The Three Musketeers Learning Guide: Table of Contents
Introduction
Analysis
Symbolism, Imagery, Allegory
Swords
Setting
Narrator Point of View
Genre
Tone
Writing Style
What’s Up With the Title?
What’s Up With the Ending?
Plot Analysis
Booker's Seven Basic Plots Analysis
Three Act Plot Analysis
Trivia
Steaminess Rating
Allusions
Brief Summary
Author’s Preface
Chapter One: The Three Presents of D’Artagnan the Elder
Chapter Two: The Antechamber of M. de Tréville
Chapter Three: The Audience
Chapter Four: The Shoulder of Athos, the Baldric of Porthos, and the Handkerchief of Aramis
Chapter Five: The King’s Musketeers and the Cardinal’s Guards
Chapter Six: His Majesty King Louis XIII
Chapter Seven: The Interior of "The Musketeers"
Chapter Eight: Concerning a Court Intrigue
Chapter Nine: D’Artagnan Shows Himself
Chapter Ten: A Mousetrap in the Seventeenth Century
Chapter Eleven: In Which the Plot Thickens
Chapter Twelve: George Villiers, Duke of Buckingham
Chapter Thirteen: Monsieur Bonacieux
Chapter Fourteen: The Man of Meung
Chapter Fifteen: Men of the Robe and Men of the Sword
Chapter Sixteen: In Which M. Seguier, Keeper of the Seals, Looks More Than Once For the Bell, In Order to Ring It, as He Did Before
Chapter Seventeen: Bonacieux at Home
Chapter Eighteen: Lover and Husband
Chapter Nineteen: Plan of Campaign
Chapter Twenty: The Journey
Chapter Twenty-One: The Countess de Winter
Chapter Twenty-Two: The Ballet of La Merlaison
Chapter Twenty-Three: The Rendezvous
Chapter Twenty-Four: The Pavilion
Chapter Twenty-Five: Porthos
Chapter Twenty-Six: Aramis and His Thesis
Chapter Twenty-Seven: The Wife of Athos
Chapter Twenty-Eight: The Return
Chapter Twenty-Nine: Hunting for the Equipments
Chapter Thirty: D’Artagnan and the Englishman
Chapter Thirty-One: English and French
Chapter Thirty-Two: A Procurator’s Dinner
Chapter Thirty-Three: Soubrette and Mistress
Chapter Thirty-Four: In Which the Equipment of Aramis and Porthos is Treated Of
Chapter Thirty-Five: A Gascon A Match for Cupid
Chapter Thirty-Six: Dream of Vengeance
Chapter Thirty-Seven: Milady’s Secret
Chapter Thirty-Eight: How, Without Incommoding Himself, Athos Procured His Equipment
Chapter Thirty-Nine: A Vision
Chapter Forty: The Cardinal
Chapter Forty-One: The Siege of La Rochelle
Chapter Forty-Two: The Anjou Wine
Chapter Forty-Three: The Inn of the Red Dovecot
Chapter Forty-Four: The Utility of Stovepipes
Chapter Forty-Five: A Conjugal Scene
Chapter Forty-Six: the Bastion Saint-Gervais
Chapter Forty-Seven: The Council of the Musketeers
Chapter Forty-Eight: A Family Affair
Chapter Forty-Nine: Fatality
Chapter Fifty: Chat Between Brother and Sister
Chapter Fifty-One: Officer
Chapter Fifty-Two: Captivity: The First Day
Chapter Fifty-Three: Captivity: The Second Day
Chapter Fifty-Four: Captivity: The Third Day
Chapter Fifty-Five: Captivity: The Fourth Day
Chapter Fifty-Six: Captivity: The Fifth Day
Chapter Fifty-Seven: Means for Classical Tragedy
Chapter Fifty-Eight: Escape
Chapter Fifty-Nine: What Took Place at Portsmouth, August 23, 1628
Chapter Sixty: In France
Chapter Sixty-One: The Carmelite Convent at Béthune
Chapter Sixty-Two: Two Varieties of Demons
Chapter Sixty-Three: The Drop of Water
Chapter Sixty-Four: The Man in the Red Cloak
Chapter Sixty-Five: Trial
Chapter Sixty-Six: Execution
Chapter Sixty-Seven: Conclusion
Epilogue
Characters
D’Artagnan
D’Artagnan Timeline
Athos
Athos Timeline
Porthos
Porthos Timeline
Analysis
Symbolism, Imagery, Allegory
Swords
Setting
Narrator Point of View
Genre
Tone
Writing Style
What’s Up With the Title?
What’s Up With the Ending?
Plot Analysis
Booker's Seven Basic Plots Analysis
Three Act Plot Analysis
Trivia
Steaminess Rating
Allusions
Brief Summary
Author’s Preface
Chapter One: The Three Presents of D’Artagnan the Elder
Chapter Two: The Antechamber of M. de Tréville
Chapter Three: The Audience
Chapter Four: The Shoulder of Athos, the Baldric of Porthos, and the Handkerchief of Aramis
Chapter Five: The King’s Musketeers and the Cardinal’s Guards
Chapter Six: His Majesty King Louis XIII
Chapter Seven: The Interior of "The Musketeers"
Chapter Eight: Concerning a Court Intrigue
Chapter Nine: D’Artagnan Shows Himself
Chapter Ten: A Mousetrap in the Seventeenth Century
Chapter Eleven: In Which the Plot Thickens
Chapter Twelve: George Villiers, Duke of Buckingham
Chapter Thirteen: Monsieur Bonacieux
Chapter Fourteen: The Man of Meung
Chapter Fifteen: Men of the Robe and Men of the Sword
Chapter Sixteen: In Which M. Seguier, Keeper of the Seals, Looks More Than Once For the Bell, In Order to Ring It, as He Did Before
Chapter Seventeen: Bonacieux at Home
Chapter Eighteen: Lover and Husband
Chapter Nineteen: Plan of Campaign
Chapter Twenty: The Journey
Chapter Twenty-One: The Countess de Winter
Chapter Twenty-Two: The Ballet of La Merlaison
Chapter Twenty-Three: The Rendezvous
Chapter Twenty-Four: The Pavilion
Chapter Twenty-Five: Porthos
Chapter Twenty-Six: Aramis and His Thesis
Chapter Twenty-Seven: The Wife of Athos
Chapter Twenty-Eight: The Return
Chapter Twenty-Nine: Hunting for the Equipments
Chapter Thirty: D’Artagnan and the Englishman
Chapter Thirty-One: English and French
Chapter Thirty-Two: A Procurator’s Dinner
Chapter Thirty-Three: Soubrette and Mistress
Chapter Thirty-Four: In Which the Equipment of Aramis and Porthos is Treated Of
Chapter Thirty-Five: A Gascon A Match for Cupid
Chapter Thirty-Six: Dream of Vengeance
Chapter Thirty-Seven: Milady’s Secret
Chapter Thirty-Eight: How, Without Incommoding Himself, Athos Procured His Equipment
Chapter Thirty-Nine: A Vision
Chapter Forty: The Cardinal
Chapter Forty-One: The Siege of La Rochelle
Chapter Forty-Two: The Anjou Wine
Chapter Forty-Three: The Inn of the Red Dovecot
Chapter Forty-Four: The Utility of Stovepipes
Chapter Forty-Five: A Conjugal Scene
Chapter Forty-Six: the Bastion Saint-Gervais
Chapter Forty-Seven: The Council of the Musketeers
Chapter Forty-Eight: A Family Affair
Chapter Forty-Nine: Fatality
Chapter Fifty: Chat Between Brother and Sister
Chapter Fifty-One: Officer
Chapter Fifty-Two: Captivity: The First Day
Chapter Fifty-Three: Captivity: The Second Day
Chapter Fifty-Four: Captivity: The Third Day
Chapter Fifty-Five: Captivity: The Fourth Day
Chapter Fifty-Six: Captivity: The Fifth Day
Chapter Fifty-Seven: Means for Classical Tragedy
Chapter Fifty-Eight: Escape
Chapter Fifty-Nine: What Took Place at Portsmouth, August 23, 1628
Chapter Sixty: In France
Chapter Sixty-One: The Carmelite Convent at Béthune
Chapter Sixty-Two: Two Varieties of Demons
Chapter Sixty-Three: The Drop of Water
Chapter Sixty-Four: The Man in the Red Cloak
Chapter Sixty-Five: Trial
Chapter Sixty-Six: Execution
Chapter Sixty-Seven: Conclusion
Epilogue
Characters
D’Artagnan
D’Artagnan Timeline
Athos
Athos Timeline
Porthos
Porthos Timeline
Aramis
Aramis Timeline
Cardinal Richelieu
Milady
The King
The Queen
Duke of Buckingham
Madame Bonacieux
Monsieur de Tréville
John Felton
Lord de Winter
Man from Meung
Monsieur Bonacieux
Planchet
Grimaud
Mousqueton
Bazin
Madame de Chevreuse
Madame Coquenard
Comte de Wardes
Lubin
Kitty
Laporte
Dessessart
D’Artagnan the Elder
Study Questions
Character Roles (Protagonist, Antagonist...)
Protagonist
Antagonist
GuideMentor
Foil
Companion
Romantic
Tools of Characterization
Themes
Quotes
Friendship
Friendship Quotes
Love
Love Quotes
Pride
Pride Quotes
Society and Class
Society and Class Quotes
Revenge
Revenge Quotes
Ambition
Ambition Quotes
Mortality
Mortality Quotes
Loyalty
Loyalty Quotes
Best of the Web
Module Quizzes
Quotes (What was Said)
Quotes (What was Said) True or False
Themes (For the Most Part)
Themes (For the Most Part) True or False
Symbols
Symbols True or False
All for One
All for One True or False
More Than a Great Candy Bar
More Than a Great Candy Bar True or False
Charts
Essay
Public Domain Full Text
The Three Musketeers
Current Events & Pop Culture
Challenges & Opportunities
Assignments & Activities
Characterization
Chew On This
Character Journal Entry
Facebook Plot Summary
Archetypes
Symbolism, Allusion, and Irony
Literary Devices
Adaptation
Why Should I Care?
The Three Musketeers on Film
The Three Muske-T-Shirts
The (More) Modern Four Musketeers
Discussion & Essay Questions
Reading Quizzes
Related History & Literature on Shmoop
Aramis Timeline
Cardinal Richelieu
Milady
The King
The Queen
Duke of Buckingham
Madame Bonacieux
Monsieur de Tréville
John Felton
Lord de Winter
Man from Meung
Monsieur Bonacieux
Planchet
Grimaud
Mousqueton
Bazin
Madame de Chevreuse
Madame Coquenard
Comte de Wardes
Lubin
Kitty
Laporte
Dessessart
D’Artagnan the Elder
Study Questions
Character Roles (Protagonist, Antagonist...)
Protagonist
Antagonist
GuideMentor
Foil
Companion
Romantic
Tools of Characterization
Themes
Quotes
Friendship
Friendship Quotes
Love
Love Quotes
Pride
Pride Quotes
Society and Class
Society and Class Quotes
Revenge
Revenge Quotes
Ambition
Ambition Quotes
Mortality
Mortality Quotes
Loyalty
Loyalty Quotes
Best of the Web
Module Quizzes
Quotes (What was Said)
Quotes (What was Said) True or False
Themes (For the Most Part)
Themes (For the Most Part) True or False
Symbols
Symbols True or False
All for One
All for One True or False
More Than a Great Candy Bar
More Than a Great Candy Bar True or False
Charts
Essay
Public Domain Full Text
The Three Musketeers
Current Events & Pop Culture
Challenges & Opportunities
Assignments & Activities
Characterization
Chew On This
Character Journal Entry
Facebook Plot Summary
Archetypes
Symbolism, Allusion, and Irony
Literary Devices
Adaptation
Why Should I Care?
The Three Musketeers on Film
The Three Muske-T-Shirts
The (More) Modern Four Musketeers
Discussion & Essay Questions
Reading Quizzes
Related History & Literature on Shmoop