A Tale of Two Cities Full Text: Volume III, Chapter Thirteen – Fifty-two

A Tale of Two Cities Full Text: Volume III, Chapter Thirteen – Fifty-two : Page 4

"Draw on these boots of mine. Put your hands to them; put your will to them. Quick!"

"Carton, there is no escaping from this place; it never can be done. You will only die with me. It is madness."

"It would be madness if I asked you to escape; but do I? When I ask you to pass out at that door, tell me it is madness and remain here. Change that cravat for this of mine, that coat for this of mine. While you do it, let me take this ribbon from your hair, and shake out your hair like this of mine!"

With wonderful quickness, and with a strength both of will and action, that appeared quite supernatural, he forced all these changes upon him. The prisoner was like a young child in his hands.

"Carton! Dear Carton! It is madness. It cannot be accomplished, it never can be done, it has been attempted, and has always failed. I implore you not to add your death to the bitterness of mine."

"Do I ask you, my dear Darnay, to pass the door? When I ask that, refuse. There are pen and ink and paper on this table. Is your hand steady enough to write?"

"It was when you came in."

"Steady it again, and write what I shall dictate. Quick, friend, quick!"

Pressing his hand to his bewildered head, Darnay sat down at the table. Carton, with his right hand in his breast, stood close beside him.

"Write exactly as I speak."

"To whom do I address it?"

"To no one." Carton still had his hand in his breast.

"Do I date it?"

"No."

The prisoner looked up, at each question. Carton, standing over him with his hand in his breast, looked down.

"'If you remember,'" said Carton, dictating, "'the words that passed between us, long ago, you will readily comprehend this when you see it. You do remember them, I know. It is not in your nature to forget them.'"

He was drawing his hand from his breast; the prisoner chancing to look up in his hurried wonder as he wrote, the hand stopped, closing upon something.

"Have you written 'forget them'?" Carton asked.

"I have. Is that a weapon in your hand?"

"No; I am not armed."

"What is it in your hand?"

"You shall know directly. Write on; there are but a few words more." He dictated again. "'I am thankful that the time has come, when I can prove them. That I do so is no subject for regret or grief.'" As he said these words with his eyes fixed on the writer, his hand slowly and softly moved down close to the writer's face.

The pen dropped from Darnay's fingers on the table, and he looked about him vacantly.