J.D. Salinger is an American writer famous for his 1951 novel The Catcher in the Rye and the short stories he published in The New Yorker in the 1950s and 60s. Many of Salinger's stories revolve around the infamous Glass family, seven siblings with remarkable intelligence and unique spiritual interests.

On the surface, "Teddy" is not a part of the Glass family saga. It tells the story of a precocious ten-year-old genius boy with an interest in and knowledge of Eastern philosophies that far surpasses his years. While young Teddy McArdle is not explicitly connected to the Glass family, we find an interesting connection when reading "Seymour: an Introduction," a story about Seymour Glass narrated by his brother, Buddy Glass. In this tale, Buddy admits that he himself wrote "Teddy," and that the ten-year-old genius greatly resembles his older brother, Seymour.

Fittingly, then, "Teddy" belongs to the Nine Stories, a collection of Salinger's short works, along side a few more obvious Glass family stories, such as "A Perfect Day for Bananafish." While these stories differ in surface subject matter, they all explore similar themes, among them Eastern philosophy. "Teddy" in particular reflects Salinger's interest and knowledge in this area, and indeed many see the characters in "Teddy" as pulpits for Salinger's own ideas on the topic.

"Teddy" is famous as an outstanding example of Salinger's prose and subject matter, and for its somewhat cryptic ending. While some consider the conclusion clear-cut, others find it highly ambiguous – you can read all about it in "What's Up with the Ending?" Just know that many a literary war has been waged over the fate of ten-year-old Teddy McArdle.

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