The Bad Beginning Good Versus Evil Quotes

The children looked from the well-scrubbed house of Justice Strauss to the dilapidated one next door. The bricks were stained with soot and grime. There were only two small windows, which were closed with the shades drawn even though it was a nice day. Rising above the windows was a tall and dirty tower that tilted slightly to the left. The front door needed to be repainted, and carved in the middle of it was an image of an eye. The entire building sagged to the side, like a crooked tooth. (2.33)

"Hello hello hello," Count Olaf said in a wheezy whisper. He was very tall and very thin, dressed in a gray suit that had many dark stains on it. His face was unshaven, and rather than two eyebrows, like most human beings have, he had just one long one. His eyes were very, very shiny, which made him look both hungry and angry. "Hello, my children. Please step into your new home, and wipe your feet outside so no mud gets indoors."

As they stepped into the house, Mr. Poe behind them, the Baudelaire orphans realized what a ridiculous thing Count Olaf had just said. The room in which they found themselves was the dirtiest they had ever seen, and a little bit of mud from outdoors wouldn't have made a bit of difference. Even by the dim light of the one bare lightbulb that hung from the ceiling, the three children could see that everything in this room was filthy, from the stuffed head of a lion which was nailed to the wall to the bowl of apple cores which sat on a small wooden table. (2.39-40)

Rather than looking at the door, then, the orphans looked down, and saw that although Count Olaf was wearing shoes, he wasn't wearing any socks. They could see, in the space of pale skin between his tattered trouser cuff and his black shoe, that Count Olaf had an image of an eye tattooed on his ankle, matching the eye on his front door. They wondered how many other eyes were in Count Olaf's house, and whether, for the rest of their lives, they would always feel as though Count Olaf were watching them even when he wasn't nearby. (2.49)

I wish I could tell you that the Baudelaires' first impressions of Count Olaf and his house were incorrect, as first impressions so often are. But these impressions—that Count Olaf was a horrible person, and his house a depressing pigsty—were absolutely correct […] Even though Count Olaf's house was quite large, the three children were placed together in one filthy bedroom that had only one small bed in it. Violet and Klaus took turns sleeping in it, so that every other night one of them was in the bed and the other was sleeping on the hard wooden floor, and the bed's mattress was so lumpy it was difficult to say who was more uncomfortable. To make a bed for Sunny, Violet removed the dusty curtains from the curtain rod that hung over the bedroom's one window and bunched them together to form a sort of cushion, just big enough for her sister. However, without curtains over the cracked glass, the sun streamed through the window every morning, so the children woke up early and sore each day. Instead of a closet, there was a large cardboard box that had once held a refrigerator and would now hold the three children's clothes, all piled in a heap. Instead of toys, books, or other things to amuse the youngsters, Count Olaf had provided a small pile of rocks. And the only decoration on the peeling walls was a large and ugly painting of an eye, matching the one on Count Olaf's ankle and all over the house. (3.2)

The children knew, as I'm sure you know, that the worst surroundings in the world can be tolerated if the people in them are interesting and kind. Count Olaf was neither interesting nor kind; he was demanding, short-tempered, and bad-smelling. (3.3)

"Could we perhaps borrow a cookbook?" he said. "Count Olaf has instructed us to make dinner for his theater troupe tonight, and we can't find a cookbook in the house."

"Goodness," Justice Strauss said. "Cooking dinner for an entire theater troupe seems like a lot to ask of children."

"Count Olaf gives us a lot of responsibility," Violet said. What she wanted to say was, "Count Olaf is an evil man," but she was well mannered. (3.32-34)

"I guess you've found me out," Olaf said simply. "I suppose you're right: I'll go to prison, and you and the other orphans will go free. Now, why don't you run up to your room and wake your sisters? I'm sure they'll want to know all about your grand victory over my evil ways."

Klaus looked closely at Count Olaf, who was continuing to smile as if he had just told a clever joke. Why wasn't he threatening Klaus in anger, or tearing his hair out in frustration, or running to pack his clothes and escape? This wasn't happening at all the way Klaus had pictured it. (8.19-20)

"Well, now," Count Olaf said, sitting on a stump. "If you really want me to let her go, I will. But surely even a stupid brat like you might realize that if I let her go—or, more accurately, if I ask my comrade to let her go—poor little Sunny might not survive the fall down to the ground. That's a thirty-foot tower, which is a very long way for a very little person to fall, even when she's inside a cage. But if you insist—"

"No!" Klaus cried. "Don't!" (9.9-10)

"But there is something illegal about dangling an infant out of a tower window," Justice Strauss said indignantly. "You, Count Olaf, will go to jail, and the three children will live with me."

"Arrest him! " a voice said from the audience, and other people took up the
cry.

"Send him to jail!"

"He's an evil man!"

"And give us our money back! It was a lousy play!" (13.47-51)

"I'll get my hands on your fortune if it's the last thing I do," the voice hissed. "And when I have it, I'll kill you and your siblings with my own two hands." (13.60)