Fate and Free Will Quotes in Cloud Atlas

How we cite our quotes: (Part.Chapter.Paragraph)

Quote #1

I fumbled for my lighter. The flame conjured a Rastafarian in Holbein embers, just a few inches away, a cigar held in his thick lips. (4.1.193)

You might say that Timothy Cavendish has chosen to end up in Aurora House (you know, because he chose to be a total jerk), but it might also be fate. How else can we explain this mysterious man who shows up, lights a joint, and gets Cavendish so stoned that he thinks he's signing a hotel guestbook instead of giving over his rights to a nursing home?

Quote #2

Them eyes was Old Georgie's eyes. Zachry the Cowardy, they said, you was born to be mine, see, why even fight me? (6.1.13)

Zachry believes it is his fate to be a coward. As such, he sees accusing eyes everywhere, and makes cowardly choices. But does he actually turn out to be a coward? Is his fate actually to be courageous? Or is fate partially controllable? Maybe you can work with your fate? Maybe fate and free will coexist?

Quote #3

Sonmi had mercy on my soul, yay, she changed my aim an' that spiker went flyin' high over that steely gate. (6.1.221)

Perhaps because this action isn't cowardly, Zachry attributes it to fate as well. He doesn't believe that he's capable of making a courageous decision, but his choice to not kill Meronym is just that: a choice.

Quote #4

What do you mean? What "next stage" of what? Of the theatrical production, set up while I was still a server in Papa Song's. (7.1.288-7.1.289)

Sonmi believes that her fate was orchestrated by Unanimity from the beginning, yet she made her own choices, anyway. Was Unanimity playing her, or is that just want she wants to believe?

Quote #5

The outcome is decided not during the course of play but when the cards are shuffled, before the game even begins. How pointless is that? (8.1.107)

Here, Cavendish is talking about a solitaire game, but he could be talking about something bigger: he could be talking about life. Of course, a man who ends up being punished for his own horrible actions would want to blame it on anybody—or anything—else to avoid taking responsibility.

Quote #6

"I fire at him. I miss—the luckiest miss of my life, and yours too, Luisa, because if I'd shot your father you wouldn't be here." (9.46.2)

The fates definitely conspire to put Joe Napier and Luisa Rey back on the same path. Without Joe, Luisa would have been killed. Without Luisa, Joe would still be alive, but the Swannekke reactor would have gone Chernobyl. Fate works in mysterious ways.

Quote #7

"What if trying to avoid the future is what triggers it all?" (9.47.4)

This is pretty much what fate vs. free will boils down to. Maybe fate just wants us to make these choices? Like Unanimity manipulating Sonmi, maybe fate is manipulating us all, to the very end.

Quote #8

Once upon a time, I had a baby daughter. I dressed her in frilly frocks, enrolled her for ballet class [...] but look at her. She turned into [her father] anyway. (9.56.15)

Luisa's mother tried to choose the daughter she had—a daughter who followed in her dainty footsteps. But Luisa chose to be like her father instead, choosing Pulitzer Prizes over debutante balls, and ended up with a more interesting life.

Quote #9

We cut a pack of cards called historical context—our generation, Sixsmith, cut tens, jacks and queens. Adrian's cut threes, fours, and fives. That's all. (10.1.8)

Here's another card metaphor, this one courtesy of Robert Frobisher. Like Cavendish, he believes our fate is in the cards. Maybe that's why he feels he has no other choice than suicide in the end.

Quote #10

In a sense, it is not Autua who has preserved my life but myself. (11.14.17)

And here's I-saved-your-life-you-saved-mine, part 2. This time, it works out a little better, with both Adam Ewing and Autua being fated to survive. Ewing could have chosen to let Autua die, so by making the choice to save him, he saves his own life.