Decameron Fate vs. Free Will Quotes

How we cite our quotes: (Day.Story.Page)

Quote #1

However, the One who is infinite decreed by immutable law that all earthly things should come to an end. And it pleased Him that this love of mine, whose warmth exceeded all others, and which had stood firm and unyielding against all the pressures of good intention, helpful advice, and the risk of danger and open scandal, should in the course of time diminish of its own accord.' (Prologue, 1. Boccaccio explaining how he found a way out of his passion and why he wants to offer help to others)

In the immortal words of the Rolling Stones, "You can't always get what you want." Nobody knows this better than Boccaccio, who claims to be writing his book to pay forward the kindness done for him when he thought his life was ending over a disappointed love. GB's friends may have helped him weather the storm, but ultimately it was God who was in control.

Quote #2

'See how Fortune favours us right from the beginning, in setting before us three young men of courage and intelligence, who will readily act as our guides and servants if we are not too proud to accept them for such duties' (I.Introduction.18, Pampinea speaking).

Fortuna, the fickle agent of God who determines the twists and turns of men's lives, plays a vital role in many of the stories in The Decameron (Day 2 is entirely devoted to these narratives). Fortune is often depicted in art as a well-dressed woman who has her hand on an ever-turning wheel. On this wheel are seated, in various postures of comfort or discomfort, men and women who are turned about on the whim of Fortune herself. So when you see "Fortune" appearing in the text with a capital "F", know that we're talking about the divine entity, not just a random karmic influence or coincidence. Right off the bat, the theme of Fortune is introduced as the gentleman show up at exactly the right time.

Quote #3

Excellent ladies, if the ways of Fortune are carefully examined, it will be seen that the more one discusses her actions, the more remains to be said. Nor is this surprising, when you pause to consider that she controls all the affairs we unthinkingly call our own, and that consequently it is she who arranges and rearranges them after her own inscrutable fashion, constantly moving them now in one direction, now in another, then back again, without following any discernible pattern. (II.3.83, Pampinea's tale of Agilulf and the Groom)

Here, Fortune becomes synonymous with Fate, the irreversible force that pulls all men to their destinies. There's also the sense of a hidden pattern that's completely indecipherable to the average person. Fortune's depicted here (and elsewhere) as wholly unpredictable and fickle (hence the depiction of Fortune as a woman, playing on the stereotype). If you accept this view of Fortune, it's pointless to be happy about your life or complain about it because things could change in an instant. Shmoop can't decide whether this worldview is reassuring ("Okay, whatever, nothing I can do about it anyway") or terrifying.

Quote #4

But knowing her to be a woman of gentle birth, doing penance for another's sin through no fault of her own, the Lord above, who rewards all according to their deserts, arranged matters otherwise. One must in fact conclude that He alone, out of His loving kindness, made possible the train of events which followed, in order to prevent this nobly-born maiden from falling into the hands of a commoner.' (II.8.154, Elissa's tale of Walter, Count of Antwerp)

The difference between Fortune and God implied in this passage is that Fortune, as we've seen, is capricious—she doesn't take virtue or "deserts" into account. God's more predictable in what he'll reward or punish. Usually. In this case, he rewards the innocent Jeannette by finding her a noble gentleman to marry. What's interesting about this passage is that, following the statement that The Lord alone made all this possible, is a series of elaborate actions and events arranged by the noble gentleman's mother.

Quote #5

But on seeing that he was quite unrepentant, and that the girl was eager to marry him, she said to herself: 'Why should I go to all this trouble? They are in love, they understand one another, both are friends of my husband, and their intentions are honorable. Besides, it seems to me that they have God's blessing, for one of them has been saved from being hanged, the other from being killed by a lance, and both of them from being devoured by wild beasts. So let them do as they wish.' (V.3.392, Elissa's story of Pietro Boccamazza)

Up to this point in this tale, the young couple had been subject to constant stream of events that just scream "Fortune." They elope. He gets lost in the woods and separated from her, is attacked by soldiers but saved when those soldiers are suddenly set upon by other soldiers. She finds shelter for the night in the house of a kind couple but robbers break into the house and she escapes death by hiding in a haystack where a sword misses her by inches. She ends up at a house where the owner just happens to know her lover. Everything seems unpredictable and random. But it isn't, according to the lady speaking. It's all evidence of God's approval of the couple's love, so who is she to interfere? This kind of thinking drove Christopher Hitchens nuts: everything happens for a reason, the Devil made me do it, let go and let God, it's God's will, etc.

Quote #6

[...] Nature and Fortune, being very shrewd, follow the practice so common among mortals, who, uncertain of what the future will bring, make provision for emergencies by burying their most precious possessions in the least imposing (and therefore least suspect) part of their houses, whence they bring them forth in the hour of their greatest need, their treasure having been more securely preserved in a humble hiding place than if it had been kept in a sumptuous chamber. In the same way, the two fair arbiters of the world's affairs frequently hide their greatest treasure beneath the shadow of the humblest trades, so that when the need arises for it to be brought forth, its splendour will be all the more apparent. (VI.2.448, Pampinea's story of Cisti the Baker)

This is Pampinea's roundabout way of saying that the heart of an aristocrat can be found in a person of lowly social status. Pampinea brings up two agents of God—Nature and Fortune—personified as careful housewives who store up good things for lean times. In Cisti's case, Nature and Fortune have been kind, giving him a secret share of nobility that he can use to his benefit at the right time.

Quote #7

Amorous ladies, whilst a ready wit will often bring a swift phrase, apposite and neatly turned, to the lips of the speaker, it sometimes happens that Fortune herself will come to the aid of people in distress by suddenly putting words into their mouths that they would never have been capable of formulating when their minds were at ease [...].' (VI.4.454, Neifile's intro to story of Chichibio and the Crane).

This is one of those times that you wonder if God even bothers to get involved. Chichibio's told a lie and needs a witty remark to get him out of it. Seems like God has more important affairs to attend to, and Neifile only refers to Fortune.

Quote #8

[...] they rushed forward to restrain him, declaring that if anyone was to blame it was not the lady, but Calandrino himself, for he was well aware that women caused things to lose their virtue, and hadn't warned her beforehand not to show her face that day in his presence. Moreover, it was God Himself, they argued, who had prevented him from taking this precaution, either because Calandrino was not destined to enjoy this singular piece of good fortune, or because he was intending to deceive his companions, to whom he should have revealed his discovery the moment he realized the stone was in his possession.' (VIII.4.569, Elissa's story of Calandrino and the Heliotrope)

It's hard to use any of the Calandrino stories as a basis for intellectual argument, but we're going to try. Buffalmacco and Bruno have had their fun with Calandrino, and now they're trying to keep him from killing his wife. They use the "it's God's will" argument to convince him that his wife isn't to blame. Calandrino's not happy about it, but he buys it.

Quote #9

'How clearly, dearest father, do I perceive your liberality, seeing the ingenious way in which you have come to offer me the life which without any reason I was eager to take, as you discovered yourself from my own lips. But God was more heedful than I of my obligations, and in this moment of supreme need He has opened my eyes, which vile envy had kept so tightly sealed.' (X.3.716, Filostrato's tale of Mithridanes and Nathan)

Sometimes, a higher power intervenes to keep us from doing something disastrous. Mithridanes is quite thankful that he didn't get his way here, because he might have murdered a man that he was really meant to admire and revere. The implication here is that Mithridanes' own passions (envy, in this case) obscured the truth. Fortunately, God was paying attention.

Quote #10

'In the opinion of many philosophers, all human actions conform to the will and decree of the immortal gods, and hence there are those who maintain that whatever we mortals do here on earth, either now or in the future, is inevitable and preordained; whereas certain others apply this principle of necessity only to what is already past and done with. […] the person that criticizes that which cannot be changed is behaving exactly as if he wishes to prove himself wiser than the gods, who, to the best of our knowledge and belief, control and govern us, and all things pertaining to us, by a process of eternal and infallible logic.' (X.8.755-756, Titus and Gisippus)

We can't add a thing. Titus explains it all as the ancients understood it. We can't blame him, can we, for using this argument to justify his stealing his friend's fiancée?