How we cite our quotes: (Chapter.Paragraph)
Quote #1
When Mary Lennox was sent to Misselthwaite Manor to live with her uncle everybody said she was the most disagreeable-looking child ever seen. It was true, too. She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow, and her face was yellow because she had been born in India and had always been ill in one way or another. (1.1)
This passage is how the story begins, and it sets up the main conflicts of the novel: Mary's need to shift from being "disagreeable-looking" to being healthy and fit, her need to reconnect with England (and, specifically, rural Yorkshire) after living in India. It almost reads like the opening to a fairytale, don't you think?
Quote #2
[Mary] was in such a rage and felt so helpless before the girl's simple stare, and somehow she suddenly felt so horribly lonely and far away from everything she understood and which understood her, that she threw herself face downward on the pillows and burst into passionate sobbing. She sobbed so unrestrainedly that good-natured Yorkshire Martha was a little frightened and quite sorry for her. She went to the bed and bent over her.
"Eh! you mustn't cry like that there!" she begged. "You mustn't for sure. I didn't know you'd be vexed. I don't know anythin' about anythin'—just like you said. I beg your pardon, Miss. Do stop cryin'."
There was something comforting and really friendly in her queer Yorkshire speech and sturdy way which had a good effect on Mary. She gradually ceased crying and became quiet. Martha looked relieved. (4.34-36)
Mary starts crying in this early scene, now that she's in Misselthwaite Manor, because she's far away from anything she's ever known. But this scene is pretty much the last moment in the novel when Mary actually misses her old life. When Martha starts speaking to Mary, Mary quickly seems to replace any attachment she had for India with her new ties to England. She doesn't seem to have too much trouble adapting to her new home, which says something about the flexibility and resilience of kids.
Quote #3
"Martha," [Mary] said, "they were your wages. It was your two-pence really. Thank you." She said it stiffly because she was not used to thanking people or noticing that they did things for her. "Thank you," she said, and held out her hand because she did not know what else to do.
Martha gave her hand a clumsy little shake, as if she was not accustomed to this sort of thing either. Then she laughed.
"Eh! th' art a queer, old-womanish thing," she said. "If tha'd been our 'Lizabeth Ellen tha'd have given me a kiss." (8.34-36)
Mary has had so little experience with other kids that she doesn't seem to know how to behave impulsively or openly. Here, she repays Martha for the jumprope Martha has brought her. Martha thinks Mary's effort at thanks is "old-womanish," since it's so stiff and formal. In a way, then, Mary's character development has less to do with becoming a grown-up and more to do with becoming a more natural, less stiff, and less awkward kid. She's not coming of age over the course of the novel, exactly; she's just becoming better.
Quote #4
To talk about Dickon meant to talk about the moor and about the cottage and the fourteen people who lived in it on sixteen shillings a week—and the children who got fat on the moor grass like the wild ponies. And about Dickon's mother—and the skipping-rope—and the moor with the sun on it—and about pale green points sticking up out of the black sod. And it was all so alive that Mary talked more than she had ever talked before—and Colin both talked and listened as he had never done either before. And they both began to laugh over nothings as children will when they are happy together. And they laughed so that in the end they were making as much noise as if they had been two ordinary healthy natural ten-year-old creatures—instead of a hard, little, unloving girl and a sickly boy who believed that he was going to die. (14.103)
Again we see signs that the point of this book is not for Mary and Colin to grow up;instead, it's for Mary and Colin to be "ordinary healthy natural ten-year-old" kids. The whole idea that childhood is a special time of life that needs to be cherished as separate from (and maybe better than) adulthood is a specifically Victorian invention, which Frances Hodgson Burnett used to make a ton of cash on books like Little Lord Fauntleroy (1886), A Little Princess (1905), and of course, The Secret Garden.
Quote #5
"Us mustn't seem as if us was watchin' him [the robin] too close," said Dickon. "He'd be out with us for good if he got th' notion us was interferin' now. He'll be a good bit different till all this is over. He's settin' up housekeepin'. He'll be shyer an' readier to take things ill. He's got no time for visitin' an' gossipin'. Us must keep still a bit an' try to look as if us was grass an' trees an' bushes. Then when he's got used to seein' us I'll chirp a bit an' he'll know us'll not be in his way." (15.49)
The robin loves being friends with Dickon and Mary until he starts building a nest and preparing to have a family. Then, once kids are on the horizon, he doesn't want to spend too much time with his old friends, since he's "got no time for visitin' an' gossipin'." Actually, there's some grown-up human truth to this: It's really hard for people to keep up with old friends once they have kids. See how many life lessons this robin has to teach us?
Quote #6
"[The Secret Garden] is just what you thought it would be," he said at last. "It sounds just as if you had really seen it. You know I said that when you told me first."
Mary hesitated about two minutes and then boldly spoke the truth.
"I had seen it—and I had been in," she said. "I found the key and got in weeks ago. But I daren't tell you—I daren't because I was so afraid I couldn't trust you—for sure!" (18.55-58)
Mary really does take a long time to let Colin in on the fact that she has found the Secret Garden. It takes her weeks to decide to let him in on the truth, even though she tells him plenty of supposedly fictional stories about what the Secret Garden might be like. Do you think Colin guesses that Mary is holding out on him? What makes Mary trust Colin with this secret in the end?
Quote #7
The most absorbing thing, however, was the preparations to be made before Colin could be transported with sufficient secrecy to the garden. No one must see the chair-carriage and Dickon and Mary after they turned a certain corner of the shrubbery and entered upon the walk outside the ivied walls. As each day passed, Colin had become more and more fixed in his feeling that the mystery surrounding the garden was one of its greatest charms. Nothing must spoil that. No one must ever suspect that they had a secret. People must think that he was simply going out with Mary and Dickon because he liked them and did not object to their looking at him. (20.3)
Given how few good experiences Mary and Colin have had with adults in their lives, it's not that surprising that they care so much about keeping things secret so that the adults can't spoil their plans. Even so, the level of Colin's investment in making sure that none of the servants know that he, Mary, and Dickon are going into the Secret Garden is like a top-secret military operation. He's surprisingly careful for a ten-year-old.
Quote #8
"I once heard an officer in India tell my mother that there were fakirs who said words over and over thousands of times," said Mary.
"I've heard Jem Fettleworth's wife say th' same thing over thousands o' times—callin' Jem a drunken brute," said Ben Weatherstaff dryly. "Summat allus come o' that, sure enough. He gave her a good hidin' an' went to th' Blue Lion an' got as drunk as a lord."
Colin drew his brows together and thought a few minutes. Then he cheered up. "Well," he said, "you see something did come of it. She used the wrong Magic until she made him beat her. If she'd used the right Magic and had said something nice perhaps he wouldn't have got as drunk as a lord and perhaps—perhaps he might have bought her a new bonnet." (23.45-47)
Here Colin is showing his total ignorance and naiveté about the world. He decides that the healing power of words is so powerful that it must be Mrs. Fettleworth's fault that she couldn't find the right things to say to make her husband stop drinking and hitting her. Which is seriously creepy: It shouldn't be a person's responsibility to find the right words to make someone not hurt them. Mr. Fettleworth shouldn't be beating her, period.
The book seems to be commenting on the fact that Colin is onto a good idea with this whole Magic thing, but he still has a lot to learn about the world around him.
Quote #9
"That's true," he said slowly. "I must only think of the Magic." It all seemed most majestic and mysterious when they sat down in their circle. […]Colin really looked quite beautiful, Mary thought. He held his head high as if he felt like a sort of priest and his strange eyes had a wonderful look in them. The light shone on him through the tree canopy. (23.59-61)
We know that Dickon can practically talk to animals, and Mary is the one who finds the Secret Garden in the first place. So why does Colin become the one to take the lead on Magic? What is Colin's role in the book, compared to Mary's or Dickon's?
Quote #10
"Eh!" [Mrs. Sowerby] said, "that pair's enjoyin' their-selves I'll warrant. They'll get a good bit o' actin' out of it an' there's nothin' children likes as much as play actin'. Let's hear what they do, Dickon lad." Dickon stopped weeding and sat up on his heels to tell her. His eyes were twinkling with fun. (24.15)
Dickon lets his mother in on the all of the going's-on at the Secret Garden (with Mary and Colin's permission, of course). And Mrs. Sowerby seems tickled pink at the things those two kids are getting up to, hiding their work on Colin's health. But where's the line between "play actin'" and lying? We're not saying that Colin and Mary owe it to anyone in particular to reveal their harmless garden fun. But their secretiveness is really intense; it seems kind of unusual for ten year-olds.
Who would you tell if you found a place like the Secret Garden? Would you keep it to yourself, or would you share it with friends and/or family?