Pnin Foreignness and 'The Other' Quotes

Prior to the nineteen-forties, during the staid European era of his life, he had always worn long underwear, its terminals tucked into the tops of neat silk socks, which were clocked, soberly colored, and held up on his cotton-clad calves by garters. In those days, to reveal a glimpse of that white underwear by pulling up a trouser leg too high would have seemed to Pnin as indecent as showing himself to ladies minus collar and tie… (1.1.2)

Pnin—who, like so many Russians, was inordinately fond of everything in the line of timetables, maps, catalogues, collected them, helped himself freely to them with the bracing pleasure of getting something for nothing, and took especial pride in puzzling out schedules for himself—had discovered, after some study, an inconspicuous reference mark against a still more convenient train… (1.3)

"Zdrastvuyte kak pozhivaete horosho spasibo" Entwistle rattled off in excellent imitation of Russian speech—and indeed he rather resembled a genial Tsarist colonel in mufti. "One night in Paris," he went on, his eyes twinkling, "at the Ougolok cabaret, this demonstration convinced a group of Russian revelers that I was a compatriot of theirs—posing as an American, don't you know." "In two-three years," said Pnin, missing one bus but boarding the next, "I will also be taken for an American," and everybody roared except Professor Blorenge. (2.2.18)

Liza Bogolepov, a medical student just turned twenty, and perfectly charming in her black silk jumper and tailor-made skirt, was already working at the Meudon sanatorium directed by that remarkable and formidable old lady, Dr. Rosetta Stone, one of the most destructive psychiatrists of the day; and, moreover, Liza wrote verse—mainly in halting anapaest; indeed, Pnin saw her for the first time at one of those literary soirees where young émigré poets, who had left Russia in their pale, unpampered pubescence, chanted nostalgic elegies dedicated to a country that could be little more to them than a sad stylized toy, a bauble found in the attic, a crystal globe which you shake to make a soft luminous snowstorm inside over a minuscule fir tree and a log cabin of papier mache. (2.5.2)

He was halfway through the dreary hell that had been devised by European bureaucrats (to the vast amusement of the Soviets) for holders of that miserable thing, the Nansen Passport (a kind of parolee's card issued to Russian émigrés), when one damp April day in 1940 there was a vigorous ring at his door and Liza tramped in, puffing and carrying before her like a chest of drawers a seven-month pregnancy, and announced, as she tore off her hat and kicked off her shoes, that it had all been a mistake, and from now on she was again Pnin's faithful and lawful wife, ready to follow him wherever he went—even beyond the ocean if need be. (2.5.3)

He and Serafima, his large, cheerful, Moscow-born wife, who wore a Tibetan charm on a long silver chain that hung down to her ample, soft belly, would throw Russki parties every now and then, with Russki hors d'oeuvres and guitar music and more or less phony folk songs—occasions at which shy graduate students would be taught vodka-drinking rites and other stale Russianisms; and after such feasts, upon meeting gruff Pnin, Serafima and Oleg (she raising her eyes to heaven, he covering his with one hand) would murmur in awed self- gratitude: "Gospodi, skol'ko mï im dayom (My, what a lot we give them!)"—"them" being the benighted American people. Only another Russian could understand the reactionary and Sovietophile blend presented by the pseudo-colorful Komarovs, for whom an ideal Russia consisted of the Red Army, an anointed monarch, collective farms, anthroposophy, The Russian Church and the Hydro-Electric Dam. (3.5.3)

This was the first time Pnin was coming to The Pines but I had been there before. Émigré Russians—liberals and intellectuals who had left Russia around 1920— could be found swarming all over the place. You would find them in every patch of speckled shade, sitting on rustic benches and discussing émigré writers—Bunin, Aldanov, Sirin; lying suspended in hammocks, with the Sunday issue of a Russian-language newspaper over their faces in traditional defense against flies; sipping tea with jam on the veranda; walking in the woods and wondering about the edibility of local toadstools. (5.2.3)

Some parents brought their offspring with them—healthy, tall, indolent, difficult American children of college age, with no sense of nature, and no Russian, and no interest whatsoever in the niceties of their parents' backgrounds and pasts. They seemed to live at The Pines on a physical and mental plane entirely different from that of their parents: now and then passing from their own level to ours through a kind of interdimensional shimmer; responding curtly to a well-meaning Russian joke or anxious piece of advice, and then fading away again; keeping always aloof (so that one felt one had engendered a brood of elves), and preferring any Onkwedo store product, any sort of canned goods to the marvelous Russian foods provided by the Kukolnikov household at loud, long dinners on the screened porch. (5.2.5)

Consequently the sight of a hummingbird in probing flight, or a catalpa in ample bloom, produced upon Varvara the effect of some unnatural or exotic vision. More fabulous than pictures in a bestiary were to her the tremendous porcupines that came to gnaw at the delicious, gamy old wood of the house, or the elegant, eerie little skunks that sampled the cat's milk in the backyard. She was nonplused and enchanted by the number of plants and creatures she could not identify, mistook Yellow Warblers for stray canaries, and on the occasion of Susan's birthday was known to have brought, with pride and panting enthusiasm, for the ornamentation of the dinner table, a profusion of beautiful poison-ivy leaves, hugged to her pink, freckled breast. (5.2.7)

A curious basketlike net, somewhat like a glorified billiard pocket—lacking, however, a bottom—was suspended for some reason above the garage door, upon the white of which it cast a shadow as distinct as its own weave but larger and in a bluer tone. (6.4.3)