Uncle Tom's Cabin Women and Femininity Quotes

How we cite our quotes: Citations follow this format: (Chapter.Paragraph)

Quote #1

Mrs. Shelby was a woman of high class, both intellectually and morally. To that natural magnanimity and generosity of mind which one often marks as characteristic of the women of Kentucky, she added high moral and religious sensibility and principle, carried out with great energy and ability into practical results. Her husband, who made no professions to any particular religious character, nevertheless reverenced and respected the consistency of hers, and stood, perhaps, a little in awe of her opinion. Certain it was that he gave her unlimited scope in all her benevolent efforts for the comfort, instruction, and improvement of her servants, though he never took any decided part in them himself. In fact, if not exactly a believer in the doctrine of the efficiency of the extra good works of saints, he really seemed somehow or other to fancy that his wife had piety and benevolence enough for two – to indulge a shadowy expectation of getting into heaven through her superabundance of qualities to which he made no particular pretension. (1.78)

In the very first chapter of the novel, Stowe describes her feminine ideal: a well-bred woman with strong religious principles who exerts moral influence over her husband and her household.

Quote #2

It is impossible to conceive of a human creature more wholly desolate and forlorn than Eliza, when she turned her footsteps from Uncle Tom's cabin. [. . .] But stronger than all was maternal love, wrought into a paroxysm of frenzy by the near approach of a fearful danger. Her boy was old enough to have walked by her side, and, in an indifferent case, she would only have led him by the hand; but now the bare thought of putting him out of her arms made her shudder, and she strained him to her bosom with a convulsive grasp, as she went rapidly forward. (7.1, 3)

Stowe develops Eliza as a mother and heroine first and a black slave second. By showing her readers that Eliza’s maternal feelings are just as strong and just as sacred as those of any white northern woman, she establishes a sympathetic connection between her readers and her character.

Quote #3

If it were your Harry, mother, or your Willie, that were going to be torn from you by a brutal trader, tomorrow morning, – if you had seen the man, and heard that the papers were signed and delivered, and you had only from twelve o'clock till morning to make good your escape, – how fast could you walk? How many miles could you make in those few brief hours, with the darling at your bosom, – the little sleepy head on your shoulder, – the small, soft arms trustingly holding on to your neck? (7.5)

Stowe appeals directly to her reader, whom she assumes to be a white 19th century northern Christian mother. Forcing the reader to imagine herself in Eliza’s situation strengthens the reader’s sympathetic bond with Eliza and makes her suffering even more poignant.

Quote #4

By her side sat a woman with a bright tin pan in her lap, into which she was carefully sorting some dried peaches. She might be fifty-five or sixty; but hers was one of those faces that time seems to touch only to brighten and adorn. The snowy fisse crape cap, made after the strait Quaker pattern, – the plain white muslin handkerchief, lying in placid folds across her bosom, – the drab shawl and dress, – showed at once the community to which she belonged. Her face was round and rosy, with a healthful downy softness, suggestive of a ripe peach. Her hair, partially silvered by age, was parted smoothly back from a high placid forehead, on which time had written no inscription, except peace on earth, good will to men, and beneath shone a large pair of clear, honest, loving brown eyes; you only needed to look straight into them, to feel that you saw to the bottom of a heart as good and true as ever throbbed in woman's bosom. So much has been said and sung of beautiful young girls, why don't somebody wake up to the beauty of old women? (13.2)

The Quaker matron Rachel becomes another paragon of perfect feminine domesticity. Just by observing the details of her appearance, Stowe’s narrator makes her love, industry, and honesty obvious. Any household ruled by this woman would be a just one.

Quote #5

South as well as north, there are women who have an extraordinary talent for command, and tact in educating. Such are enabled, with apparent ease, and without severity, to subject to their will, and bring into harmonious and systematic order, the various members of their small estate, – to regulate their peculiarities, and so balance and compensate the deficiencies of one by the excess of another, as to produce a harmonious and orderly system.

Such a housekeeper was Mrs. Shelby, whom we have already described; and such our readers may remember to have met with. If they are not common at the South, it is because they are not common in the world. They are to be found there as often as anywhere; and, when existing, find in that peculiar state of society a brilliant opportunity to exhibit their domestic talent.

Such a housekeeper Marie St. Clare was not, nor her mother before her. Indolent and childish unsystematic and improvident, it was not to be expected that servants trained under her care should not be so likewise; and she had very justly described to Miss Ophelia the state of confusion she would find in the family, though she had not ascribed it to the proper cause. (18.28-31)

Stowe considers housekeeping one of the essential duties of 19th century women: they must govern their staff (in the North) or slaves (in the South), manage household finances, and create a peaceful domestic retreat for their families. Although this "separate spheres" philosophy is limiting because it confines women to the private sphere of the home, it also provides a model for female government that contrasts with the patriarchy of slavery.

Quote #6

"My mother," said St. Clare, getting up and walking to a picture at the end of the room, and gazing upward with a face fervent with veneration, "she was divine! Don't look at me so! – you know what I mean! She probably was of mortal birth; but, as far as ever I could observe, there was no trace of any human weakness or error about her; and everybody that lives to remember her, whether bond or free, servant, acquaintance, relation, all say the same. Why, cousin, that mother has been all that has stood between me and utter unbelief for years. She was a direct embodiment and personification of the New Testament, – a living fact, to be accounted for, and to be accounted for in no other way than by its truth. O, mother! Mother!" said St. Clare, clasping his hands, in a sort of transport. . . . (19.61)

We have to admit that St. Clare’s extreme attachment to his mother borders on the ridiculous, the Freudian, or both. The melodrama at this point is completely over the top. But even while we’re snickering and calling St. Clare a "mama’s boy," we should notice the point of the passage: if St. Clare’s mother had lived, her strong moral influence on him might have turned him into someone who took action based on his principles.

Quote #7

Miss Ophelia well knew that it was the universal custom to send women and young girls to whipping-houses, to the hands of the lowest of men, – men vile enough to make this their profession, – there to be subjected to brutal exposure and shameful correction. She had known it before; but hitherto she had never realized it, till she saw the slender form of Rosa almost convulsed with distress. All the honest blood of womanhood, the strong New England blood of liberty, flushed to her cheeks, and throbbed bitterly in her indignant heart. . . . (29.18)

At a critical moment, Ophelia sympathizes with Rosa’s fear of physical exposure, torture, and harassment instead of Marie St. Clare’s position as slave-mistress. Stowe suggests that Ophelia’s "honest blood of womanhood" won’t allow her to feel any differently. Of course, the cold, pale Marie doesn’t have any "honest blood" in her body.

Quote #8

"And, Emmeline, if we shouldn't ever see each other again, after tomorrow, – if I'm sold way up on a plantation somewhere, and you somewhere else, – always remember how you've been brought up, and all Missis has told you; take your Bible with you, and your hymn-book; and if you're faithful to the Lord, he'll be faithful to you."

So speaks the poor soul, in sore discouragement; for she knows that tomorrow any man, however vile and brutal, however godless and merciless, if he only has money to pay for her, may become owner of her daughter, body and soul; and then, how is the child to be faithful? She thinks of all this, as she holds her daughter in her arms, and wishes that she were not handsome and attractive. It seems almost an aggravation to her to remember how purely and piously, how much above the ordinary lot, she has been brought up. But she has no resort but to pray. . . . (30.41-42)

A slave mother tries to protect her daughter as best she can through love and religious instruction, but she is largely powerless. Here we see the evils of slavery at their worst – slavery tears mother and child apart and subjects young women to sexual violence. Stowe calls once more for the sympathy of her northern women readers.

Quote #9

Hard and reprobate as the godless man seemed now, there had been a time when he had been rocked on the bosom of a mother, – cradled with prayers and pious hymns, – his now seared brow bedewed with the waters of holy baptism. In early childhood, a fair-haired woman had led him, at the sound of Sabbath bell, to worship and to pray. Far in New England that mother had trained her only son, with long, unwearied love, and patient prayers. Born of a hard-tempered sire, on whom that gentle woman had wasted a world of unvalued love, Legree had followed in the steps of his father. Boisterous, unruly, and tyrannical, he despised all her counsel, and would none of her reproof; and, at an early age, broke from her, to seek his fortunes at sea. He never came home but once, after; and then, his mother, with the yearning of a heart that must love something, and has nothing else to love, clung to him, and sought, with passionate prayers and entreaties, to win him from a life of sin, to his soul's eternal good.

That was Legree's day of grace; then good angels called him; then he was almost persuaded, and mercy held him by the hand. His heart inly relented, – there was a conflict, – but sin got the victory, and he set all the force of his rough nature against the conviction of his conscience. He drank and swore, – was wilder and more brutal than ever. And, one night, when his mother, in the last agony of her despair, knelt at his feet, he spurned her from him, – threw her senseless on the floor, and, with brutal curses, fled to his ship. (35.34-35)

Stowe makes Simon Legree a completely evil character – even his mother’s selfless, heavenly, unwavering love can’t redeem him. In the world of this novel, where the moral force of women is depicted as one of the strongest powers in society, such a thing is practically unthinkable. And yet the love of Legree’s mother still has power. As we’ll learn later in this chapter, Legree is superstitious and terrified of anything that reminds him of his mom, especially locks of fair hair. He and St. Clare should be in some kind of "I’m obsessed with my mom" support group.

Quote #10

And you, mothers of America, – you who have learned, by the cradles of your own children, to love and feel for all mankind, – by the sacred love you bear your child; by your joy in his beautiful, spotless infancy; by the motherly pity and tenderness with which you guide his growing years; by the anxieties of his education; by the prayers you breathe for his soul's eternal good; – I beseech you, pity the mother who has all your affections, and not one legal right to protect, guide, or educate, the child of her bosom! By the sick hour of your child; by those dying eyes, which you can never forget; by those last cries, that wrung your heart when you could neither help nor save; by the desolation of that empty cradle, that silent nursery, – I beseech you, pity those mothers that are constantly made childless by the American slave-trade! And say, mothers of America, is this a thing to be defended, sympathized with, passed over in silence? (45.17)

Unsurprisingly, Stowe ends Uncle Tom’s Cabin with special appeals to free mothers to sympathize with slaves and to raise their children as abolitionists.