How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)
Quote #28
For a mad moment I thought Dean was understanding everything he said by sheer wild insight and sudden revelatory genius inconceivably inspired by his glowing happiness. In that moment, too, he looked so exactly like Franklin Delano Roosevelt - some delusion in my flaming eyes and floating brain - that I drew up in my seat and gasped with amazement. In myriad pricklings of heavenly radiation I had to struggle to see Dean’s figure, and he looked like God. I was so high I had to lean my head back on the seat; the bouncing of the car sent shivers of ecstasy through me. The mere thought of looking out the window at Mexico - which was now something else in my mind - was like recoiling from some gloriously riddled glittering treasure-box that you’re afraid to look at because of your eyes, they bend inward, the riches and the treasures are too much to take all at once. I gulped. I saw streams of gold pouring through the sky and right across the tattered roof of the poor old car, right across my eyeballs and indeed right inside them; it was everywhere. I looked out the window at the hot, sunny streets and saw a woman in a doorway and I thought she was listening to every word we said and nodding to herself - routine paranoiac visions due to tea. But the stream of gold continued. For a long time I lost consciousness in my lower mind of what we were doing and only came around sometime later when I looked up from fire and silence like waking from sleep to the world, or waking from void to a dream, and they told me we were parked outside Victor’s house and he was already at the door of the car with his little baby son in his arms, showing him to us. (IV.5.40)
Sal makes Dean into a hero indirectly when he’s sober, but when they get high together, his visions take on a whole new level of idolatry.
Quote #29
Dean’s pretty Venezuelan dragged me through a door and into another strange bar that apparently belonged to the whorehouse. Here a young bartender was talking and wiping glasses and an old man with handlebar mustache sat discussing something earnestly. And here too the mambo roared over another loud speaker. It seemed the whole world was turned on. Venezuela clung about my neck and begged for drinks. The bartender wouldn’t give her one. She begged and begged, and when he gave it to her she spilled it and this time not on purpose, for I saw the chagrin in her poor sunken lost eyes. "Take it easy, baby," I told her. I had to support her on the stool; she kept slipping off. I’ve never seen a drunker woman, and only eighteen. I bought her another drink; she was tugging at my pants for mercy. She gulped it up. I didn’t have the heart to try her. My own girl was about thirty and took care of herself better. With Venezuela writhing and suffering in my arms, I had a longing to take her in the back and undress her and only talk to her - this I told myself. (IV.5.47).
Sal characterizes women’s use of alcohol differently than men’s.
Quote #30
We staggered out; we had forgotten Stan; we ran back in to get him and found him charmingly bowing to the new evening whores, who had just come in for night shift. He wanted to start all over again. When he is drunk he lumbers like a man ten feet tall and when he is drunk he can’t be dragged away from women. Moreover women cling to him like ivy. He insisted on staying and trying some of the newer, stranger, more proficient senoritas. Dean and I pounded him on the back and dragged him out. He waved profuse good-bys to everybody - the girls, the cops, the crowds, the children in the street outside; he blew kisses in all directions to ovations of Gregoria and staggered proudly among the gangs and tried to speak to them and communicate his joy and love of everything this fine afternoon of life. (IV.5.53)
Sal uses the way people drink as a means to understanding their character.