Speak, Memory Chapter 14, Section 3 Summary

  • During this period, Vladimir developed a hobby of writing chess problems.
  • Writing chess problems is different than playing chess: it is finding a circumstance of the game that feels particularly challenging, even hopeless, and offering it to those who care.
  • (Nabokov admits that most people, even those who are passionate chess players, don't.)
  • For Vladimir, writing chess problems is as lyric as composing a poem.
  • Different schools of different chess problem writers value things like patterned strategy, rigid rules, or end-games.
  • Nabokov attempts to explain: "Themes in chess, it may be explained, are such devices as forelaying, withdrawing, pinning, unpinning and so forth; but it is only when they are combined in a certain way that a problem is satisfying. Deceit, to the point of diabolism, and originality, verging upon the grotesque, were my notions of strategy…" (14.3.3)
  • For those not in the know, even this explanation can seem really confusing. But if you think of Nabokov as a writer who values drama, beauty, and weirdness, his approach clarifies a bit.
  • Vladimir labors at his hobby, understanding a connection between it and his writing, a strengthening of his creativity via chess.
  • The hobby is comforting to Vladimir, with its clear rules and boundaries.
  • Vladimir, in working on these problems, becomes entranced: "I remember slowly emerging from a swoon of concentrated chess thought, and there, on a great English board of cream and cardinal leather, the flawless position was at last balanced like a constellation." (14.3.6)
  • In mid-May of 1940, he is working relentlessly on a chess problem, living in Paris.
  • The day before, Vladimir and his family have finally received their visa to leave Europe and journey to the U.S., where he will be able to develop his writing career.
  • He finishes writing the problem.
  • "All of a sudden, I felt that with the completion of my chess problem a whole period of my life had come to a satisfactory close." (14.3.7)
  • Nabokov, in writing this, has that chess problem diagram in front of him, and includes the particulars of the problem.
  • In their passage out of France, all of his papers were inspected, and this paper bears a stamp from the French government, clearing it.