The Woman Warrior Versions of Reality Quotes

How we cite our quotes: Citations follow this format: (Chapter.Paragraph)

Quote #1

Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strength to establish realities. Those in the emigrant generations who could not reassert brute survival died young and far from home. Those of us in the first American generations have had to figure out how the invisible world the emigrants built around our childhoods fits in solid America (1.10).

Kingston describes the added difficulty of growing up an immigrant's child. When one's family culture and parents know a different reality than the one you're growing up in, it gets tricky to negotiate both places and senses of time.

Quote #2

I have believed that sex was unspeakable and words so strong and fathers so frail that "aunt" would do my father mysterious harm. I have thought that my family, having settled among immigrants who had also been their neighbors in the ancestral land, needed to clean their name, and a wrong word would incite the kinspeople even here (1.47).

Kingston describes her frustration in realizing that she too readily believed the reality that her parents painted. Her sense of reality growing up, and thus her sense of how to behave in that reality, was largely dependent on the stories her parents told. We might wonder then how we react to the kind of reality that Kingston creates.

Quote #3

I had met a rabbit who taught me about self-immolation and how to speed up transmigration: one does not have to become worms first but can change directly into a human being – as in our own humaneness we had just changed bowls of vegetable soup into people too (2.40).

In the chapter "White Tigers," Kingston suspends reality and considers a more spiritual approach to being in the world, one where humanity is demonstrated by all creatures.

Quote #4

I learned to make my mind large, as the universe is large, so that there is room for paradoxes. Pearls are bone marrow; pearls come from oysters. The dragon lives in the sky, ocean, marshes and mountains; and the mountains are also its cranium (2.44).

While training to be a warrior, Kingston works on her mind's ability to imagine the world other than it is by imagining the world as a dragon.

Quote #5

The bird flew above me down the mountain, and for some miles, whenever I turned to look for them, there would be the two old people waving. I saw them through the mist; I saw them on the clouds; I saw them big on the mountaintop when distance had shrunk the pines. They had probably left images of themselves for me to wave at and gone about their other business (2.73).

Kingston imagines a world where you can see the figures of people long after they are actually there; this is a poignant image of her thoughts and memory of the elderly couple actually projected into embodied forms.

Quote #6

In fact, it wasn't me my brother told about going to Los Angeles; one of my sisters told me what he'd told her. His version of the story may be better than mine because of its bareness, not twisted into designs. The hearer can carry it tucked away without it taking up much room (5.14).

Kingston begins Chapter 5 by divulging where she heard tell of the events in Chapter Four. We realize that the story of Moon Orchid in Chapter 4 is just that: a story told by Kingston, though it could just as well have been told by her brother or sister.

Quote #7

Long ago in China, knot-makers tied string into buttons and frogs, and rope into bell pulls. There was one knot so complicated that it blinded the knot-maker. Finally an emperor outlawed this cruel knot, and the nobles could not order it anymore. If I had lived in China, I would have been an outlaw knot-maker (5.14).

The author likens storytelling to knot-making and imagines what it would have been like to live in another place and time. The opening with "Long ago in China" shows us how this story has been passed down from generation to generation.

Quote #8

Maybe because I was the one with the tongue cut loose, I had grown inside me a list of over two hundred things that I had to tell my mother so that she would know the true things about me and to stop the pain in my throat (5.150).

Kingston wants to share her truths with her mom, but she soon learns that her mom has a different sense of truth.

Quote #9

"And I don't want to listen to any more of your stories; they have no logic. They scramble me up. You lie with stories. You won't tell me a story and then say, 'This is a true story,' or, 'This is just a story.' I can't tell the difference. I don't even know what your real names are. I can't tell what's real and what you make up. Ha! You can't stop me from talking" (5.163).

Kingston calls her mom out on confusing her sense of reality with her talk story. Growing up with so many stories told by Brave Orchid, Kingston conflates her sense of truth and story.

Quote #10

Be careful what you say. It comes true. It comes true. I had to leave home in order to see the world logically, logic the new way of seeing. I learned to think that mysteries are for explanation. I enjoy the simplicity. Concrete pours out of my mouth to cover the forests with freeways and sidewalks (5.181).

Kingston warns that reality is merely a matter of speaking. If you talk story, that story might as well as be true because it will be circulated and believed to be true.

Quote #11

The very next day after I talked out the retarded man, the huncher, he disappeared. I never saw him again or heard what became of him. Perhaps I made him up, and what I once had was not Chinese-sight at all but child-sight that would have disappeared eventually without such struggle (5.184).

Kingston suggests that truth also changes over time and age when she can't remember whether or not she's imagining the huncher.

Quote #12

I continue to sort out what's just my childhood, just my imagination, just my family, just the village, just movies, just living (5.184).

Kingston emphasizes that she continues to question the difference between truth and fiction. But how useful is it to do this? Is this an old habit that she can't kick, or something that she deliberately tries to do?

Quote #13

I'd like to go to China and see those people and find out what's a cheat story and what's not. Did my grandmother really live to be ninety-nine? Or did they string us along all those years to get our money? (5.186).

Stories that come from distance places and from different experiences, such as those coming from Kingston's relatives in communist China to Kingston's family in capitalist America, are difficult to trust even when time is the same.