How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)
Quote #25
Just as flat as that. It was the saddest night. I felt as if I was with strange brothers and sisters in a pitiful dream. Then a complete silence fell over everybody; where once Dean would have talked his way out, he now fell silent himself, but standing in front of everybody, ragged and broken and idiotic, right under the lightbulbs, his bony mad face covered with sweat and throbbing veins, saying, "Yes, yes, yes," as though tremendous revelations were pouring into him all the time now, and I am convinced they were, and the others suspected as much and were frightened. He was BEAT - the root, the soul of Beatific. What was he knowing? He tried all in his power to tell me what he was knowing, and they envied that about me, my position at his side, defending him and drinking him in as they once tried to do. Then they looked at me. What was I, a stranger, doing on the West Coast this fair night? I recoiled from the thought. (III.3.20)
Even when he's near his friends, Sal can feel the sadness of solitude. He needs not only physical closeness, but mental and spiritual closeness to keep the sadness at bay.
Quote #26
Then up stepped the tenorman on the bandstand and asked for a slow beat and looked sadly out the open door over people’s heads and began singing "Close Your Eyes." Things quieted down a minute. The tenorman wore a tattered suede jacket, a purple shirt, cracked shoes, and zoot pants without press; he didn’t care. He looked like a N***o Hassel. His big brown eyes were concerned with sadness, and the singing of songs slowly and with long, thoughtful pauses. [...] He sat in the corner with a bunch of boys and paid no attention to them. He looked down and wept. He was the greatest. (III.3.30)
Just as he did with the opera Fidelio, Sal characterizes an artist’s ability to recognize and accept sadness as "greatness."