How we cite our quotes: (Chapter.Paragraph)
Quote #1
The lesson was not interrupted, but the girl raised her eyes to see who was passing by the window, and that casual glance was the beginning of a cataclysm of love that still had not ended half a century later. (2.5)
Is there any such thing as love at first sight? Florentino seems to think so.
Quote #2
He met a man who lived like a king by exploiting three women at the same time. The three of them rendered their accounts at dawn, prostrate at his feet to beg forgiveness for their meager profits, and the only gratification they sought was that he go to bed with the one who brought him the most money. Florentino Ariza thought that terror alone could induce such indignities, but one of the three girls surprised him with the contradictory truth.
"These are things," she said," you do only for love." (2.30)
The parallel between "terror" and "love" is a little disturbing. Here love seems to be a dangerous force that people can use to exploit others.
Quote #3
She reminded him that the weak would never enter the kingdom of love, which is a harsh and ungenerous kingdom, and that women give themselves only to men of resolute spirit, who provide the security they need in order to face life. (2.34)
Tránsito's advice to her son as he attempts to woo Fermina reminds us of Pat Benatar's wise lyrics in "Love is a Battlefield."
Quote #4
He was not the kind of man she would have chosen. His foundling's eyeglasses, his clerical garb, his mysterious resources had awakened in her a curiosity that was difficult to resist, but she had never imagined that curiosity was one of the many masks of love. (2.40)
Fermina's perspective clues us in that not everyone understands love in the same way Florentino does – as a battle to the death. Love has "many masks."
Quote #5
It was the year they fell into devastating love. Neither one could do anything except think about the other, dream about the other, and wait for letters with the same impatience they felt when they answered them. Never in that delirious spring, or in the following year, did they have the opportunity to speak to each other. (2.45)
Here love becomes an obsession for both Fermina and Florentino. Yet it's based purely on the letters they write to one another. It's kind of like a precursor to Internet dating.
Quote #6
He liked to say that this love was the result of a clinical error. He himself could not believe that it had happened, least of all at that time in his life when all his reserves of passion were concentrated on the destiny of his city […] (3.2)
For Dr. Urbino, love seems like a bit of an inconvenience, but he can't help himself. We guess there are some things that are beyond his ability to control with science, order, and reason.
Quote #7
That is how they were: they spent their lives proclaiming their proud origins, the historic merits of the city, the value of its relics, its heroism, its beauty, but they were blind to the decay of the years. Dr. Juvenal Urbino, on the other hand, loved it enough to see it with the eyes of truth. (3.13)
For Dr. Urbino, love isn't something that's reserved for people. His love for his city is one of the driving forces of his life.
Quote #8
"Love is the only thing that interests me," he said.
"The trouble," his uncle said to him, "is that without river navigation there is no love." (4.10-11)
His uncle's words are a reminder to Florentino that people need to worry about more than just love – they have to take care of practical side of life in order to survive. Not that Florentino pays any attention to his advice…
Quote #9
He did not even ask his new clients any questions, because all he had to do was look at the whites of their eyes to know what their problem was, and he could write page after page of uncontrolled love, following the infallible formula of writing as he thought about Fermina Daza and nothing but Fermina Daza. (4.21)
Does it seem strange that Florentino is able to relate to so many other lovers because of his experience in loving Fermina? Is romantic love always the same?
Quote #10
The truth is that Dr. Juvenal Urbino's suit had never been undertaken in the name of love, and it was curious, to say the least, that a militant Catholic like him would offer her only worldly goods: security, order, happiness, contiguous numbers that, once they were added together, might resemble love, almost be love. But they were not love, and these doubts increased her confusion, because she was also not convinced that love was really what she most needed to live. (4.117)
Fermina makes the decision to marry Dr. Urbino based on what he can provide for her, not on how she feels about him. This seems unromantic, but it makes her happy.
Quote #11
They were together in silence like an old married couple wary of life, beyond the pitfalls of passion, beyond the brutal mockery of hope and the phantoms of disillusion: beyond love. For they had lived together long enough to know that love was always love, anytime and anyplace, but it was more solid the closer it came to death. (6.221)
Towards the end of the novel, García Márquez's representation of love only gets more complex. It seems like the lovers gain a more solid understanding of what love is based on their many years of experience. What does it mean to be "beyond love," though? The author leaves us with a lot of questions.