The Waves Love/Hate Quotes

How we cite our quotes: (Chapter.Paragraph)

Quote #1

"I love," said Susan, "and I hate. I desire one thing only. My eyes are hard. Jinny's eyes break into a thousand lights. Rhoda's are like those pale flowers to which moths come in the evening. Yours grow full and brim and never break. But I am already set on my pursuit. I see insects in the grass. Though my mother still knits white socks for me and hems pinafores and I am a child, I love and I hate." (1b.43)

Susan's thoughts encapsulate the fact that love and hate are different sides of the same coin—in her universe, at least—and she seems to feel both emotions intensely (and sometimes simultaneously) even from a young age.

Quote #2

"This is my first night at school," said Susan, "away from my father, away from my home. My eyes swell; my eyes prick with tears. I hate the smell of pine and linoleum. I hate the wind- bitten shrubs and the sanitary tiles. I hate the cheerful jokes and the glazed look of everyone." (2b.7)

Susan is firmly fixated on "hate" here, listing a whole bunch of her least favorite things and expressing negative feelings toward her general environment and the people who surround her.

Quote #3

"For how many months," said Susan, "for how many years, have I run up these stairs, in the dismal days of winter, in the chilly days of spring? Now it is midsummer. We go upstairs to change into white frocks to play tennis—Jinny and I with Rhoda following after. I count each step as I mount, counting each step something done with. So each night I tear off the old day from the calendar, and screw it tight into a ball. I do this vindictively, while Betty and Clara are on their knees. I do not pray. I revenge myself upon the day. I wreak my spite upon its image. You are dead now, I say, school day, hated day." (2b.19)

So, Susan seems to have some intense (and negative) feelings about school, we guess? It seems her feelings rarely go halfway.

Quote #4

"We are late," said Susan. "We must wait our turn to play. We will pitch here in the long grass and pretend to watch Jinny and Clara, Betty and Mavis. But we will not watch them. I hate watching other people play games. I will make images of all the things I hate most and bury them in the ground. This shiny pebble is Madame Carlo, and I will bury her deep because of her fawning and ingratiating manners, because of the sixpence she gave me for keeping my knuckles flat when I played my scales. I buried her sixpence. I would bury the whole school: the gymnasium; the classroom; the dining-room that always smells of meat; and the chapel. I would bury the red-brown tiles and the oily portraits of old men—benefactors, founders of schools." (2b.25)

Once again, the intensity of Susan's hatred is notable and kind of alarming. It leads her to do something with those stones that seems just a hair short of Voodoo doll territory. Yikes. This is a long quote, but it's important to get all of Susan's Haterade out there.

Quote #5

"I do not want the train to stop with a thud. I do not want the connection which has bound us together sitting opposite each other all night long to be broken. I do not want to feel that hate and rivalry have resumed their sway; and different desires. Our community in the rushing train, sitting together with only one wish, to arrive at Euston, was very welcome. But behold! It is over. We have attained our desire. We have drawn up at the platform." (4b.2)

Bernard thinks it's sad that everyone who shared that communal sleeper car experience (who knew bonding with strangers could be so easy?) is now scattering to the wind. It seems a bit odd that he sees the default relationship between strangers in the city to be one of "hate and rivalry," right? All these characters are pretty freaking emotional.

Quote #6

"I have eaten no lunch today in order that Susan may think me cadaverous and that Jinny may extend to me the exquisite balm of her sympathy. But while I admire Susan and Percival, I hate the others, because it is for them that I do these antics, smoothing my hair, concealing my accent." (4b.41)

Anyone else find random references to hating one's "friends" a bit unsettling?

Quote #7

"When I came into the room tonight," said Susan, "I stopped, I peered about like an animal with its eyes near to the ground. The smell of carpets and furniture and scent disgusts me. I like to walk through the wet fields alone, or to stop at a gate and watch my setter nose in a circle, and to ask: Where is the hare? I like to be with people who twist herbs, and spit into the fire, and shuffle down long passages in slippers like my father. The only sayings I understand are cries of love, hate, rage and pain." (4b.46)

Even now that Susan is much older, she seems to have remained fairly intense, admitting that she only understands cries of love, hate, rage, and pain. She's even got strong feelings about surprising items such as carpets and furniture, which she finds "disgusting."

Quote #8

"It is hate, it is love," said Susan. "That is the furious coal-black stream that makes us dizzy if we look down into it. We stand on a ledge here, but if we look down we turn giddy."

"It is love," said Jinny, "it is hate, such as Susan feels for me because I kissed Louis once in the garden; because equipped as I am, I make her think when I come in, "My hands are red," and hide them. But our hatred is almost indistinguishable from our love." (4b.56-57)

Once again, we're getting love and hate as two sides of the same coin. Jinny suggests that the two are "indistinguishable" in the narrators' feelings toward each other.

Quote #9

"This is Oxford Street. Here are hate, jealousy, hurry, and indifference frothed into the wild semblance of life. These are our companions." (5b.23)

Rhoda, too, suggests that hate, love, and other emotions and attitudes can exist side by side in the "wild semblance of life" that characterizes Oxford Street; ostensibly, one does not exclude the others.

Quote #10

"Oh, life, how I have dreaded you," said Rhoda, "oh, human beings, how I have hated you! How you have nudged, how you have interrupted, how hideous you have looked in Oxford Street, how squalid sitting opposite each other staring in the Tube!" (7b.36)

Now Rhoda gives Susan a run for her money in her declarations of hate and misanthropy. These characters might need to chill out a tad.