Sons and Lovers Full Text: Chapter 9

Sons and Lovers Full Text: Chapter 9 : Page 10

At this time he gave all his friendship to Edgar. He loved the family so much, he loved the farm so much; it was the dearest place on earth to him. His home was not so lovable. It was his mother. But then he would have been just as happy with his mother anywhere. Whereas Willey Farm he loved passionately. He loved the little pokey kitchen, where men's boots tramped, and the dog slept with one eye open for fear of being trodden on; where the lamp hung over the table at night, and everything was so silent. He loved Miriam's long, low parlour, with its atmosphere of romance, its flowers, its books, its high rosewood piano. He loved the gardens and the buildings that stood with their scarlet roofs on the naked edges of the fields, crept towards the wood as if for cosiness, the wild country scooping down a valley and up the uncultured hills of the other side. Only to be there was an exhilaration and a joy to him. He loved Mrs. Leivers, with her unworldliness and her quaint cynicism; he loved Mr. Leivers, so warm and young and lovable; he loved Edgar, who lit up when he came, and the boys and the children and Bill--even the sow Circe and the Indian game-cock called Tippoo. All this besides Miriam. He could not give it up.

So he went as often, but he was usually with Edgar. Only all the family, including the father, joined in charades and games at evening. And later, Miriam drew them together, and they read Macbeth out of penny books, taking parts. It was great excitement. Miriam was glad, and Mrs. Leivers was glad, and Mr. Leivers enjoyed it. Then they all learned songs together from tonic sol-fa, singing in a circle round the fire. But now Paul was very rarely alone with Miriam. She waited. When she and Edgar and he walked home together from chapel or from the literary society in Bestwood, she knew his talk, so passionate and so unorthodox nowadays, was for her. She did envy Edgar, however, his cycling with Paul, his Friday nights, his days working in the fields. For her Friday nights and her French lessons were gone. She was nearly always alone, walking, pondering in the wood, reading, studying, dreaming, waiting. And he wrote to her frequently.

One Sunday evening they attained to their old rare harmony. Edgar had stayed to Communion--he wondered what it was like--with Mrs. Morel. So Paul came on alone with Miriam to his home. He was more or less under her spell again. As usual, they were discussing the sermon. He was setting now full sail towards Agnosticism, but such a religious Agnosticism that Miriam did not suffer so badly. They were at the Renan Vie de Jesus stage. Miriam was the threshing-floor on which he threshed out all his beliefs. While he trampled his ideas upon her soul, the truth came out for him. She alone was his threshing-floor. She alone helped him towards realization. Almost impassive, she submitted to his argument and expounding. And somehow, because of her, he gradually realized where he was wrong. And what he realized, she realized. She felt he could not do without her.

They came to the silent house. He took the key out of the scullery window, and they entered. All the time he went on with his discussion. He lit the gas, mended the fire, and brought her some cakes from the pantry. She sat on the sofa, quietly, with a plate on her knee. She wore a large white hat with some pinkish flowers. It was a cheap hat, but he liked it. Her face beneath was still and pensive, golden-brown and ruddy. Always her ears were hid in her short curls. She watched him.

Read Shmoop's Analysis of Chapter 9