How we cite our quotes: Citations follow this format: (Chapter.Paragraph)
Quote #1
"I have been careful, and I have been patient, but it's growing worse and worse; flesh and blood can't bear it any longer; – every chance he can get to insult and torment me, he takes. I thought I could do my work well, and keep on quiet, and have some time to read and learn out of work hours; but the more he sees I can do, the more he loads on. He says that though I don't say anything, he sees I've got the devil in me, and he means to bring it out; and one of these days it will come out in a way that he won't like, or I'm mistaken! [. . .] I have been kicked and cuffed and sworn at, and at the best only let alone; and what do I owe? I've paid for all my keeping a hundred times over. I won't bear it. No, I won't!" he said, clenching his hand with a fierce frown. (3.18, 22)
George Harris’s suffering isn’t an accident of circumstances or a byproduct of the institution of slavery; it’s the deliberate product of his master’s cruelty.
Quote #2
"Wal, Mr. Haley," said Marks, "'est pass the hot water. Yes, sir, you say 'est what I feel and all'us have. Now, I bought a gal once, when I was in the trade, – a tight, likely wench she was, too, and quite considerable smart, – and she had a young un that was mis'able sickly; it had a crooked back, or something or other; and I jest gin 't away to a man that thought he'd take his chance raising on 't, being it didn't cost nothin'; – never thought, yer know, of the gal's taking' on about it, – but, Lord, yer oughter seen how she went on. Why, re'lly, she did seem to me to valley the child more 'cause 't was sickly and cross, and plagued her; and she warn't making b'lieve, neither, – cried about it, she did, and lopped round, as if she'd lost every friend she had. It re'lly was droll to think on 't. Lord, there ain't no end to women's notions."
"Wal, jest so with me," said Haley. "Last summer, down on Red river, I got a gal traded off on me, with a likely lookin' child enough, and his eyes looked as bright as yourn; but, come to look, I found him stone blind. Fact – he was stone blind. Wal, ye see, I thought there warn't no harm in my jest passing him along, and not sayin' nothin'; and I'd got him nicely swapped off for a keg o' whiskey; but come to get him away from the gal, she was jest like a tiger. So 't was before we started, and I hadn't got my gang chained up; so what should she do but ups on a cotton-bale, like a cat, ketches a knife from one of the deck hands, and, I tell ye, she made all fly for a minit, till she saw 't wan't no use; and she jest turns round, and pitches head first, young un and all, into the river, – went down plump, and never ris."
"Bah!" said Tom Loker, who had listened to these stories with ill-repressed disgust, – "shif'less, both on ye! my gals don't cut up no such shines, I tell ye!"
"Indeed! How do you help it?" said Marks, briskly.
"Help it? Why, I buys a gal, and if she's got a young un to be sold, I jest walks up and puts my fist to her face, and says, 'Look here, now, if you give me one word out of your head, I'll smash yer face in. I won't hear one word – not the beginning of a word.' I says to 'em, 'This yer young un's mine, and not yourn, and you've no kind o' business with it. I'm going to sell it, first chance; mind, you don't cut up none o' yer shines about it, or I'll make ye wish ye'd never been born.' I tell ye, they sees it an't no play, when I gets hold. I makes 'em as whist as fishes; and if one on 'em begins and gives a yelp, why, – " and Mr. Loker brought down his fist with a thump that fully explained the hiatus. (8.21-25)
Haley, Marks, and Tom Loker trade stories of the suffering of their female slaves when the slaves’ children are taken away from them. Stowe shows the reader the intensity of the slaves’ suffering by recounting these histories; by using the voices of the traders themselves, she adds authenticity and downplays sentimentality. She also reveals the inhuman cruelty of the slave traders.
Quote #3
"My master traded with one of the men, and bought my oldest sister. She was a pious, good girl, – a member of the Baptist church, – and as handsome as my poor mother had been. She was well brought up, and had good manners. At first, I was glad she was bought, for I had one friend near me. I was soon sorry for it. Sir, I have stood at the door and heard her whipped, when it seemed as if every blow cut into my naked heart, and I couldn't do anything to help her; and she was whipped, sir, for wanting to live a decent Christian life, such as your laws give no slave girl a right to live; and at last I saw her chained with a trader's gang, to be sent to market in Orleans, – sent there for nothing else but that, – and that's the last I know of her. Well, I grew up, – long years and years, – no father, no mother, no sister, not a living soul that cared for me more than a dog; nothing but whipping, scolding, starving. Why, sir, I've been so hungry that I have been glad to take the bones they threw to their dogs; and yet, when I was a little fellow, and laid awake whole nights and cried, it wasn't the hunger, it wasn't the whipping, I cried for. No, sir, it was for my mother and my sisters, – it was because I hadn't a friend to love me on earth. (11.72)
When George begins to describe his own suffering to Mr. Wilson, he quickly slips into telling someone else’s story – his sister’s. Even though George’s own history is tragic and painful, he suffers most when he thinks of the fates of his female relatives. For the 19th century reader, this demonstrates his capacity to be a chivalrous gentleman.
Quote #4
"St. Clare always laughs when I make the least allusion to my ill health," said Marie, with the voice of a suffering martyr. "I only hope the day won't come when he'll remember it!" and Marie put her handkerchief to her eyes.
Of course, there was rather a foolish silence. Finally, St. Clare got up, looked at his watch, and said he had an engagement down street. Eva tripped away after him, and Miss Ophelia and Marie remained at the table alone.
"Now, that's just like St. Clare!" said the latter, withdrawing her handkerchief with somewhat of a spirited flourish when the criminal to be affected by it was no longer in sight. "He never realizes, never can, never will, what I suffer, and have, for years. If I was one of the complaining sort, or ever made any fuss about my ailments, there would be some reason for it. Men do get tired, naturally, of a complaining wife. But I've kept things to myself, and borne, and borne, till St. Clare has got in the way of thinking I can bear anything." (16.34-36)
Marie St. Clare’s demonstrative hypochondria is a despicable form of self-manufactured "suffering." The reader is sickened by the way Marie suggests that her foolish whims are at all comparable to the agonies endured by her slaves.
Quote #5
Miss Ophelia well knew that it was the universal custom to send women and young girls to whipping-houses, to the hands of the lowest of men, – men vile enough to make this their profession, – there to be subjected to brutal exposure and shameful correction. She had known it before; but hitherto she had never realized it, till she saw the slender form of Rosa almost convulsed with distress. All the honest blood of womanhood, the strong New England blood of liberty, flushed to her cheeks, and throbbed bitterly in her indignant heart; but, with habitual prudence and self-control, she mastered herself, and, crushing the paper firmly in her hand, she merely said to Rosa,
"Sit down, child, while I go to your mistress."
"Shameful! monstrous! outrageous!" she said to herself, as she was crossing the parlor. (29.18-20)
Rosa’s mistress hasn’t just ordered her to be whipped – she’s ordered it to be done publicly, which means Rosa will appear topless in front of whichever local men feel like showing up. It’s both physical and emotional suffering, and it will harm her reputation.
Quote #6
"You will answer to God for such cruelty!" said Miss Ophelia, with energy.
"Cruelty, – I'd like to know what the cruelty is! I wrote orders for only fifteen lashes, and told him to put them on lightly. I'm sure there's no cruelty there!"
"No cruelty!" said Miss Ophelia. "I'm sure any girl might rather be killed outright!"
"It might seem so to anybody with your feeling; but all these creatures get used to it; it's the only way they can be kept in order. Once let them feel that they are to take any airs about delicacy, and all that, and they'll run all over you, just as my servants always have. I've begun now to bring them under; and I'll have them all to know that I'll send one out to be whipped, as soon as another, if they don't mind themselves!" said Marie, looking around her decidedly. (29.33-36)
Marie’s slaves suffer even more because she is incapable of sympathizing and insists, with racist pseudo-logic, that they are inhuman and can only be controlled through violence.
Quote #7
In the course of the day, Tom was working near the mulatto woman who had been bought in the same lot with himself. She was evidently in a condition of great suffering, and Tom often heard her praying, as she wavered and trembled, and seemed about to fall down. Tom silently as he came near to her, transferred several handfuls of cotton from his own sack to hers.
"O, don't, don't!" said the woman, looking surprised; "it'll get you into trouble." Just then Sambo came up. He seemed to have a special spite against this woman; and, flourishing his whip, said, in brutal, guttural tones, "What dis yer, Luce, – foolin' a'" and, with the word, kicking the woman with his heavy cowhide shoe, he struck Tom across the face with his whip. (33.12-13)
Suffering is the norm on Legree’s plantation; Legree is a brutal master, his overseers are brutal bosses, and his slaves would never think of helping one another. Tom’s gesture of kindness brings punishment from the overseer because his compassion interferes with the "divide and conquer" logic of the place.
Quote #8
"Well, here's a pious dog, at last, let down among us sinners! – a saint, a gentleman, and no less, to talk to us sinners about our sins! Powerful holy critter, he must be! Here, you rascal, you make believe to be so pious, – didn't you never hear, out of yer Bible, 'Servants, obey yer masters'? An't I yer master? Didn't I pay down twelve hundred dollars, cash, for all there is inside yer old cussed black shell? An't yer mine, now, body and soul?" he said, giving Tom a violent kick with his heavy boot; "tell me!"
In the very depth of physical suffering, bowed by brutal oppression, this question shot a gleam of joy and triumph through Tom's soul. He suddenly stretched himself up, and, looking earnestly to heaven, while the tears and blood that flowed down his face mingled, he exclaimed,
"No! no! no! my soul an't yours, Mas'r! You haven't bought it, – ye can't buy it! It's been bought and paid for, by one that is able to keep it; – no matter, no matter, you can't harm me!" (33.69-71)
Tom seems to draw strength from his suffering, perhaps because it emphasizes that he is following in the path of another famous martyr – Jesus. Tom’s "joy and triumph" at this moment are both heartening and somewhat disturbing. The reader is glad that he’s not broken, but worried that he might become a masochistic martyr.
Quote #9
"They think it's nothing, what we suffer, – nothing, what our children suffer! It's all a small matter; yet I've walked the streets when it seemed as if I had misery enough in my one heart to sink the city. I've wished the houses would fall on me, or the stones sink under me. Yes! and, in the judgment day, I will stand up before God, a witness against those that have ruined me and my children, body and soul! (34.55)
Cassy’s description of the agonizing suffering she has experienced during her whole life humanizes her for the reader, making her a thinking, feeling character, as deserving of our love and sympathy as any heroine.
Quote #10
The writer has given only a faint shadow, a dim picture, of the anguish and despair that are, at this very moment, riving thousands of hearts, shattering thousands of families, and driving a helpless and sensitive race to frenzy and despair. There are those living who know the mothers whom this accursed traffic has driven to the murder of their children; and themselves seeking in death a shelter from woes more dreaded than death. Nothing of tragedy can be written, can be spoken, can be conceived, that equals the frightful reality of scenes daily and hourly acting on our shores, beneath the shadow of American law, and the shadow of the cross of Christ. (45.16)
The author admits that the text of Uncle Tom’s Cabin alone cannot portray the full enormity of the devastation and suffering caused by slavery. The reality, she tells us, is worse still.