How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)
Quote #28
"Yass, yass. Well, Sal old man, what’s the story, when do we take off for Mexico? Tomorrow afternoon? Fine, fine. Ahem! And now, Sal, I have exactly sixteen minutes to make it to Ed Dunkel’s house, where I am about to recover my old railroad watch which I can pawn on Larimer Street before closing time, meanwhile buzzing very quickly and as thoroughly as time allows to see if my old man by chance may be in Jiggs’ Buffet or some of the other bars and then I have an appointment with the barber Doll always told me to patronize and I have not myself changed over the years and continue with that policy - kaff! kaff! At six o’clock sharp.’ - sharp, hear me? - I want you to be right here where I’ll come buzzing by to get you for one quick run to Roy Johnson’s house, play Gillespie and assorted bop records, an hour of relaxation prior to any kind of further evening you and Tim and Stan and Babe may have planned for tonight irrespective of my arrival which incidentally was exactly forty-five minutes ago in my old thirty-seven Ford which you see parked out there, I made it together with a long pause in Kansas City seeing my cousin, not Sam Brady but the younger one . . ." And saying all these things, he was busily changing from his suitcoat to T-shirt in the living-room alcove just out of sight of everyone and transferring his watch to another pair of pants that he got out of the same old battered trunk. (IV.3.3)
Dean reverts to his previous mode of scheduling later in the novel, but this time he is sure to keep his watch with him at every moment to help him keep track of time. Dean never seemed to need a watch before.
Quote #29
Then Dean poked in the little girl’s hand for "the sweetest and purest and smallest crystal she has personally picked from the mountain for me." He found one no bigger than a berry. And he handed her the wristwatch dangling. Their mouths rounded like the mouths of chorister children. The lucky little girl squeezed it to her ragged breastrobes. They stroked Dean and thanked him. He stood among them with his ragged face to the sky, looking for the next and highest and final pass, and seemed like the Prophet that had come to them. He got back in the car. They hated to see us go. For the longest time, as we mounted a straight pass, they waved and ran after us. We made a turn and never saw them again, and they were still running after us. (IV.6.15)
Dean is fascinated to have found a group of people untouched by the advancements of modern time.
Quote #30
"But why did you come so soon, Dean?"
"Ah," he said, looking at me as if for the first time, "so soon, yes. We - we’ll know - that is, I don’t know. I came on the railroad pass - cabooses - old hard-bench coaches - Texas - played flute and wooden sweet potato all the way." He took out his new wooden flute. He played a few squeaky notes on it and jumped up and down in his stocking feet. "See?" he said. "But of course, Sal, I can talk as soon as ever and have many things to say to you in fact with my own little bangtail mind I’ve been reading and reading this gone Proust all the way across the country and digging a great number of things I’ll never have TIME to tell you about and we STILL haven’t talked of Mexico and our parting there in fever - but no need to talk. Absolutely, now, yes?" (V.1.6, V.1.7)
By the end of the novel, Dean has lost his control over time. He makes plans for a certain time and arrives far too early, unable to explain to Sal why that is. He is paralyzed by his need to get everything done NOW, and he spends all his time talking about it and never actually doing anything.