Tender is the Night Innocence Quotes

How we cite our quotes: Citations follow this format: (Book.Chapter.Paragraph)

Quote #1

"I haven’t seen Paris since I’ve been grown," said Rosemary. "I’d love to see it with you."

"That’s nice of you." Did she imagine that his voice was suddenly metallic? "Of course we’ve been excited about you from the moment you came on the beach. That vitality, we were sure it was professional – especially Nicole was. It’d never use itself up on any one person or group" (1.8.15-16).

Dick is suggesting here that Rosemary’s innocence, or naiveté, can hurt others. As the novel makes clear, she’s walking into the Divers world without thinking of anyone’s feelings but her own. Maybe if she knew what was going on, she might tread a little more lightly. Dick is cautioning her not to get fixated on himself or the people around her. Good advice, but, we must wonder, is Dick innocent to the irony here? Isn’t he doing exactly what he’s telling Rosemary what to do when he "works over" the people he meets? With what we know about Dick, it’s highly doubtful he’s blind to the parallel. He seems to know exactly what he is at that time in his life, even as he knows it’s not very nice.

Quote #2

"All my beautiful lovely safe world blew itself up here with a great gust of high explosive love," Dick mourned persistently. "Isn’t that true, Rosemary?"

"I don’t know," she answered with a grave face. "You know everything" (1.13.12-13).

This is when they are touring World War I battlefields and Dick is talking about physical damage to the land and people and the psychological impact of the war on those who lived to remember it. All in all, World War I represents a shattering of innocence in the novel. Why does he use the word love? Wars are often fought in the name of love – the love for a country, the love of humankind. It’s ironic that something done in the name of love can wreak such destruction and death. And what about Rosemary’s reaction? It’s almost as if she’s become more innocent as a result of being with Dick. But is it innocence to lose yourself in another person? This is an important question in the novel.

Quote #3

"People used to say what a wonderful father and daughter we were […]. We were just like lovers – and then all at once we were lovers – and ten minutes after it happened I could have shot myself – except I guess I’m such a Goddamned degenerate I didn’t have the nerve to do it" (2.3.34).

This passage is important for obvious reasons, including the fact that it describes the shattering of the innocence of both a father and a daughter in one horrible moment.

Quote #4

Franz relaxed – or rather assumed the posture of one relaxed. "Now tell me about yourself and your plans?"

"I’ve only got one, Franz, and that’s to be a good psychologist – maybe to be the greatest one that ever lived" (2.4.21).

Dick’s innocence here seems rather ironic. The tone suggests that he is innocent to the fact that he’s chosen to deal with people who have, in one way or another, lost their innocence.

Quote #5

"Honestly, you don’t understand – I haven’t heard a thing."

Nor known, nor smelt, nor tasted, he might have added; only hot- cheeked girls in hot secret rooms. […] Now there was this scarcely saved waif of disaster bringing him the essence of a continent (2.5.40).

Though Nicole’s innocence has been shattered by her father, she still seems like a very innocent young woman when Dick meets her (and possibly throughout the novel). Yet here, Dick sees himself as the innocent one. He seems to see Nicole as a pathway to becoming less innocent.

Quote #6

"I know I wouldn’t be fit to marry any one for a long time," she said humbly.

Tangled with love in the moonlight she welcomed the anarchy of her lover (3.8.94).

This can be seen as a return to innocence for Nicole. She sounds like some kind of mythic goddess, basking in the moon. Think about this. Her home is called Villa Diana. Diana is "the goddess of the hunt." She is later transformed into the moon goddess and is also a symbol of chastity. We could also look at her as an adulteress and her liaison with Tommy as a deeper fall from innocence. What do you think? Can sexual freedom constitute a return to innocence for Nicole?

Quote #7

He walked past the staring carabinieri and up to the grinning face, hit it with a smashing left beside the jaw. The man dropped to the floor.

[…] he was clubbed down, and fists and boots beat on him in a savage tattoo. He felt his nose break like a shingle and his eyes jerk as if they had snapped back on a rubber band into his head (2.22.90-91).

As far as we know, this is first time Dick has committed physical violence against another human being and it’s the first time that he’s been on the receiving end of it. We can see this as a serious loss of his innocence.

Quote #8

It had been a hard night but she had the satisfaction of feeling that, whatever Dick’s previous record was, they now possessed a moral superiority over him for as long as he proved of any use (2.23.103).

We know this is the last sentence of the chapter where Dick is beaten by the cops in Rome. Baby Warren has the last world in it, and with it she loses innocence in most readers’ eyes. She seemed sincere, genuine and even innocent in her desire to help Dick get out of jail. But now we see it was just the opportunity to further ownership over him. She relishes his downfall with a profound lack of innocence. But perhaps you see it differently. Can you make an argument for Baby Warren’s innocence in this moment?

Quote #9

"And, my God, I have never been so happy as I am this minute" (3.8.45).

Is that you, Tommy Barban? The guy whose only home is "war?" Perhaps this is Tommy’s moment of regained innocence – the simple innocence of a man and a woman together, loving one another. Go ahead - call him a home wrecker if you want. But we are content, for the moment, to bask in his happiness.