How we cite our quotes: (Chapter.Paragraph)
Quote #1
Victoria Guzman, for her part, had been categorical with her answer that neither she nor her daughter knew that the men were waiting for Santiago Nasar to kill him. But in the course of her years she admitted that both knew it when he came into the kitchen to have his coffee. They had been told it by a woman who had passed by after five o'clock to beg a bit of milk, and who in addition had revealed the motives and the place where they were waiting. "I didn't warn him because I thought it was drunkards' talk," she told me. Nevertheless, Divina Flor confessed to me on a later visit, after her mother had died, that the latter hadn't said anything to Santiago Nasar because in the depths of her heart she wanted them to kill him. (1.20)
Did you read that right? Not only did Victoria Guzmán lie, but also she lied about lying. Why do you think she did that? After all, everyone knows that she hates Santiago. Victoria Guzmán also isn't the only person who says that she didn't believe the twins were actually going to kill him. Who else do you think is lying about that claim?
Quote #2
She insisted that they go together right away because breakfast was already made. "It was a strange insistence," Cristo Bedoya told me. "So much so that sometimes I've thought that Margot already knew that they were going to kill him and wanted to hide him in your house." (1.35)
Here, Cristo Bedoya is talking about the narrator's sister, Margot. Margot swears that she didn't know anything about the plan to kill Santiago, but Cristo's not so sure. It's kind of obvious that she didn't want Santiago to die, so why would she lie about what she knew? Do you think she's telling the truth? Why do you think the narrator is insistent that she's not lying?
Quote #3
The night he arrived he gave them to understand at the movies that he was a track engineer, and spoke of the urgency for building a railroad into the interior so that we could keep ahead of the river's fickle ways. (2.3)
Notice the words "he gave them to understand." That's a very tricky phrase. Basically the narrator is saying that Bayardo San Román only implied that he was a track engineer. So technically he didn't lie, but just let people think certain things that might be untrue. This is not the only time that Bayardo displays that kind of behavior. What else do you think he's hiding?
Quote #4
The two oldest daughters had married very late. In addition to the twins, there was a middle daughter who had died of nighttime fevers, and two years later they were still observing a mourning that was relaxed inside the house but rigorous on the street. (2.15)
This phrase should have tipped you off to something about the Vicario family right from the beginning. It tells you that they care about appearances, and all is not exactly as it seems in their house. They want to seem strict and traditional by maintaining mourning in the public, but that's not what they do behind closed doors. Can you think of other instances where members of the Vicario family act differently behind closed doors?
Quote #5
No one would have thought, nor did anyone say, that Angela Vicario wasn't a virgin. She hadn't known any previous fiancé and she'd grown up along with her sisters under the rigor of a mother of iron. (2.38)
This is the mystery that has us scratching our heads. Is Angela some kind of magician or something? Of course, it might be good to remember that her father was sometimes her chaperone…and he's completely blind.
Quote #6
Furthermore, with the reconstruction of the facts, they had feigned a much more unforgiving bloodthirstiness than really was true, to such an extreme that it was necessary to use public funds to repair the main door of Placida Linero's house, which was all chipped with knife thrusts. (3.5)
To be honest, we feel pretty sorry for the Vicario brothers. They probably would have been happy to spend their Monday sleeping off the hangover from the wedding, but instead they had to go and kill a guy that they were hanging out with just hours before. What do you think would've happened if instead of lying, they just told everyone that they didn't feel like killing him?
Quote #7
According to what they told me years later, they had begun by looking for him at Maria Alejandrina Cervantes's place, where they had been with him until two o'clock. That fact, like many others, was not reported in the brief. Actually, Santiago Nasar was no longer there at the time the twins said they went looking for him, because we'd left on a round of serenades, but in any case, it wasn't certain that they'd gone. "They never would have left here," Maria Alejandrina Cervantes told me, and knowing her so well, I never doubted it. (3.6)
Somehow, we feel that it's not a coincidence that Marquez makes the only person who seems like they are actually telling the truth a prostitute. We're not saying that prostitutes are liars, but that the whole notion of an honest prostitute is a bit ironic because society generally frowns upon the oldest profession. However, Maria Alejandrina Cervantes seems like the only person not caught up in the web of deceit.
Quote #8
Before stepping onto land, they took off their shoes and went barefoot through the streets up to the hilltop in the burning dust of noon, pulling out strands of hair by the roots and wailing loudly with such high-pitched shrieks that they seemed to be shouts of joy. I watched them pass from Magdalena Oliver's balcony, and I remember thinking that distress like theirs could only be put on in order to hide other, greater shames. (4.19)
There's a heckuva lot of sketchy behavior happening in this novel, but Bayardo and his family take the cake. Do you think that the sisters are actually happy? Or are they hiding something even worse than a lost virginity, which we all know is punishable by death? While many of the townspeople's lies seem to be made in order to maintain the peace of the town, Bayardo and his family are strangers. So what's their motivation?
Quote #9
What we discovered inside seemed to be a woman's natural items for hygiene and beauty, and I only learned their real use when Angela Vicario told me many years later which things were the old wives' artifices she had been instructed in so as to deceive her husband. (4.23)
This scene is a great warning, because it shows us that items that could be perceived as completely innocent can hide illicit meanings. It's basically this novel's "trust no one," moment.
Quote #10
"I didn't do any of what they told me," she said, "because the more I thought about it, the more I realized that it was all something dirty that shouldn't be done to anybody, much less to the poor man who had the bad luck to marry me." So she let herself get undressed openly in the lighted bedroom, safe now from all the acquired fears that had ruined her life. "It was very easy," she told me, "because I'd made up my mind to die." (4.28)
We were smacking our foreheads when we read this. Seriously? This is when Angela decided to come clean? Why?!