The Waves Time Quotes

How we cite our quotes: (Chapter.Paragraph)

Quote #1

"I see India," said Bernard. "I see the low, long shore; I see the tortuous lanes of stamped mud that lead in and out among ramshackle pagodas; I see the gilt and crenellated buildings which have an air of fragility and decay as if they were temporarily run up buildings in some Oriental exhibition. I see a pair of bullocks who drag a low cart along the sun-baked road. The cart sways incompetently from side to side… But now, behold, Percival advances; Percival rides a flea-bitten mare, and wears a sun-helmet. By applying the standards of the West, by using the violent language that is natural to him, the bullock-cart is righted in less than five minutes. The Oriental problem is solved. He rides on; the multitude cluster round him, regarding him as if he were—what indeed he is—a God." (5b.53)

Bernard imagines India as a place where time is endless and problems go on indefinitely. He then inserts Percival into this fantasy as the Westerner who speedily solves this imagined problem of the bullock-cart. While Bernard implies Percival's fantasy actions are admirable, he also notes that the process of inserting his "standards of the West" on the "Oriental problem" involves "violent language." Hmm… maybe colonialism ain't such a great thing after all?

Quote #2

"And, what is this moment of time, this particular day in which I have found myself caught? The growl of traffic might be any uproar—forest trees or the roar of wild beasts. Time has whizzed back an inch or two on its reel; our short progress has been cancelled. I think also that our bodies are in truth naked. We are only lightly covered with buttoned cloth; and beneath these pavements are shells, bones and silence." (4b.3)

Here, Bernard seems to be contemplating time and the potential for human progress while acknowledging that we are only really bones (and other gooey things) covered in cloth.

Quote #3

"With infinite time before us," said Neville, "we ask what shall we do? Shall we loiter down Bond Street, looking here and there, and buying perhaps a fountain-pen because it is green, or asking how much is the ring with the blue stone? Or shall we sit indoors and watch the coals turn crimson? Shall we stretch our hands for books and read here a passage and there a passage? Shall we shout with laughter for no reason? Shall we push through flowering meadows and make daisy chains? Shall we find out when the next train starts for the Hebrides and engage a reserved compartment? All is to come." (4b.70)

As the friends meet up for dinner before Percival deploys for India, they share a moment in which Neville imagines that time for them is infinite. Ah, the power of good friends.

Quote #4

"Why, look," said Neville, "at the clock ticking on the mantelpiece? Time passes, yes. And we grow old. But to sit with you, alone with you, here in London, in this firelit room, you there, I here, is all." (6b.24)

Just as time felt infinite to Neville when he and his friends came together, he can also disregard the time on the clock when he spends time with his lover. Ahh, l'amour!

Quote #5

"But if one day you do not come after breakfast, if one day I see you in some looking-glass perhaps looking after another, if the telephone buzzes and buzzes in your empty room, I shall then, after unspeakable anguish, I shall then—for there is no end to the folly of the human heart—seek another, find another, you. Meanwhile, let us abolish the ticking of time's clock with one blow. Come closer." (6b.28)

Once again, Neville suggests that the bonds of love can somehow exist outside the time of the clock, allowing time to stand still for at least a little while.

Quote #6

"Silence falls; silence falls," said Bernard. "But now listen; tick, tick; hoot, hoot; the world has hailed us back to it. I heard for one moment the howling winds of darkness as we passed beyond life. Then tick, tick (the clock); then hoot, hoot (the cars). We are landed; we are on shore; we are sitting, six of us, at a table. It is the memory of my nose that recalls me. I rise; 'Fight,' I cry, 'fight!' remembering the shape of my own nose, and strike with this spoon upon this table pugnaciously." (8b.29-30)

Bernard associates the will to "fight on" with participation in a world that operates according to the ticking or "hooting" of the clock.

Quote #7

"Unreasonably, ridiculously," said Neville, "as we walk, time comes back. A dog does it, prancing. The machine works. Age makes hoary that gateway. Three hundred years now seem no more than a moment vanished against that dog. King William mounts his horse wearing a wig, and the court ladies sweep the turf with their embroidered panniers. I am beginning to be convinced, as we walk, that the fate of Europe is of immense importance, and, ridiculous as it still seems, that all depends upon the battle of Blenheim. Yes; I declare, as we pass through this gateway, it is the present moment; I am become a subject of King George." (8b.36)

Hmm, as Neville too rejoins the world of the clock in this moment, he seems a lot more interested in celebrating the British monarchy and submitting to its authority as a "subject." What's that all about?

Quote #8

"The iron gates have rolled back," said Jinny. "Time's fangs have ceased their devouring. We have triumphed over the abysses of space, with rouge, with powder, with flimsy pocket-handkerchiefs." (8b.38)

Is Jinny embracing time here or celebrating escaping from it?

Quote #9

"It is not age; it is that a drop has fallen; another drop. Time has given the arrangement another shake. Out we creep from the arch of the currant leaves, out into a wider world. The true order of things—this is our perpetual illusion—is now apparent. Thus in a moment, in a drawing-room, our life adjusts itself to the majestic march of day across the sky." (9b.41)

Bernard uses the image of the drop to describe the way time operates. In his view, time gathers up and then reaches a tipping or crisis point at which it "drops" like water droplets, a process that somehow gives "the arrangement another shake." What does that image do to our understanding of how Bernard views time?

Quote #10

"Yes, but suddenly one hears a clock tick. We who had been immersed in this world became aware of another. It is painful. It was Neville who changed our time. He, who had been thinking with the unlimited time of the mind, which stretches in a flash from Shakespeare to ourselves, poked the fire and began to live by that other clock which marks the approach of a particular person." (9b.43)

This is the moment where Bernard clarifies this notion of the "time of the mind," which appears to be quite distinct from the time of the clock. Time of the mind is apparently unlimited and spans great swaths of history with ease, whereas plain ol' clock-time is rooted in every day appointments and habit.