On the Road Madness Quotes

How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)

Quote #1

So we went out to have a few beers because we couldn’t talk like we wanted to talk in front of my aunt, who sat in the living room reading her paper. She took one look at Dean and decided that he was a madman. (I.1.6)

Dean’s madness is instantly apparent to all.

Quote #2

In those days he really didn’t know what he was talking about; that is to say, he was a young jailkid all hung-up on the wonderful possibilities of becoming a real intellectual, and he liked to talk in the tone and using the words, but in a jumbled way, that he had heard from "real intellectuals" - although, mind you, he wasn’t so naive as that in all other things, and it took him just a few months with Carlo Marx to become completely in there with all the terms and jargon. Nonetheless we understood each other on other levels of madness, and I agreed that he could stay at my house till he found a job and furthermore we agreed to go out West sometime. That was the winter of 1947. (I.1.7)

It is through madness that Sal tries to understand Dean – but because of his own sanity he fails to find common ground between them.

Quote #3

They rushed down the street together, digging everything in the early way they had, which later became so much sadder and perceptive and blank. But then they danced down the streets like dingledodies, and I shambled after as I’ve been doing all my life after people who interest me, because the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes "Awww!" (I.1.12)

Sal is drawn to Dean because of his madness, but unable to truly participate himself.

Quote #4

The following ten days were, as W. C. Fields said, "fraught with eminent peril" - and mad. I moved in with Roland Major in the really swank apartment that belonged to Tim Gray’s folks. We each had a bedroom, and there was a kitchenette with food in the icebox, and a huge living room where Major sat in his silk dressing gown composing his latest Hemingwayan short story - a choleric, red-faced, pudgy hater of everything, who could turn on the warmest and most charming smile in the world when real life confronted him sweetly in the night. (I.7.1)

Sal often connects notions of madness with danger.

Quote #5

On the wall was a nude drawing of Dean, enormous dangle and all, done by Camille. I was amazed. Everything was so crazy. (I.7.19)

Sal sees madness in all aspects of Dean’s life, including his relationships with women.

Quote #6

And Carlo began his monkey dance in the streets of life as I’d seen him do so many times everywhere in New York. (I.7.25)

Carlo, too, possesses a madness that knows no geographical limitations.

Quote #7

"He’s been awake all this time, listening. What were you thinking, Sal?" I told them that I was thinking they were very amazing maniacs and that I had spent the whole night listening to them like a man watching the mechanism of a watch that reached clear to the top of Berthoud Pass and yet was made with the smallest works of the most delicate watch in the world. They smiled. I pointed my finger at them and said, "If you keep this up you’ll both go crazy, but let me know what happens as you go along."(I.8.35)

Although Sal is drawn to the madness of Dean and Carlo, he is unable to participate himself.

Quote #8

Ray and Tim and I decided to hit the bars. Major was gone, Babe and Betty were gone. We tottered into the night. The opera crowd was jamming the bars from bar to wall. Major was shouting above heads. The eager, bespectacled Denver D. Doll was shaking hands with everybody and saying, "Good afternoon, how are you?" and when midnight came he was saying, "Good afternoon, how are you?" At one point I saw him going off somewhere with a dignitary. Then he came back with a middle-aged woman; next minute he was talking to a couple of young ushers in the street. The next minute he was shaking my hand without recognizing me and saying, "Happy New Year, m’boy." He wasn’t drunk on liquor, just drunk on what he liked - crowds of people milling. Everybody knew him. "Happy New Year," he called, and sometimes "Merry Christmas." He said this all the time. At Christmas he said Happy Halloween. (I.9.17)

While Sal and Dean seek to overcome the boundaries of time, Sal sees madness in a character who mixes up time.

Quote #9

At dawn I found Carlo. I read some of his enormous journal, slept there, and in the morning, drizzly and gray, tall, six-foot Ed Dunkel came in with Roy Johnson, a handsome kid, and Tom Snark, the clubfooted poolshark. They sat around and listened with abashed smiles as Carlo Marx read them his apocalyptic, mad poetry. I slumped in my chair, finished. "Oh ye Denver birds!" cried Carlo. (I.10.14)

Sal sees madness in the written word, such as Carlo’s poetry. What Dean does in action, Carlo does in words.

Quote #10

But Remi Boncœur and I were on duty alone many a night, and that’s when everything jumped. We made our first round of the evening in a leisurely way, Remi trying all the doors to see if they were locked and hoping to find one unlocked. He’d say, "For years I’ve an idea to develop a dog into a super thief who’d go into these guys’ rooms and take dollars out of their pockets. I’d train him to take nothing but green money; I’d make him smell it all day long. If there was any humanly possible way, I’d train him to take only twenties." Remi was full of mad schemes; he talked about that dog for weeks. (I.11.50).

All of Sal’s friends possess their own, unique element of madness.

Quote #11

In Oakland I had a beer among the bums of a saloon with a wagon wheel in front of it, and I was on the road again. I walked clear across Oakland to get on the Fresno road. Two rides took me to Bakersfield, four hundred miles south. The first was the mad one, with a burly blond kid in a souped- up rod. "See that toe?" he said as he gunned the heap to eighty and passed everybody on the road. "Look at it." It was swathed in bandages. "I just had it amputated this morning. The bastards wanted me to stay in the hospital. I packed my bag and left. What’s a toe?" Yes, indeed, I said to myself, look out now, and I hung on. You never saw a driving fool like that. He made Tracy in no time. (I.12.2)

Madness manifests itself in disregard for physical health.

Quote #12

The ride I proceeded to get was with a skinny, haggard man who believed in controlled starvation for the sake of health. When I told him I was starving to death as we rolled east he said, "Fine, fine, there’s nothing better for you. I myself haven’t eaten for three days. I’m going to live to be a hundred and fifty years old." He was a bag of bones, a floppy doll, a broken stick, a maniac. I might have gotten a ride with an affluent fat man who’d say, "Let’s stop at this restaurant and have some pork chops and beans." No, I had to get a ride that morning with a maniac who believed in controlled starvation for the sake of health. After a hundred miles he grew lenient and took out bread-and-butter sandwiches from the back of the car. They were hidden among his salesman samples. He was selling plumbing fixtures around Pennsylvania. I devoured the bread and butter. Suddenly I began to laugh. I was all alone in the car, waiting for him as he made business calls in Allentown, and I laughed and laughed. Gad, I was sick and tired of life. But the madman drove me home to New York. (I.14.8)

Sal sees madness not only in people, but in the crazy events of his adventures on the road.

Quote #13

Marylou was the only girl Dean ever really loved. He was sick with regret when he saw her face again, and, as of yore, he pleaded and begged at her knees for the joy of her being. She understood Dean; she stroked his hair; she knew he was mad. (II.1.12)

Only by understanding madness is anyone able to understand Dean.

Quote #14

They ate voraciously as Dean, sandwich in hand, stood bowed and jumping before the big phonograph, listening to a wild bop record I had just bought called «The Hunt,» with Dexter Gordon and Wardell Gray blowing their tops before a screaming audience that gave the record fantastic frenzied volume. The Southern folk looked at one another and shook their heads in awe. "What kind of friends does Sal have, anyway?" they said to my brother. He was stumped for an answer. Southerners don’t like madness the least bit, not Dean’s kind. He paid absolutely no attention to them. The madness of Dean had bloomed into a weird flower. I didn’t realize this till he and I and Marylou and Dunkel left the house for a brief spin-the-Hudson, when for the first time we were alone and could talk about anything we wanted. Dean grabbed the wheel, shifted to second, mused a minute, rolling, suddenly seemed to decide something and shot the car full-jet down the road in a fury of decision. (II.1.14)

Dean’s madness evolves and grows over the course of their travels.

Quote #15

He had become absolutely mad in his movements; he seemed to be doing everything at the same time. It was. a shaking of the head, up and down, sideways; jerky, vigorous hands; quick walking, sitting, crossing the legs, uncrossing, getting up, rubbing the hands, rubbing his fly, hitching his pants, looking up and saying "Am," and sudden slitting of the eyes to see everywhere; and all the time he was grabbing me by the ribs and talking, talking. (II.1.15).

Dean’s madness manifests itself in the need for constant motion.

Quote #16

His laugh was. maniacal; it started low and ended high, exactly like the laugh of a radio maniac, only faster and more like a titter. Then he kept reverting to businesslike tones. There was no purpose in our coming downtown, but he found purposes. He made us all hustle, Marylou for the lunch groceries, me for a paper to dig the weather report, Ed for cigars. Dean loved to smoke cigars. (II.1.16)

Sal repeatedly recognizes madness in the nature of different characters’ laughs.

Quote #17

It was a completely meaningless set of circumstances that made Dean come, and similarly I went off with him for no reason. In New York I had been attending school and romancing around with a girl called Lucille, a beautiful Italian honey-haired darling that I actually wanted to marry. All these years I was looking for the woman I wanted to marry. I couldn’t meet a girl without saying to myself, What kind of wife would she make? I told Dean and Marylou about Lucille. Marylou wanted to know all about Lucille, she wanted to meet her. We zoomed through Richmond, Washington, Baltimore, and up to Philadelphia on a winding country road and talked. "I want to marry a girl," I told them, "so I can rest my soul with her till we both get old. This can’t go on all the time - all this franticness and jumping around. We’ve got to go someplace, find something." (II.2.2)

Sal is unable to participate in Dean’s madness because he seeks reason and stability.

Quote #18

"What is the meaning of this voyage to New York? What kind of sordid business are you on now? I mean, man, whither goest thou? Whither goest thou, America, in thy shiny car in the night?"

"Whither goest thou?" echoed Dean with his mouth open. We sat and didn’t know what to say. (II.3.8, II.3.9)

Dean and Sal are unable to provide logic or reasoning to support their actions that, at heart, are driven only by madness.

Quote #19

We went looking for my New York gang of friends. The crazy flowers bloom there too. We went to Tom Saybrook’s first. Tom is a sad, handsome fellow, sweet, generous, and amenable; only once in a while he suddenly has fits of depression and rushes off without saying a word to anyone. This night he was overjoyed. "Sal, where did you find these absolutely wonderful people? I’ve never seen anyone like them." (II.3.8)

Sal’s friends find camaraderie in madness.

Quote #20

Dean was having his kicks; he put on a jazz record, grabbed Marylou, held her tight, and bounced against her with the beat of the music. She bounced right back. It was a real love dance. Ian MacArthur came in with a huge gang. The New Year’s weekend began, and lasted three days and three nights. Great gangs got in the Hudson and swerved in the snowy New York streets from party to party. I brought Lucille and her sister to the biggest party. When Lucille saw me with Dean and Marylou her face darkened - she sensed the madness they put in me.

"I don’t like you when you’re with them."

"Ah, it’s all right, it’s just kicks. We only live once. We’re having a good time."

"No, it’s sad and I don’t like it." (II.4.10-II.4.13)

Sal is affected by the madness of those around him,