Vanity Fair Full Text: Chapter 44

Vanity Fair Full Text: Chapter 44 : Page 5

He was a fine open-faced boy, with blue eyes and waving flaxen hair, sturdy in limb, but generous and soft in heart, fondly attaching himself to all who were good to him--to the pony--to Lord Southdown, who gave him the horse (he used to blush and glow all over when he saw that kind young nobleman)--to the groom who had charge of the pony--to Molly, the cook, who crammed him with ghost stories at night, and with good things from the dinner--to Briggs, whom he plagued and laughed at--and to his father especially, whose attachment towards the lad was curious too to witness. Here, as he grew to be about eight years old, his attachments may be said to have ended. The beautiful mother-vision had faded away after a while. During near two years she had scarcely spoken to the child. She disliked him. He had the measles and the hooping-cough. He bored her. One day when he was standing at the landing-place, having crept down from the upper regions, attracted by the sound of his mother's voice, who was singing to Lord Steyne, the drawing room door opening suddenly, discovered the little spy, who but a moment before had been rapt in delight, and listening to the music.

His mother came out and struck him violently a couple of boxes on the ear. He heard a laugh from the Marquis in the inner room (who was amused by this free and artless exhibition of Becky's temper) and fled down below to his friends of the kitchen, bursting in an agony of grief.

"It is not because it hurts me," little Rawdon gasped out--"only--only"--sobs and tears wound up the sentence in a storm. It was the little boy's heart that was bleeding. "Why mayn't I hear her singing? Why don't she ever sing to me--as she does to that baldheaded man with the large teeth?" He gasped out at various intervals these exclamations of rage and grief. The cook looked at the housemaid, the housemaid looked knowingly at the footman--the awful kitchen inquisition which sits in judgement in every house and knows everything--sat on Rebecca at that moment.

After this incident, the mother's dislike increased to hatred; the consciousness that the child was in the house was a reproach and a pain to her. His very sight annoyed her. Fear, doubt, and resistance sprang up, too, in the boy's own bosom. They were separated from that day of the boxes on the ear.

Read Shmoop's Analysis of Chapter 44