Jacob Have I Loved Family Quotes

How we cite our quotes: (Chapter.Paragraph)

Quote #1

I love Rass Island, although for much of my life, I did not think I did, and it is a pure sorrow to me that, once my mother leaves, there will be no one left there with the name of Bradshaw. But there were only the two of us, my sister, Caroline, and me, and neither of us could stay. (P.6)

The Bradshaw family's roots run deep on Rass Island. This little lead-off helps us understand just how tough it is for Louise to leave Rass Island because the island is practically part of her family.

Quote #2

What my mother bore him was girls, twin girls. I was the elder by a few minutes. I always treasured the thought of those minutes. They represented the only time in my life when I was the center of everyone's attention. From the moment Caroline was born, she snatched it all for herself. (2.3)

Wow. Right from the start, the family dynamic starts to skew a little. Louise is the center of attention for a few minutes, and then Caroline comes on the scene and steals the spotlight. Typical Caroline.

Quote #3

When my mother and grandmother told the story of our births, it was mostly of how Caroline had refused to breathe. How the midwife smacked and prayed and cajoled the tiny chest to move. How the cry of joy went up at the first weak wail—"no louder than a kitten's mew."

"But where was I?" I once asked. "When everyone was working over Caroline, where was I?"

A cloud passed across my mother's eyes, and I knew that she could not remember. "In the basket," she said. "Grandma bathed you and dressed you and put you in the basket."

"Did you, Grandma?"

"How should I know?" she snapped. "It was a long time ago."

I felt cold all over, as though I was the newborn infant a second time, cast aside and forgotten. (2.4-9)

This is a pretty sad little story. Louise has always had to share with Caroline—even a womb—and now she has to share the story of her birth. She's a nobody, even to her own family. Grandma certainly can't be bothered with her.

Quote #4

"Ain't you going down for the ferry?"

"I hadn't thought to."

"It wouldn't hurt you to think a little. Your mother's likely to have heavy groceries."

"Caroline's with her, Grandma."

"You know full well that little child ain't got the strength to carry heavy groceries.

I could have said several things but all of them were rude, so I kept my mouth shut.

"Why do you look at me like that?" she asked.

"Like what?"

"With bullets in your eyes. Like you want to shoot me dead. All I want you to do is help your poor mother." (4.28-36)

Another gem of a conversation with Grandma. This lady has it in for her granddaughter, but this little back-and-forth speaks to a major theme in the Bradshaw family—Caroline is weak and helpless, while Louise is strong and capable.

Quote #5

No one had told me to turn over all the money I made crabbing. I just always had. When I started, I guess, it hadn't occurred to me that it was mine to keep. We always lived so close to the edge of being poor. It made me feel proud to be able to present the family with a little something extra to hold on to. While my parents never carried on much over it, I was always thanked. When my grandmother would criticize me, I could remember, even if the laws of respect kept me silent, that I was a contributing member of the household in which she and Caroline were little more than parasites. It was a private comfort. (6.55)

This is kind of messed up. Sure, Louise's parents might love her, but she also feels like she needs to contribute to the family to feel like she's really an important part of it. Caroline has things handed to her, but Louise needs to go out and get them herself.

Quote #6

I cannot explain why, seeing how the storm had affected our family's finances, I never told anyone that I had almost fifty dollars hidden away. Among the first things that had to be given up were Caroline's mainland voice and piano lessons. Even on generous scholarships, the transportation was too much for our slender resources. I suppose it is to Caroline's credit that she seldom sulked about this deprivation. She continued to practice regularly with the hope that spring would mark the end of a successful oyster season and give us the margin we needed to continue her trips to Salisbury. I might say to my own credit, as I needed every bit of credit available in those days, that I did not rejoice over Caroline's misfortune. I never hated the music. In fact, I took pride in it. But though it occurred to me to offer the money I had saved to help her continue her lessons, I was never quite able to admit that I had put it away. Besides, it was not that much money—and it was mine. I had earned it. (14.3)

It's tough times for the Bradshaw family, but Louise can't quite bring herself to mention that she has some extra money. We kind of don't blame her. Would Caroline really care? Would it change anything between them? We doubt it.

Quote #7

We tongers stood perched on the washboards of our tiny boats, and, just as our fathers and grandfathers had before us, used our fir wood tongs, three or four times taller than our own bodies, to reach down gently to the oyster bed, feel the bottom until we came to a patch of market-sized oysters, and then closing the rakes over the catch, bring it up to the culling board. Of course, we could not help but bring up some spat, as every oyster clings to its bed until the culling hammer forces a separation, but compared to the dredge, we left the precious bottom virtually undisturbed to provide a bed for the oysters that would be harvested by our children's children. (15.48)

Louise isn't just catching oysters here—she's claiming her birthright as a Bradshaw. She feels a connection to her father and his work, and even though she's a girl, she sees this as her rightful place in the family. Her father isn't so sure, though.

Quote #8

"He never paid me no mind. Old heathen."

I felt as though I had stumbled off a narrow path right into a marsh. "Grandma, do you mean now?"

"You was always a ignorant child. I wouldn't have him on a silver plate now. I mean then."

"Grandma," I was still trying to feel my way, "you were a lot younger than the Captain."

She flashed her eyes at me. "I would've growed," she said like a stubborn child. "He run off and left before I had a chance." Then she put her head down on her gnarled hands and began to cry. "I turned out purty," she said between sobs. "By the time I was thirteen I was the purtiest little thing on the island, but he was already gone. I waited for two more years before I married William, but he never come back 'til now." She wiped her eyes on her shawl and leaned her head back watching a spot on the ceiling. "He was too old for me then, and now it 'pears he's too young. After scatter-headed children like you and Caroline. Oh, my blessed, what a cruel man."

What was I to do? For all the pain she had caused me, to see her like that, still haunted by a childish passion, made me want to put my arm around her and comfort her. But she had turned on me so often, I was afraid to touch her. I tried with words. (17.23-28)

Poor Grandma. In Grandma, Louise sees everything she doesn't want to become. She's a woman who's haunted by the past, scared of the future, and bitter about the present. Maybe this is how things would have ended up for Louise if she had stayed on Rass Island?

Quote #9

"I'm not going to rot here like Grandma. I'm going to get off this island and do something." I waited for her to stop me, but she just stood there. "You're not going to stop me, either."

"I wouldn't stop you," she said. "I didn't stop Caroline, and I certainly won't stop you."

"Oh, Caroline. Caroline's different. Everything's always been for Caroline. Caroline the delicate, the gifted, the beautiful. Of course, we must all sacrifice our lives to give her greatness to the world!" (18.37-39)

And now, it all comes out: Louise is ticked because her family has some weird priorities. Caroline has always seemed to come first, and Louise rarely gets any help from her parents. This is how Louise has felt for years … but is it really true?

Quote #10

I suppose every mother is reduced to idiocy when describing her firstborn, but, oh, he is a beauty—large and dark like his father, but with the bright blue eyes of the Bradshaws. I swear from his cry that he will be a singer and from his huge hands that he will follow the water, which makes his father laugh aloud and tease me about our son setting sail on the trickle of a stream that crosses our pasture.

The older children adore him, and, as for the valley people, it doesn't matter how often I explain that we named the baby for my father, they are all sure that Truitt is their namesake. Their need for me made them accept me into their lives, but now I feel that they are taking me into their hearts as well. (20.4-5)

Louise continues family traditions by naming her son after her father (and her new adopted home). She may struggle with her family growing up, but she still loves them. Finally, she can move past all the Caroline drama. Well, sort of.