees, stared at nothing, in an intolerable and appalling manner: his brother phantom rested its forehead, as if overcome with a great weariness; and all about others were scattered in every pose of contorted collapse, as in some picture of a massacre or a pestilence. While I stood horror-struck, one of these creatures rose to his hands and knees, and went off on all-fours towards the river to drink. He lapped out of his hand, then sat up in the sunlight, crossing his shins in front of him, and after a time let his woolly head fall on his breastbone." (1.41)

Marlow doesn't see the black Africans as complete human beings but as objects, ghosts, or through animal imagery: "acute angles," "phantom," "creature," "woolly head." You might want to put away that Nobel Peace Prize.

Charlie Marlow

Quote 105

[Marlow on the manager]: "He inspired uneasiness. That was it! Uneasiness. Not a definite mistrust—just uneasiness—nothing more. You have no idea how effective such a … a … faculty can be. He had no genius for organizing, for initiative, or for order even. That was evident in such things as the deplorable state of the station. He had no learning, and no intelligence. His position had come to him—why? Perhaps because he was never ill…He had served three terms of three years out there…Because triumphant health in the general rout of constitutions is a kind of power in itself. When he went home on leave he rioted on a large scale—pompously. Jack ashore—with a difference—in externals only. This one could gather from his causal talk. He originated nothing, he could keep the routine going—that's all. But he was great. He was great by this little thing that it was impossible to tell what could control such a man. He never gave that secret away. Perhaps there was nothing within him. Such a suspicion made one pause—for out there there were no external checks. Once when various tropical diseases had laid low almost every "agent" in the station, he was heard to say, "Men who come out here should have no entrails." He sealed the utterance with that smile of his, as though it had been a door opening into a darkness he had in his keeping. You fancied you had seen things—but the seal was on." (1.52)

The manager is basically as empty of distinction as a human being can be. He has no genius, no initiative, and no talent for organizing things. Even more disturbing, he seems to have no insides—nothing for diseases to infect. Bonus: his amazing good health has allowed him to never miss a day of work! Someone print him a certificate!

Charlie Marlow

Quote 106

[Marlow on the brickmaker]: "I let him run on, this papier-mâché Mephistopheles, and it seemed to me that if I tried I could poke my forefinger through him, and would find nothing inside but a little loose dirt, maybe." (1.61)

Not only do we know that the brickmaker's words are empty, but Marlow describes him as a "papier-mâché" figure, implying that he's hollow inside. (And maybe filled with tasty candy and fun prizes?)

Charlie Marlow

Quote 107

"I had heard Mr. Kurtz was in there. I had heard enough about it, too—God knows! Yet somehow it didn't bring any image with it - no more than if I had been told an angel or a fiend was in there. I believed it in the same way one of you might believe there are inhabitants in the planet Mars." (1.61)

Kurtz's name has literally no associations for Marlow—not even your standard Martian face. Does that mean he has no expectations about Kurtz's identity, either?

Charlie Marlow

Quote 108

"The lustre of inquiring glance faded swiftly into vacant glassiness." (2.23)

Marlow associates death with emptiness since he describes the dead foreman's eyes as "vacant" as opposed to a once living "luster." Now just get a whole bunch of them and send them after an intrepid band of heroes, and you'll have a hit TV show!

Charlie Marlow

Quote 109

"And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman." (3.13)

The fact that this woman is described as an "apparition" suggests that Marlow does not consider women, especially this native African one, to be as fully human or as capable as men. Similar language comes up with the Intended shows up at the end of the novel—not the "wild" bit, but the "apparition" part.

Charlie Marlow

Quote 110

"I have wrestled with death. It's the most unexciting contest you can imagine. It takes place in an impalpable greyness, with nothing underfoot, with nothing around, without spectators, without clamour, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmosphere of tepid skepticism, without much belief in your own right, and still less in that of your adversary." (3.48)

The dominant feature of Marlow's struggle with death is its emptiness. It takes place without anything underneath or around it, without the possibility of human contact, without noise or glory, without the desire to win or fear of losing. Most tragically, it's fought without conviction in one's own beliefs. It's as empty and meaningless a struggle as can be.

Charlie Marlow

Quote 111

"I was within a hair's breadth of the last opportunity for pronouncement, and I found with humiliation that probably I would have nothing to say. This is the reason why I affirm that Kurtz was a remarkable man. He had something to say. He said it. […] True, he had made that last stride, he had stepped over the edge, while I had been permitted to draw back my hesitating foot. And perhaps in this is the whole difference; perhaps all the wisdom, and all truth, and all sincerity, are just compressed into that inappreciable moment of time in which we step over the threshold of the invisible." (3.48)

Hm, this is interesting. Marlow believes that he's just as empty as the rest of them, and that only Kurtz managed to hold on to something real. Kurtz had something to say, something of importance and meaning, while he and the rest of the crew spoke meaninglessly. Marlow believes that the only way to not completely lose one's humanity in the interior is to "step over the edge." That sounds … pretty paradoxical to us, actually.

Charlie Marlow

Quote 112

"I shall see this eloquent phantom [Kurtz] as long as I live, and I shall see her (the Intended), too, a tragic and familiar Shade, resembling in this gesture another one (the warrior woman), tragic also…" (3.73)

Marlow describes Kurtz, the Intended, and the warrior woman all as incomplete humans, as mere phantoms or shades. Does that make Kurtz feminized in some way? Or are women just always a little crazy?

Charlie Marlow

Quote 113

"I am sorry to own I began to worry them. This was already a fresh departure for me. I was not used to get things that way, you know. I always went my own road and on my own legs where I had a mind to go. I wouldn't have believed it of myself; but, then—you see—I felt somehow I must get there by hook or by crook. So I worried them. The men said 'My dear fellow,' and did nothing. Then—would you believe it?—I tried the women. I, Charlie Marlow, set the women to work—to get a job. Heavens! Well, you see, the notion drove me. I had an aunt, a dear enthusiastic soul. She wrote: 'It will be delightful. I am ready to do anything, anything for you. It is a glorious idea. I know the wife of a very high personage in the Administration, and also a man who has lots of influence with,' etc. She was determined to make no end of fuss to get me appointed skipper of a river steamboat, if such was my fancy." (1.20)

It helps to have friends in high places. Marlow knows that power can be useful—and we even suspect that he'd like to have a little bit of it himself. (But not too much. Not so much that it makes him go crazy, you know.)

Charlie Marlow

Quote 114

"He [Kurtz] won't be forgotten. Whatever he was, he was not common. He had the power to charm or frighten rudimentary souls into an aggravated witch-dance in his honour; he could also fill the small souls of the pilgrims with bitter misgivings: he had one devoted friend at least, and he had conquered one soul in the world that was neither rudimentary nor tainted with self-seeking. No; I can't forget him, though I am not prepared to affirm the fellow was exactly worth the life we lost in getting to him." (2.29)

Marlow admires Kurtz's power, but he's not blindly attracted to it like the harlequin is. Why? Does he know that Kurtz is corrupt?

Charlie Marlow

Quote 115

"Besides that, they had given them every week three pieces of brass wire, each about nine inches long; and the theory was they were to buy their provisions with that currency in riverside villages. You can see how that worked. There were either no villages, or the people were hostile, or the director, who like the rest of us fed out of tins, with an occasional old he-goat thrown in, didn't want to stop the steamer for some more or less recondite reason. So, unless they swallowed the wire itself, or made loops of it to snare the fishes with, I don't see what good their extravagant salary could be to them. I must say it was paid with a regularity worthy of a large and honourable trading company." (2.14)

The Company is so greedy that they assume the Africans are that way, too. Marlow makes fun of this attitude in the last sentence. When the pilgrims cannot offer suitable food to the Africans, they offer useless brass wire as payment. They don't care that brass wire isn't edible, or that the steamboat doesn't pass any villages where the Africans can step off and barter it for food. In other words, they have only themselves to blame that the cannibals are now so eager for human flesh.

Charlie Marlow

Quote 116

"'Kurtz got the tribe to follow him, did he?' I suggested. He fidgeted a little. 'They adored him,' he said. The tone of these words was so extraordinary that I looked at him searchingly. It was curious to see his mingled eagerness and reluctance to speak of Kurtz. The man filled his life, occupied his thoughts, swayed his emotions. 'What can you expect?' he burst out; 'he came to them with thunder and lightning, you know—and they had never seen anything like it—and very terrible. He could be very terrible." (3.4)

Kurtz is so powerful that he manages to convince the native Africans to help him steal ivory from their fellow tribes. What's weird is we can't quite tell if the Africans worship him because they think he's awesome, or because they're terrified of him. Is it the same?

Charlie Marlow

Quote 117

"I am not disclosing any trade secrets. In fact, the manager said afterwards that Mr. Kurtz's methods had ruined the district. I have no opinion on that point, but I want you clearly to understand that there was nothing exactly profitable in these heads being there." (3.5)

All of a sudden, Marlow seems awfully concerned with the Company's profits. Like the manager, he disagrees with Kurtz's judgment here, saying that beheading native Africans wasn't exactly profitable. Callous? Cynical? Satiric? You decide.

Charlie Marlow

Quote 118

"Then—would you believe it?—I tried the women. I, Charlie Marlow, set the women to work—to get a job. Heavens! Well, you see, the notion drove me. I had an aunt, a dear enthusiastic soul. She wrote: 'It will be delightful. I am ready to do anything, anything for you. It's a glorious idea. I know the wife of a very high personage in the Administration, and also a man who has lots of influence with,' etc. She was determined to make no end of fuss to get me appointed skipper of a river steamboat, if such was my fancy." (1.20)

Look at that—only twenty paragraphs into the book, and we've already met a powerful woman. Sure, she only has power because she knows powerful men, or powerful men's wives, but it still counts, right?

Charlie Marlow

Quote 119

"It's queer how out of touch with truth women are. They live in a world of their own, and there has never been anything like it, and never can be. It's too beautiful altogether, and if they were to set it up it would go to pieces before the first sunset. Some confounded fact we men have been living contentedly with ever since the day of creation would start up and knock the whole thing over." (1.28)

Marlow thinks that women are naïve and idealistic, believing in fantastic and utopian worlds that would never work in the reality he knows. Dummies. (Okay, but he's secretly totes jealous.)

Charlie Marlow

Quote 120

"Girl! What? Did I mention a girl? Oh, she's out of it - completely. They - the women, I mean - are out of it - should be out of it. We must help them to stay in that beautiful world of their own, lest ours gets worse." (2.29)

At the first mention of the Intended, Marlow scoots back to his opinion of women as completely out of touch with reality. But their fantastic visions of world peace are so touching and beautiful that he does not want to disillusion them with the ugly truth, since they probably couldn't handle it.