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American Literature 3: The Poe Must Go On (Part 1) 631 Views


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Description:

What do you get when the guy who wrote “The Raven” makes a serious effort to write in verse? Poe-try… Now, when you’ve detached your eyes from the back of your head, go ahead and give this video a look.

Language:
English Language

Transcript

00:04

the Poe must go on part 1

00:33

nice we're done. high-protein low-fat yeah I'm on the Paleo. diet hmm anyway.

00:40

thanks for being with us on a midnight drear,y or an afternoon sunny or wherever [raven pecks at dead Poe]

00:44

you happen to be watching this video. meet Edgar Allan Poe. wells little late

00:49

without a chance that probably for the best he was always a little less bitter. [Raven discussing Poe]

00:52

well Poe was born in 1809 orphaned after dad skipped town and mom died

00:58

young. off to a good start there. a kindly couple john and frances Allen took him

01:02

in but a yes later wish they got enough puppy. well Poe and his dad got along

01:07

wonderfully. teddy boy had a gambling problem and gambled away his family's [Poe doing somersaults]

01:12

pennies. then the death blow he wanted to be a writer. oh so long son. you know

01:18

we're cheering for you. off Poe went, became a literary critic wrote, for [Poe surrounded by books]

01:22

Broadway journal, southern literary messenger, any publication that allowed

01:26

him to rip other writers to shreds, he was game. and yeah everyone loves the [literary reviews in print of Poe's work]

01:31

critics. well Poe's writings helped define gothic romanticism. gothic

01:37

romanticism tends to feature macabre element. ie gruesome and ghastly stuff

01:42

blood dripping from walls head torn half off really bad paper cuts. you know that

01:48

sort of thing. it also focuses on characters emotions. no sadness isolation

01:53

despair all the happy ones. and dead people got to have the dead people not

01:58

zombies but actual dead people. well makes sense. Poe's writing was so

02:02

grim and the guy was so friendless. orphaned broke despised angry and

02:07

resentful, well he would run today we probably be hearing about him on the [Man being interviewed by news reporter]

02:11

evening news he died of unknown mysterious causes in 184.9 yes of course

02:16

he did and the obit was harsh check it out.

02:27

well Poe may not have been a yes beloved figure but his work was. without [Poe's obituary on screen]

02:32

him this guy might have been a postal worker. this guy might have been a shoe

02:36

salesman. and this guy might have been a fly fisherman . Poe inspired generations of [Stephen King fishing in lake]

02:42

horror mystery and suspense writers. a shame nobody ever hired him as a clown

02:46

for their birthday party. In Poe's work there was a focus on conscience. what is

02:51

conscience? well you know that little voice in your heads and you probably

02:54

should have paid for that pack of ding-dongs? yeah that. it's that part of [Man with pack of ding-dongs]

02:58

us that moves the needle on our inner moral compass. another thing it goes from

03:02

something that's a-ok to something that you know morally iffy , to i'm gonna regret

03:07

that to what ever i can get away with. everything breaking bad. well Poe was [moral compass explained]

03:13

hooked on the idea of repressed morality. in other words he was fascinated by

03:17

people who knew that what they were doing was wrong but did it anyway. of [Man with pack of ding-dongs and police sirens appear]

03:23

course shoplifting is pretty low stakes. instead pull up the emotional ante by

03:28

writing about murder and deceit and well more murder. yeah beating hearts of

03:34

a murder victim ticking away under the floorboard. just a quick reminder by the

03:38

way that the murder is bad.

03:42

guilt over gouging out a cat's eyes with a penknife? yeah it's also [Black cat with one eye appear]

03:47

considered bad in America anyway even by dog lovers. like the dingdong thing pales

03:53

in comparison. but not everyone's viewed conscience the way Poe did. look at the [Raven eats ding dongs off dead Poe]

03:57

Puritans for a second. you guys had the word pure in their name. ok we did that.

04:02

all they had to do was spit out an evil word or show a little ankle and they're

04:07

guilty conscience would go into overdrive. but for the Puritans they're [Puritans heads explode]

04:12

guilty conscience brought them closer to God, so there was an upside. for Poe it was an

04:18

awareness of guilt that anchored your morals. whatever made you feel guilty

04:22

framed your vision of what was good and bad in the world. and to bring home [Eye in a picture frame]

04:26

Puritanism on steroids. Poe had that guilt haunt you until you went mad. Bet he

04:32

was a fun guy he also did party trick this bar mitzvah. Poe was influenced by

04:37

five-dollar words transcendentalism. that's trans, I mean beyond or a cross, and the

04:45

Latin sender in the order ie climbing. so the word all together basically means

04:51

climbing beyond. or surpassing a usual state of being. well the philosophy

04:55

stresses the importance of self-reliance and independence. it says that you can

04:59

achieve happiness enlightenment even through isolation. just another way of [Buddha appears]

05:04

saying you need some three times. well this guy Emerson had a lot to do with

05:08

making the entire movement happen. emerson wrote an essay self-reliance [Emerson's most famous works listed]

05:14

about the dangers of conformity IE go along with what everyone else is doing.

05:19

peer pressure anyone? Emerson wanted everyone to follow their own instincts

05:23

and stick to their own ideals. in his opinion it was the only path toward true [Dorothy on a yellow brick road]

05:27

happiness and self-fulfillment. if instead you just went with the flow and

05:31

astride to a herd mentality and we're doomed to get crushed by the rest of the

05:37

herd. and then there's this fellow henry david Thoreau. and he spent a lot of time

05:42

hanging out alone in the woods with his favorite person henry david Thoreau. yeah [Henry Thoreau key works appear]

05:47

and there was his locality a cabin near Walden pond.

05:52

Solicitors laughed. like ever since the Thoreau felt someone could become happier

05:57

and more enlightenment by being isolated. Poe on the other hand thought that by

06:02

spending time only with your miserable self you could become well miserable. go [Man crying alone with a teddy]

06:09

figure. and more prepared to welcome desolation and death. yeah well someone

06:13

just hang out with him for half an hour. please give them a foot rub or something.

06:17

okay let's dive into one of Poe's masterpieces. we're assuming you've [Poe portrait appears]

06:20

actually read the thing, so here we go. Fall of the House of Usher. quick recap

06:27

our unnamed narrator shows up at his friend Roderick assured mansion which is

06:31

badly in need of a home makeover. Roderick and his sister Madeline are [narrator looks at a cracking mansion under a red moon]

06:35

sick both mentally and physically and Madeline soon kicks the bucket. the guy's

06:39

into her in a vault under the mansion but woo she seems quite dead. she comes

06:45

back for revenge killing her bro and dying herself from reals this time. and

06:49

then the entire house crashes into the ground. you know typical [House cracks and collapses]

06:52

brother-sister stuff. pass the salt. you may want to get the story one more read

06:57

as you do read it and yes people actually read it don't just crack the

07:01

cover. look for these literary elements: narrative voice- that's the person or

07:06

persons telling us the story. in this case our unnamed narrator. look for

07:11

setting- where stuff goes down. the big spooky mansion that could use a power

07:16

wash. look for symbolism- something that represents something else like the crack

07:21

in the mansion that represents the crack in the brother-sister relationship. and

07:25

spoiler alert there sorry. right look for imagery vivid descriptions like the

07:30

unnatural light of a faintly luminous and distinctly visible gaseous

07:35

exhalation. and look for tone- the writers attitude or approach to the story. so [symbolism and imagery defined]

07:41

we've got some typical Poe on our hands here. how do we know? well look at the

07:44

first four sentences. dull dark dreary melancholy gloom bleak. yeah talk about

07:50

setting. the mood okay first up. narrative voice well this story is told in [Narrative voice definition appears]

07:54

first-person. Why? well why can't we just be a fly on the wall watching two other

07:59

characters Joe Blow and his friend Roderick chillin at the mansion. well for

08:03

one thing Joe Blow would be a dumb name for [Roderick and Narrator standing over man]

08:05

protagonist but writing in first-person Poe takes us into the story. we're not

08:10

just impartial observers it's more inclusive. we're enveloped in the story .if

08:16

half dead freak jumps out of a closet they're not jumping at some random [A narrow corridor appears]

08:20

character, they're jumping at us. that whirring blades about to chop us in half.

08:25

that killer squirrel with a bazooka has us in its sights. yes what first person [Squirrel holding a bazooka]

08:31

brings the intensity, makes us involved forces us to take part puts us in the

08:37

driver's seat of a car that's about to go over side of a cliff. yep thank you. [road block]

08:41

okay now for the setting. well you know a setting is important when it's in the

08:46

title of the story. few authors have written setting better than Poe. he [Poe appears in a green mist]

08:51

doesn't just establish the environment to create a spoon the atmosphere, he

08:55

makes the setting itself a character in the story. the carnival full of deranged

09:00

carnival workers is a start but makes a carnival alive and now you're cooking. a

09:06

ferris wheel that spins riders off into space, a merry-go-round where the animals [Ferris wheel spinning]

09:11

eat you. not so merry. well in Assure, our narrator spends a lot of time up front

09:17

describing the setting to us. like you usually do with a character. doors blow [Raven talking beside dead Poe]

09:23

open by themselves the entire house cracked in two and then synced into a

09:27

lake. so yeah. if it was just some run-of-the-mill house where everything

09:31

took place while the setting wouldn't do much to add to the scary claustrophobic

09:35

feel of the story. instead this place is held in house form. what about symbolism? [House in flames]

09:42

and imagery? well first symbolism which is a literary device that uses one for

09:46

the story to represent something else. usually something deeper, or more

09:50

abstract. like at the end of the story our narrator describes a blood-red moon

09:55

overhead. paints a pretty picture of a red moon yeah but it also points to the [red moon]

10:00

murder and horror that's been playing out at the house of usher. author uses

10:04

symbolism to get us thinking on multiple levels. otherwise we might as well be

10:08

watching on TV.and there's imagery which is advice where an author uses [Poe with teddy watching TV]

10:14

highly descriptive language to cement an image in our head.

10:18

the precipitous brink of a black and lurid Tarn that lay an unruffled luxor

10:24

by the dwelling. that isn't saying there's a lake by the house yo. yes it'll

10:29

do that, Poe took his time with word joy. time he probably could have spent making [Poe at a desk writing]

10:33

friends, but uh well. he mentioned roderick painting an underground tomb

10:38

foreshadowing what would happen to madeline perhaps? like why else

10:43

would you paint a tomb? bored much? Roderick's foreshadowing about the decline of [Roderick singing]

10:48

a house. at the end of the story of the house literally declined. not just the

10:53

structure itself that's dilapidated but people who live inside of it. there are

10:57

reflection references. narrator sees inverted reflection of the mansion in

11:02

the tarn, ie in the lake. Madeline roderick are reflections of each other.

11:06

male female mental physical alive dead mac pc. and there's that crack in the [Roderick and Madeline pictured]

11:12

mansion assign the whole place is about to come crashing down. also the sign that

11:17

there are cracks in the brother-sister relationship. those two could use some [Man fixing a toilet and Madeleine appears]

11:20

serious family bonding time. well finally there's all the image Poe uses

11:25

to establish atmosphere. vacant eye like windows. feeble gleams oven crimson light. [Eyes peering through windows]

11:32

the dark and tattered draperies which tortured into motion by the breath of a

11:37

rising tempest, swayed fitfully to and and fro upon the walls. is it a wonder this

11:42

guy had trouble booking babysitting gigs? on come on. all right what about tone?

11:46

well in other words what's the author trying to do to us? is he trying to lift

11:51

our spirits by being upbeat? bring us down by being depressing? freaked us out

11:56

by creating suspense ?make us pee ourselves by scaring us silly? huh and we [Emojis appear]

12:01

never did that. well the voice setting in imagery all sort of contribute to the

12:05

tone. there like a vibe sausage. sure together they combine to give us a

12:10

general sense of unease, like this is not a place we'd like to take a holiday.

12:15

we're left with a storyteller who's filled with anxiety and since his entire [People visiting Disneyland appear at the house]

12:20

yarn while in the state of terror. another opposed classic non bird

12:24

related poem is Annabel Lee. if you've got the gumption read that one, and look [Annabel Lee pictured]

12:29

from the same literary elements of narrative voice setting symbolism

12:34

imagery and tone. as for me while our relationship is now ended. you shall see

12:40

me Nevermore. That's my signature line. I have to go there

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