How we cite our quotes: (Part.Chapter.Paragraph)
Quote #1
"That was pretty good, eh?" said Idabel. "I'll bet you thought the devil was hot on your trail."
Florabel said: "Not the devil, sister…he's inside you." (1.1.138-39)
The twin sisters, Idabel and Florabel, talk about the devil as though they knew him personally. Their casual chatter indicates that the presence of the devil is part of everyday life for them. Florabel's accusation, that the devil is inside of Idabel, could mean a couple of things: one, that Idabel is truly, ultimately evil in her sister's eyes or, two, that talk about the devil isn't all that serious.
Quote #2
Sometime later a thought of them echoed, receded, left him suspecting they were perhaps what he'd first imagined: apparitions. (1.1.152)
When Florabel and Idabel disappear into the night, Joel could almost fool himself into thinking that they had never been there. Comparing the girls to apparitions (a fancy word for ghosts) creates a sense of eeriness that's very common in the Southern Gothic genre, and also alerts the reader (that would be you, Shmooper) that things might not all be as they seem.
Quote #3
But Joel, scowling at a dream demon, was unaware when the woman bent so intently towards him and peered into his face by the lamp's smoky light. (1.1.154)
While the devil, in Florabel and Idabel's banter, is not so scary, the "dream demon" that haunts Joel's sleep seems much more sinister. We know at this point that Joel's mother has recently died, so it wouldn't be surprising if he were suffering from nightmares. This tiny little turn of phrase clues us in to Joel's dark inner life.
Quote #4
"This here's the Lord's day," she announced. "You believe in Him? You got faith in His healin power?" (1.2.76)
Okay, Shmoopeteers, we've been getting pretty grim with all this supernatural stuff, but Zoo is here to remind us that if the devil is walking around and popping up in conversation, so is the Lord. This ultimate fight between good and evil has a relevant, important role in the characters' day-to-day lives.
Quote #5
"When the time come for that Keg Brown to go, Lord, just you send him back in a hounddog's nasty shape, ol hound dog ain't nobody wants to trifle with: a haunted dog." (1.3.19)
Zoo's prayer, that her horrible, murderous husband be punished for his violent crime against her, reveals that she's playing the long game. She's basically powerless—impoverished, black, a woman—so she can't really get her revenge. So instead she looks for cosmic vengeance in the form of a nasty reincarnation.
Quote #6
"Just a hotbed of crazy n*****-notions, that girl. Remember when she wrung the neck off every chicken on the place? Oh, it isn't funny, don't laugh. I sometimes wondered what would happen if it got into her head his soul inhabited one of us." (1.4.10)
Miss Amy's racist remarks are crazy-offensive, but they do tell us something interesting about the society she lives in. She lumps all of Zoo's beliefs in the supernatural in with her race, as though only black people believed in souls and possessions. But we know that Florabel says her sister is inhabited by the devil, so this is a stereotype that doesn't hold up.
Quote #7
"Still, we haven't exorcized Master Knox's ghost."
"It wasn't any ghost," muttered Joel. "There isn't any such of a thing: this was a real live lady, and I saw her." (1.4.43-44)
The constant references to ghosts makes it easy to shrug off strange sights in and around Skully's Landing. If you can't explain something, just chalk it up to spirits. At least, that's what Randolph tries to do. But he can't convince Joel that the lady in the window was a ghost. If ghosts are an option for Joel (and we know they are because he thought the twins might be), then he must be really sure that she wasn't.
Quote #8
"A matter of viewpoint, I suppose," he said, and yawned. "I know her fairly well, and to me she is a ghost." (1.4.88)
Randolph talks in riddles, and this is a big one. He's talking about the "queer lady" in the window, and it seems strange that he would say that she's a ghost to him because of his viewpoint, and that he knows her well. If we believe that the lady is Randolph in a wig, then it's as though a feminine part of himself has died and comes back to haunt him.
Quote #9
Little Sunshine raised his arm: "Hurry, child, make a cross," he said in a trombone voice, "cause you done come up on me in the lighta day." Awed, Joel crossed himself. A smile stretched the hermit's thick wrinkled lips: "Spin round, boy, and you is saved." (1.5.10)
Little Sunshine makes a living out of dealing in the supernatural, selling charms. But when he gets Joel to obey him, crossing himself for seeing Little Sunshine in the daylight, that smile that stretches his lips might mean he doesn't usually convince his customers. This supernatural force might be more of a moneymaking scheme than anything else.
Quote #10
Meanwhile Zoo tried unsuccessfully to conceal a necklace-like ornament the hermit had knotted about her giraffish neck. She looked very put out when Joel asked: "What's that you got on, Zoo?"
"Hit's a charm," volunteered the hermit proudly.
"Hush up," snapped Zoo. "Done just told me it don't work iffen I goes round tellin everbody." (1.5.11-13)
Zoo's neck is a sore spot, literally. It's scarred by the time that her husband, Keg, tried to strangle her. So it seems fitting that a charm for protection would go around her neck. Of course, it's kind of like a wish—if you tell it doesn't come true. And given Zoo's fate when she leaves the Landing, it would seem that Little Sunshine just jinxed her.