How we cite our quotes: (Chapter.Paragraph)
Quote #1
"I am a painter. Not, alas, a painter of houses, or I should have been able to make my pile and retire by now. No no; I paint pictures. Not, alas again, pictures of trade unionists or town halls or naked women, or I should now be squatting on an even larger pile." (4.24)
Bertrand implies here that he's a cut above painters who paint ordinary pictures. Notices his kind of disparaging mention of "trade unionists"? Aren't you glad you just had our history lesson? In other words, he's saying "I don't paint pictures for the common rabble; I'm a serious artist." He's trying to elevate people's perception of his social class.
Quote #2
A maidservant was now collecting the used crockery, and the company was moving about. (4.68)
Now Welch might just be your run-of-the-mill professor. But if the guy has a maidservant working for him, he's doing OK. This helps us to realize the difference between Jim's financial situation and Welch's, and why Jim's hoping for a permanent position at the college. He doesn't much like his field, but he needs a better income.
Quote #3
"Patronage, you see, patronage: that's what it'll be. I'll answer his letters with one hand and paint with the other." (4.97)
After explaining that he's gunning for a job as Mr. Gore-Urquhart's private secretary, Bertrand feels the need to show that he's not just going to be some assistant for the rest of his life. He wants people to know that first and foremost, he's a great artist, and that rich Uncle Julius is simply going to be a patron of his grand career.
Quote #4
"I was reading about your uncle only recently, Miss Callaghan. There was a piece about him in the local paper. He was presenting some water-colours to our Gallery here. I don't know what we should do without someone like him to keep things going." (4.122)
Hoping to interrupt a fight brewing between Jim and Bertrand, Margaret steps in and tells Christine about what a great man her rich uncle Julius is for supporting the local arts scene. Hey, it pays to be rich, because people are always kowtowing to you and your relatives.
Quote #5
"It's a good job there are some people still about who can afford to be [generous] in that way." (4.125)
Even though she just complimented Mr. Gore-Urquhart for being a great supporter of the arts, Margaret adds a bit of nuance when she says that the man's generous because he can afford to be. In other words, Margaret's implying that if everyone had as much money as Gore-Urquhart, they might be just as generous. We're never really told where old G-U got his money.
Quote #6
"If one man's got ten buns and another's got two, and a bun has got to be given up by one of them, then surely you take it from the man with the ten buns." (4.129)
In a rare political discussion, Jim shows that he supports taxing the rich to help the poor. Bertrand and Christine are having none of it, so Jim decides to use a simple example to talk about how it makes perfect sense to take a little bit from the people who have everything and giving it to the people who have nothing. Hmm—arguments about the redistribution of wealth? Some things never change.
Quote #7
"But we don't think anybody need give up a bun, Mr. Dixon," the girl said. "That's the whole point." (4.130)
Christine and Bertrand think the country's tax system is basically designed to "soak the rich." This discussion reassures Jim that he might be able to get over Christine's good looks since she's obviously not a compassionate person.
Quote #8
"The point is that the rich play an essential role in modern society," he said, his voice baying a little more noticeably. "More than ever in days like these. That's all; I'm not going to bore you with the stock platitudes about their having kept the arts going, and so on." (4.132)
As far as Bertrand's concerned, the rich might decide to stop supporting the arts if the government takes their money and gives it to the poor. For Bertrand, the rich have to stay rich if artists like him are going to thrive. It's all about self-interest, which is what we're meant to see in this passage.
Quote #9
"And shall I tell you what else I happen to like? Rich people. I take pride in the contemporary unpopularity of that statement. And why do I like them? Because they're charming, because they're generous, because they've learnt to appreciate the things I happen to like myself, because their houses are full of beautiful things." (4.134)
When it comes down to it, Bertrand just thinks that rich people are flat-out better than everyone else. He doesn't seem to realize (or maybe he does) that rich people are charming because they have the luxury of being charming.
Quote #10
The fashionable clergymen and one of the aldermen now came over, filled glasses in their hands, and drew [Gore-Urquhart] off to join their group round the Principal. Dixon couldn't help admiring the way in which, without saying or doing anything specific, they established so effortlessly that he himself wasn't expected to accompany them. (21.39)
What makes this social-class move surprising is that Jim's an important guest at this party, or he should be. It's his talk that's the reason for the party. Even that doesn't prevent the bigwigs from ignoring him.