How we cite our quotes: (Chapter.Section.Paragraph)
Quote #1
From then on to the end of the voyage that had turned from green and silver to a uniform gray, Pnin busied himself overtly with his English-language manuals, and although immutably meek with Liza, tried to see her as little as he could without awakening her suspicions. (2.5.9)
Here, Pnin has just found out that Liza is using him to get to America. Whereas only moments ago, he believed that he was part of a family and about to become a father, he's now aware that he was actually just the third wheel to the relationship between Liza and Eric Wind. So basically he's just been kicked out of his own family.
Quote #2
"It is nothing but a kind of microcosmos of communism—all that psychiatry," rumbled Pnin, in his answer to Chateau. "Why not leave their private sorrows to people? Is sorrow not, one asks, the only thing in the world people really possess?" (2.5.10)
There are a few things going on here. First of the bunch, Pnin's comment about psychiatry obviously brings Liza and Eric to mind. So by stating this, Pnin is associating them with communists. Also, Pnin lets us know that he thinks suffering is deeply personal and not to be shared. Why do you think that is? Is it perhaps because he has always suffered in isolation? Our wheels are a-turnin'…
Quote #3
Pnin, his head on his arm, started to beat the table with his loosely clenched fist. "I haf nofing," wailed Pnin between loud, damp sniffs, "I haf nofing left, nofing, nofing!" (2.7.24)
We'll admit that this quote made us think of a certain famous song. But as a quote it's actually pretty sad. After his meeting with Liza, Pnin goes searching for some whiskey and soda. When he doesn't find it, he breaks down crying and says this. What exactly do you think he means by saying he has nothing?—erm, sorry, nofing. Is he talking about having no one there for him in his life, or just about the whiskey?
Quote #4
St. Bart's was not particularly pleased either with Lake's methods or with their results, but kept him on because it was fashionable to have at least one distinguished freak on the staff. (4.5.3)
We just wanted to point out that there are some other nutty professors out there, but their institutions actually like them. So unlike Pnin, they are not totally isolated from everyone else.
Quote #5
"Oh, you must eat more, much more if you want to be a footballist." "I'm afraid I don't care much for football. In fact, I hate football. I'm not very good at any game, really." "You are not a lover of football?" said Pnin, and a look of dismay crept over his large expressive face. He pursed his lips. He opened them—but said nothing. In silence he ate his vanilla ice cream, which contained no vanilla and was not made of cream. (4.8.21)
Here, Pnin is just getting to know Victor. He obviously has all of these hopes and expectations for this son that he has never met. And this moment is where it all comes crashing down. It's obvious that even though Pnin was hoping that he had gained a new family member, he realizes that he's just as alone as ever.
Quote #6
There had never been any regular Russian Department at Waindell and my poor friend's academic existence had always depended on his being employed by the eclectic German Department in a kind of Comparative Literature extension of one of its branches. (6.1.3)
Even academically, Pnin is isolated. He doesn't even have a Russian department full of other people who are interested in Russian things to associate with. He's just a lone Russian professor in the middle of the German department.
Quote #7
On the morning of that day, good Dr. Hagen made a desperate visit to Blorenge's office and revealed to him, and to him alone, the whole situation. When he told Blorenge that Falternfels was a strong anti-Pninist, Blorenge drily rejoined that so was he; in fact, after meeting Pnin socially, he "definitely felt" (it is truly a wonder how prone these practical people are to feel rather than to think) that Pnin was not fit even to loiter in the vicinity of an American college. (6.3.1)
In case you didn't get the extent to which the other professors have an issue with Pnin, this might give you a clue. Of course, Blorenge might be a little bit more extreme than the majority of the other characters. But definitely feeling? Not fit to loiter? Dude, that's pretty harsh.
Quote #8
But there was nothing extraordinary, nothing original, about this combination of people, and old Pnin recalled those birthday parties in his boyhood—the half a dozen children invited who were somehow always the same, and the pinching shoes, and the aching temples, and the kind of heavy, unhappy, constraining dullness that would settle on him after all the games had been played and a rowdy cousin had started putting nice new toys to vulgar and stupid uses; and he also recalled the lone buzz in his ears when, in the course of a protracted hide-and-seek routine, after an hour of uncomfortable concealment, he emerged from a dark and stuffy wardrobe in the maid's chamber, only to find that all his playmates had already gone home. (6.4.5)
Pnin's isolation isn't new, at least according to the narrator. Since he's been a little boy, he just hasn't been able to fit in like the other kids. Sucks to be Pnin.
Quote #9
He groped under the bubbles, around the goblets, and under the melodious bowl, for any piece of forgotten silver—and retrieved a nutcracker. Fastidious Pnin rinsed it, and was wiping it, when the leggy thing somehow slipped out of the towel and fell like a man from a roof. He almost caught it—his fingertips actually came into contact with it in mid-air, but this only helped to propel it into the treasure-concealing foam of the sink, where an excruciating crack of broken glass followed upon the plunge. Pnin hurled the towel into a corner and, turning away, stood for a moment staring at the blackness beyond the threshold of the open back door. A quiet, lacy-winged little green insect circled in the glare of a strong naked lamp above Pnin's glossy bald head. He looked very old, with his toothless mouth half open and a film of tears dimming his blank, unblinking eyes. (6.12.3)
This scene is filled with many strong images and emotions—stronger than we've pretty much ever experienced in following Pnin through this book. He actually gets angry, and we see him with his eyes brimming with tears. And what is the reason for all of this emotion? He thinks that he has broken Victor's bowl. Why is that so important to him?
Quote #10
Then, with a moan of anguished anticipation, he went back to the sink and, bracing himself, dipped his hand deep into the foam. A jagger of glass stung him. Gently he removed a broken goblet. The beautiful bowl was intact. He took a fresh dish towel and went on with his household work. (6.12.3)
Here, Pnin realizes that he didn't actually break Victor's bowl and his emotions return to normal. Even though he cuts himself on a shard—or, um, jagger—of glass, Pnin isn't angry anymore. Why do you think that is? What does the bowl represent to Pnin? And does not breaking it give him a glimmer more hope for the future?