Speak Melinda Sordino Quotes

Melinda Sordino

Quote 41

Mr. Freeman steps back, as if he has just seen something new in his own picture. He slices the canvas with my chisel, ruining it with a long, ripping sound that makes the entire class gasp. (45.6)

Mr. Freeman is happy and inspirational, but he also shows his own sadness, depression, and anger. It's not 100% clear why Mr. Freeman slashes his masterpiece, but Melinda appreciates that he shows his emotions dramatically in public.

Melinda Sordino

Quote 42

It was the friendship necklace I had given Heather in a fit of insanity around Christmas. Stupid stupid stupid. How stupid could I be? I hear a cracking inside me, my ribs are collapsing in on my lungs, which is why I can't breathe. (53.11)

Heather's Valentine's Day meanness hit Melinda very hard. This is partly because she's convinced herself the envelope taped to her locker is a real valentine, either from a friend who wants to make up or David Petrakis, her lab partner.

Melinda Sordino

Quote 43

I stumble down the hall […] till I find my very own door and slop inside and throw the lock, not even bothering to turn on the lights, just falling falling a mile downhill to the bottom of my brown chair, where I can sink my teeth into […] my wrist and cry like the baby I am. (54.11)

This is Melinda after she gets the horrible we're-not-friends Valentine from Heather. Melinda stays true to her pattern. When she's sad she isolates herself and inflicts pain on herself.

Melinda Sordino

Quote 44

It's like smelling the perfect Christmas feast and having the door slammed in your face, leaving you there in the cold. (85.1)

This is Melinda after she tells Rachel that Andy raped her and Rachel doesn't believe her. Melinda thought she'd feel so much better after telling Rachel, but Rachel doesn't react the way Melinda wants. Still, Melinda sounds slightly less sad than normal here as if telling does give her some relief.

Melinda Sordino

Quote 45

[…] WHAMMO! – a thought slams into my head: I don't want to hang out in my little hidy-hole anymore. (88.1)

Here, near the end of the novel, we see Melinda waking up, moving away from sadness. Sadness is a useful emotion for her, but she's ready to feel it less than she has been.

Melinda Sordino

Quote 46

Definitely not a dryad face. I can't stop biting my lips. It looks like a mouth that belongs to someone else, someone I don't even know. (6.10)

Dryads are female spirits of nature, who live in trees and are in charge of forests and groves. Melinda sees them as beautiful, unlike the way she sees herself now that her face has been transformed by her reaction to the trauma.

Melinda Sordino

Quote 47

My contact folds in half under my eyelid. Tears well in my right eye. (9.9)

When you see someone having an issue with their eyes, glasses, or contacts in a book, it's probably a sign they are about to go through a metaphorical change in vision.

Melinda Sordino

Quote 48

I steal a pad of Hairwoman's late passes. I feel much, much better. (11.7)

Stealing passes and skipping classes are things Melinda would never have considered doing a year ago. She does them now because she feels compelled to be alone with her problems.

Melinda Sordino

Quote 49

It is getting harder to talk. My throat is always sore, my lips raw. When I wake up in the morning, my jaws are clenched so tight I have a headache. (24.3)

Melinda doesn't just decide to stop talking. She experiences real, physical symptoms of stress that stop her. She does decide to keep quiet, but some of it is out of her control.

Melinda Sordino

Quote 50

Jeans that fit, that's a good start. I have to stay away from the closet, go to all my classes. I will make myself normal. Forget the rest of it. (59.8)

Melinda is deciding to take control of her transformation and guide it in a more positive direction. She'll be compelled to talk about the rape as part of it. Forgetting doesn't seem to be an option.

Melinda Sordino

Quote 51

Me: "Can you buy me some seeds? Flower seeds?" (77.22)

Melinda finds lots of peace in the transformation of seeds to flowers and plants. Nature gives Melinda a model she can try to copy.

Melinda Sordino

Quote 52

I dig my fingers into the dirt and squeeze. A small clean part of me waits to warm and burst through the surface. Some quiet Melindagirl I haven't seen in months. That is the seed I will care for. (85.13)

Melinda's at the spot where she was raped. She is able to use her knowledge of seeds growing to make peace with the spot. This seems important for her journey back to health.

Melinda Sordino

Quote 53

The tears dissolve the last block of ice in my throat. I feel the frozen stillness melt down through the inside of me, dripping shards of ice that vanish in a puddle of sunlight on the stained floor. Words float up. (89.15)

Again we see tears as part of Melinda's process of transformation. In this scene, the tears are healing and the help open a space for Melinda to tell Mr. Freeman her story.

I don't want to be cool. I want to grab her by the neck and shake her and scream at her to stop treating me like dirt. She didn't even bother to find out the truth – what kind of friend is that? (9.10)

Melinda blames Rachel for turning against her so easily, but she never really holds it against her. The other seven or so years they were friends is what Melinda dwells on.

Melinda Sordino

Quote 55

I want to confess everything, to hand over the guilt and mistake and anger to someone else. (24.4)

Melinda is thinking of herself as a criminal here. It takes all school year for her to understand that she is instead the victim of Andy's criminal act.

Melinda Sordino

Quote 56

There is a beast in my gut, I can hear it scraping away at my ribs. Even if I dump the memory, it will stay with me, staining me. (24.4)

Shame seems to be a big part of why Melinda doesn't tell. She feels like the rape is alive in her, has somehow become part of her, like a punishment for making wrong choices like drinking beer and kissing a senior.

Melinda Sordino

Quote 57

BunnyRabbit bolts, leaving fast tracks in the snow. Getaway, getaway, getaway. Why didn't I run like this before when I was a one-piece talking girl? (47.14)

Melinda's blaming herself for not trying harder to escape Andy, or for not recognizing him as a violent predator. In a way, this is good because she's planning ways to escape him. The best way would be to report him, but she's not thinking along those lines.

Melinda Sordino

Quote 58

"We have your location. Officers are on the way? Are you hurt? Are you being threatened" Someone grabbed the phone from my hands and listened. A scream – the cops were coming. […] Rachel's face so angry in mine. Someone slapped me. (64.18)

Melinda tries to report the rape, but the drunken, angry partiers stop her. It's horrible that nobody recognizes her distress, not even Rachel. She would have showed physical signs of Andy's attack for sure.

Melinda Sordino

Quote 59

Was I raped? (76.3)

Whoa. It kinds of shocks us to hear Melinda ask the question. This is after Melinda dares to remember the details of that night. We didn't realize how much she blames herself for what happened.

Melinda Sordino

Quote 60

There is no avoiding it, no forgetting. No running away, or flying, or burying, or hiding. Andy Evans raped me in August when I was drunk and too young to know what was happening. It wasn't my fault. […] And I'm not going to let it kill me. I can grow. (89.9)

Melinda understands that while she's not responsible for being rape, she is responsible for taking control of her recovery from it.