Quote 121
"She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step." (3.14)
Woman or warrior? She walks regally and fearlessly, her hair is "done in the shape of a helmet," and she wears protective brass coverings. She's basically the opposite of the soft, fragile Intended—but does she serve the same purpose for the Africans? She seems to be a rallying symbol for the Africans just like the blonde European women are for Marlow.
Quote 122
"She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her." (3.14)
Notice how Marlow describes this warrior woman's magnificent brass ornaments in terms of their value? We did, too, and we're thinking this isn't much different from judging European women based on the value of their ornaments.
Quote 123
"She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul." (3.14)
Just like the Intended is a symbol of civilization, with its fires and its tea and its couches, the warrior woman is a symbol of the wilderness—elephant tusks and all.
Quote 124
"She struck me as beautiful—I mean she had a beautiful expression. I know that the sunlight can be made to lie, too, yet one felt that no manipulation of light and pose could have conveyed the delicate shade of truthfulness upon those features. She seemed ready to listen without mental reservation, without suspicion, without a thought for herself." (3.50)
Marlow is attracted to Kurtz's Intended not only because of her feminine beauty, but for her seemingly open expression and innocence.
Quote 125
"Their [the Intended's eyes'] glance was guileless, profound, confident, and trustful. She carried her sorrowful head as though she were proud of that sorrow, as though she would say, 'I - I alone know how to mourn for him as he deserves.'" (3.53)
Marlow sees the Intended as pure and "guileless," especially noting the honest expression of pain in her eyes. But is she really, or is this just, like, his opinion, man?
Quote 126
[Marlow]: "'It was impossible not to—'
'Love him,' she [the Intended] finished eagerly, silencing me into an appalled dumbness. 'How true! how true! But when you think that no one knew him so well as I! I had all his noble confidence. I knew him best.'" (3.56-57)
Oh girl, you don't know him at all.
Quote 127
"And the girl talked, easing her pain in the certitude of my sympathy; she talked as thirsty men drink." (3.60)
This conversation with the Intended doesn't do much to change Marlow's mind about women.
Quote 128
"'Yes, I know,' I said with something like despair in my heart, but bowing my head before the faith that was in her, before that great and saving illusion that shone with an unearthly glow in the darkness, in the triumphant darkness from which I could not have defended her—from which I could not even defend myself.
'What a loss to me—to us!'—she corrected herself with beautiful generosity; then added in a murmur, 'To the world.' By the last gleams of twilight I could see the glitter of her eyes, full of tears—of tears that would not fall." (3.62-63)
The Intended is so blinded by her love for Kurtz and her idealism that she immerses herself in the lie she created and does not even consider questioning its veracity. Marlow does not dare destroy her beautiful illusion, even when she goes so far as to call his death a tragedy on a global scale. (Er, there is a global tragedy here—but it's not Kurtz's death. It's the destruction of a continent.)
Quote 129
"She put out her arms as if after a retreating figure, stretching them back and with clasped pale hands across the fading and narrow sheen of the window. Never see him! I saw him clearly enough then. I shall see this eloquent phantom as long as I live, and I shall see her, too, a tragic and familiar Shade, resembling in this gesture another one, tragic also, and bedecked with powerless charms, stretching bare brown arms over the glitter of the infernal stream, the stream of darkness." (3.73)
In case you weren't sure, Marlow tells us that we're supposed to be seeing some parallels between the warrior woman and the Intended, who both want to believe that Kurtz reciprocated their love absolutely. It's interesting that they both want the same thing when they live in such different worlds, right? Women.
Quote 130
[Marlow to the Intended]: "'The last word he pronounced was—your name.'"
"I heard a light sigh and then my heart stood still, stopped dead short by an exulting and terrible cry, by the cry of inconceivable triumph and of unspeakable pain. 'I knew it—I was sure!' […] She knew. She was sure. (3.85-86)
To Marlow, all this is just one more piece of evidence that women don't get it.
Quote 131
It had known and served all the men of whom the nation is proud, from Sir Francis Drake to Sir John Franklin, knights all, titled and untitled - the great knights-errant of the sea. It had borne all the ships whose names are like jewels flashing in the night of time, from the Golden Hind returning with her rotund flanks full of treasure, to be visited by the Queen's Highness and thus pass out of the gigantic tale, to the Erebus and Terror, bound on other conquests - and that never returned. It had known the ships and the men. They had sailed from Deptford, from Greenwich, from Erith - the adventurers and the settlers; kings' ships and the ships of men on 'Change; captains, admirals, the dark 'interlopers' of the Eastern trade, and the commissioned 'generals' of East India fleets. Hunters for gold or pursuers of fame, they all had gone out on that stream, bearing the sword, and often the torch, messengers of the might within the land, bearers of a spark from the sacred fire. What greatness had not floated on the ebb of that river into the mystery of an unknown earth! . . . The dreams of men, the seed of commonwealths, the germs of empires. (1.6)
Marlow lists off a bunch of famous figures who explored the Thames River and the sea. The first half of his list catalogs royally commissioned explorers and plunderers, while the latter half are businessmen who developed trade with foreign countries. Marlow seems to view all of them as pioneers who struck out to bring civilization to dark unknown lands—but we're not so sure he really feels that way.
Quote 132
He was a seaman, but he was a wanderer, too, while most seamen lead, if one may so express it, a sedentary life. Their minds are of the stay-at-home order, and their home is always with them—the ship; and so is their country—the sea. One ship is very much like another, and the sea is always the same. In the immutability of their surroundings the foreign shores, the foreign faces, the changing immensity of life, glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance; for there is nothing mysterious to a seaman unless it be the sea itself, which is the mistress of his existence and as inscrutable as Destiny. For the rest, after his hours of work, a casual stroll or a casual spree on shore suffices to unfold for him the secret of a whole continent, and generally he finds the secret not worth knowing. The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine. (1.9)
What's weird is that Conrad describes seamen as actually kind of sedentary, sitting aboard their ship wherever it takes them rather than actively going out to explore. Marlow, on the other hand, is an explorer in the truest sense of the word. He hasn't come to impose assumptions, but to find meaning and truth—even if he doesn't like what he finds.
Quote 133
[Marlow]: "Imagine him here—the very end of the world, a sea the colour of lead, a sky the colour of smoke, a kind of ship about as rigid as a concertina - and going up this river with stores, or orders, or what you like. Sand-banks, marshes, forests, savages, precious little to eat fit for a civilized man, nothing but Thames water to drink. No Falernian wine here, no going ashore. Here and there a military camp lost in a wilderness, like a needle in a bundle of hay—cold, fog, tempests, disease, exile, and death - death skulking in the air, in the water, in the bush. They must have been dying like flies here." (1.11)
When you head off to backpack around Southeast Asia after college, you end up leaving some of your comforts behind. Some places don't even have cell phone service! Imagine!
Quote 134
[Marlow]: "Or think of a decent young citizen in a toga—perhaps too much dice, you know—coming out here in the train of some prefect, or tax-gatherer, or trader even, to mend his fortunes. Land in a swamp, march through the woods, and in some inland post feel the savagery, the utter savagery, had closed round him—all that mysterious life of the wilderness that stirs in the forest, in the jungles, in the hearts of wild men. There's no initiation either into such mysteries. He has to live in the midst of the incomprehensible, which is also detestable. (1.11)
Exploration can be a way of escaping your gambling debts ("too much dice") and starting a new life, but don't expect to find a place to buy your gourmet salt in a savage new land.
Quote 135
"Now when I was a little chap I had a passion for maps. I would look for hours at South America, or Africa, or Australia, and lose myself in all the glories of exploration. At that time there were many blank spaces on the earth, and when I saw one that looked particularly inviting on a map (but they all look that) I would put my finger on it and say, 'When I grow up I will go there.' […] But there was one yet—the biggest, the most blank, so to speak—that I had a hankering after."(1.17)
There's just something about a blank space on a map that makes Marlow want to fill it up. Come on, we're not the only ones hearing something a little sexual here, right?.
Quote 136
"One day he [the accountant] remarked, without lifting his head, 'In the interior you will no doubt meet Mr. Kurtz.' On my asking who Mr. Kurtz was, he said he was a first-class agent; and seeing my disappointment at this information, he added slowly, laying down his pen, 'He is a very remarkable person.' Further questions elicited from him that Mr. Kurtz was at present in charge of a trading-post, a very important one, in the true ivory-country, at 'the very bottom of there. Sends in as much ivory as all the others put together […].'" (1.46)
Marlow wasn't too interested in Kurtz at first, but he's starting to get curious. As the details pile up—he's a first-class agent, he's a remarkable person, he sends in quantities of ivory—our hero can't help wanting to, um, explore.
Quote 137
"I had plenty of time for meditation, and now and then I would give some thought to Kurtz. I wasn't very interested in him. No. Still, I was curious to see whether this man, who had come out equipped with moral ideas of some sort, would climb to the top after all and how he would set about his work when there." (1.74)
Despite himself, Marlow becomes more and more curious about this faceless figure of Kurtz. From the brickmaker's description of him, Marlow assumes that Kurtz came out "equipped with moral ideas of some sort," probably the sort that try to justify imperialism. When compared to the godlessness of the crew surrounding Marlow, Kurtz seems like a good alternative.
Quote 138
"Where the pilgrims imagined it crawled to I don't know. To some place where they expected to get something. I bet! For me it crawled towards Kurtz—exclusively […]." (2.7)
This has quickly stopped being curiosity and become obsession: Marlow doesn't see the wilderness as his destination anymore, but just Kurtz. (Or are they really that different?)
Quote 139
"'And by the way, I suppose Mr. Kurtz is dead as well by this time.'
"For the moment that was the dominant thought. There was a sense of extreme disappointment, as though I had found out I had been striving after something altogether without a substance. I couldn't have been more disgusted if I had travelled all this way for the sole purpose of talking with Mr. Kurtz." (2.23-24)
Marlow just can't leave it alone: Kurtz is dead, but he's still obsessed with the man—so obsessed that he visits the Intended. We hope he got what he was looking for.
Quote 140
"The old doctor felt my pulse, evidently thinking of something else the while. "Good, good for there," he mumbled, and then with a certain eagerness asked me whether I would let him measure my head. Rather surprised, I said Yes, when he produced a thing like calipers and got the dimensions back and front and every way, talking notes carefully. He was an unshaven little man in a threadbare coat like a gaberdine, with his feet in slippers, and I thought him a harmless fool. "I always ask leave, in the interests of science, to measure the crania of those going out there," he said. "And when they come back too?" I asked. "Oh, I never see them, " he remarked; "and, moreover, the changes take place inside, you know." He smiled, as if at some quiet joke. "So you are going out there. Famous. Interesting too." He gave me a searching glance and made another note. "Ever any madness in your family?" he asked, in a matter-of-fact tone. I felt very annoyed. "Is that question in the interests of science too?" "It would be," he said, without taking notice of my irritation, "interesting for science to watch the mental changes of individuals, on the spot, but […]." (1.26)
The doctor implies that going into the interior changes men's psyches and he tries to measure their skulls before they leave. You know, for science. Marlow thinks this is all lunacy, but we suspect he might change his mind once he sees the actual skulls that Kurtz has impaled around his hut.