Stolen Isolation Quotes

How we cite our quotes: (Section Break.Paragraph)

Quote #1

I made a sort of choking noise. As far as I could see, there was nothing. There was only flat, continuous brown land leading out to the horizon. Sand and more sand, with tussocks of small scrubby bushes standing up like surprises and the occasional leafless tree. The land was dead and thirsty. I was in nowhere. (4.14)

Getting abducted from an airport is bad enough. Finding out that you've been exiled to the middle of who-knows-where is worse. This has to be terrifying.

Quote #2

"Will you let me go, out back?"

You shook your head. "There's nothing to escape to," you said. "I've told you. It's a wilderness." (7.16-17)

Being kidnapped and held in the wilderness doesn't just mean total isolation. It means there's nowhere to run to, baby … nowhere to hide. (Sorry, but we love us some cheesy '60s girl groups.)

Quote #3

Other times I heard nothing. I strained my ears for the roar of an engine, a car or an airplane howling toward me. I found myself longing for a highway. But there was never anything. It was amazing how quiet it was. I wasn't used to it. I even spent a day or two thinking I had hearing damage. It was as if all the sounds I was used to had disappeared from the world. (12.3)

The really scary part about all this is that Gemma is surrounded by evidence that, with the exception of her captor, she is completely alone. The silence described here has to be terrifying after spending her entire life in a city.

Quote #4

I shielded my eyes. There was nothing but sand and flatness and horizon. I used the branches to turn myself around, grazing my leg a little on the rock. But there were no buildings on the other side, no towns … not even a road. It looked the same on that side as it had looked near the house. Long, flat emptiness. I wanted to scream, probably the only reason I didn't was because I was worried you would hear me. If I had a gun, I think I would have shot myself. (17.4)

Wow. Now, that's despair. Gemma has lost total control—she's being held against her will in a place where her abductor is the only other person around, and she can't even kill herself the way she wants to. The emptiness of this view is enough to make her want to totally give up hope.

Quote #5

I glanced at the cloudless blue sky. There were no planes up there, no helicopters. No rescue missions. Lying in bed, I'd had the idea of writing "help" in the sand, but I realized then, it was a pretty stupid idea if no one ever flew over anyway. I turned to see the rest of the view: horizon, horizon, Separates, horizon, horizon … nowhere to run. (30.6)

Gemma is so isolated that she can't even live out the cliché of writing "help" in the sand. Seriously, there's nobody around. Except Ty.

Quote #6

Perhaps there was something more to those two words … some sort of a need to connect, wanting to use my voice rather than risk losing it. Because that's what it felt like, then, when that wind was up and blowing the sand around; it felt like it could blow my voice completely away from me, too. I was disappearing with those grains, scattering with the wind. (30.25)

The isolation of the desert is so permeating, so widespread, that Gemma actually feels like it's taking away her identity, eroding her away to the point of not even existing anymore. Kind of gives literal meaning to the idea of being stolen.

Quote #7

I tried to ignore what was happening on the dashboard, and kept driving. I looked straight ahead, focusing on those shadows shimmering on the horizon. The land stretched on and on, never ending. No tracks. No telegraph lines. There was nothing to say that humans had ever been there. Only me. (55.4)

Gemma's sense of power at getting the car away from Ty is short-lived once she realizes there's nowhere to go. Also, those shadows on the horizon end up just being sand dunes. Not exactly helpful for planning her escape and guiding her to civilization.

Quote #8

I climbed the dune […] There was nothing any different on the other side. There was no mine site, no people. There was only more sand, more rocks, more trees, and again, more shadowy dunes in the distance. As far as I could see I was the only person out there […] If I died right there on that dune, no one would know about it. Not even you. (57.8)

Have you noticed how many times Gemma climbs stuff in this book only to realize there's nothing on the other side? It's interesting how, even in the middle of this extreme isolation, some part of her still can't give up.

Quote #9

I lowered myself onto the crate outside the door as it all sunk in. I'd always kept a small seed of hope alive, hope that I'd be able to escape. But suddenly I realized something. That view of sand and endlessness … that was it, that was my life. Unless you took me back to a town, that was all I'd ever see. No more parents or friends or school. No more London. Only you. Only the desert. (65.8)

Gemma may spend a lot of time climbing things to see what's on the other side, but she eventually reaches the point of realizing that unless Ty decides to send her back, she's not going to escape this isolation. Ever. The idea of not seeing any people except for him has to just make things worse.

Quote #10

It didn't make me glow, though. I felt more like I was fading away, like the world had forgotten me. As I stared at the glinting sand, I wondered if my disappearance was making the news. Was anyone still interested? I knew papers dropped stories when there wasn't anything new to report. And what could be new about my story, when the only thing that ever changed was the way the wind blew? (67.6)

The hopelessness of her isolation is enough to make Gemma wonder if she even exists back home or if people have given up on trying to find her. As she notes, it's not like they know to look for her in Australia.