How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)
Quote #1
"That’s right, man, now you’re talking." And a kind of holy lightning I saw flashing from his excitement and his visions, which he described so torrentially that people in buses looked around to see the "overexcited nut." In the West he’d spent a third of his time in the poolhall, a third in jail, and a third in the public library. They’d seen him rushing eagerly down the winter streets, bareheaded, carrying books to the poolhall, or climbing trees to get into the attics of buddies where he spent days reading or hiding from the law. (I.1.10)
Part of Dean’s madness and appeal lies in his criminal past.
Quote #2
But Dean’s intelligence was every bit as formal and shining and complete, without the tedious intellectualness. And his "criminality" was not something that sulked and sneered; it was a wild yea- saying overburst of American joy; it was Western, the west wind, an ode from the Plains, something new, long prophesied, long a-coming (he only stole cars for joy rides). (1.1.16)
Sal sees America in Dean’s criminality, an observation that lets Dean off the moral hook for his crimes. He’s only a playful cowboy, we are told, not a real, hardened criminal.
Quote #3
The wind from Lake Michigan, bop at the Loop, long walks around South Halsted and North Clark, and one long walk after midnight into the jungles, where a cruising car followed me as a suspicious character. (I.3.2)
Sal spends much of the text pursued or suspected by law enforcement. This, we are told at several points, is the result of his friendship with Dean.
Quote #4
The guy just yelled above the roar, and all I had to do was yell back, and we relaxed. And he balled that thing clear to Iowa City and yelled me the funniest stories about how he got around the law in every town that had an unfair speed limit, saying over and over again, "Them goddam cops can’t put no flies on my ass!" (I.3.5)
Sal and Dean’s sentiments about the police are shared by many others they meet on the road.
Quote #5
In this town, under a big elm tree near a gas station, I made the acquaintance of another hitchhiker, a typical New Yorker, an Irishman who’d been driving a truck for the post office most of his work years and was now headed for a girl in Denver and a new life. I think he was running away from something in New York, the law most likely. He was a real red- nose young drunk of thirty and would have bored me ordinarily, except that my senses were sharp for any kind of human friendship. He wore a beat sweater and baggy pants and had nothing with him in the way of a bag - just a toothbrush and handkerchiefs. He said we ought to hitch together. I should have said no, because he looked pretty awful on the road. But we stuck together and got a ride with a taciturn man to Stuart, Iowa, a town in which we were really stranded. (I.3.8)
Sal simply assumes a criminal past of the impoverished men he meets on the road.
Quote #6
A tall, lanky fellow in a gallon hat stopped his car on the wrong side of the road and came over to us; he looked like a sheriff. We prepared our stories secretly. He took his time coming over. "You boys going to get somewhere, or just going?" We didn’t understand his question, and it was a damned good question. (I.3.18)
Sal has an unreasonable fear of law enforcement, suspecting that any man approaching him is a policeman.
Quote #7
His language was melodious and slow. He was patient. His charge was a sixteen-year-old tall blond kid, also in hobo rags; that is to say, they wore old clothes that had been turned black by the soot of railroads and the dirt of boxcars and sleeping on the ground. The blond kid was also quiet and he seemed to be running away from something, and it figured to be the law the way he looked straight ahead and wet his lips in worried thought. (I.4.9)
Sal simply assumes a criminal past of the impoverished men he meets on the road.
Quote #8
"You got any money?" he said to me.
"Hell no, maybe enough for a pint of whisky till I get to Denver. What about you?"
"I know where I can get some."
"Where?"
"Anywhere. You can always folly a man down an alley, can’t you?" (I.4.10-I.4.14)
Criminal acts seem to be the only option for the impoverished men on the road.
Quote #9
These barracks were for the temporary quartering of overseas construction workers. The men who came through stayed there, waiting for their ship. Most of them were bound for Okinawa. Most of them were running | away from something - usually the law. There were tough groups from Alabama, shifty men from New York, all kinds from all over. And, knowing full well how horrible it would be to work a full year in Okinawa, they drank. The job of the special guards was to see that they didn’t tear the barracks’ down. We had our headquarters in the main building, just a wooden contraption with panel-walled offices. Here at a rolltop desk we sat around, shifting our guns off our hips and! yawning, and the old cops told stories.
It was a horrible crew of men, men with cop-souls, all except Remi and myself. Remi was only trying to make a living, and so was I, but these men wanted to make arrests and compliments from the chief of police in town. They even said that if you didn’t make at least one a month you’d be fired. I gulped at the prospect of making an arrest. What actually happened was that I was as drunk as anybody in the barracks -the night all hell broke loose. (I.11.17, I.17.18)
Sal fails pitifully in the role of law-enforcer, preferring the company of the drunk and rowdy men to his fellow watchmen. This suggests that he is more of a criminal than he originally suspected.
Quote #10
The cop who had been an Alcatraz guard was potbellied and about sixty, retired but unable to keep away from the atmospheres that had nourished his dry soul all his life. Every night he drove to work in his ‘35 Ford, punched the clock exactly on time, and sat down at the rolltop desk. He labored painfully over the simple form we all had to fill out every night - rounds, time, what happened, and so on. Then he leaned back and told stories. "You should have been here about two months ago when me and Sledge" (that was another cop, a youngster who wanted to be a Texas Ranger and had to be satisfied with his present lot) "arrested a drunk in Barrack G. Boy, you should have seen the blood fly. I’ll take you over there tonight and show you the stains on the wall. We had him bouncing from one wall to another. First Sledge hit him, and then me, and then he subsided andwent quietly. That fellow swore to kill us when he got out of jail - got thirty days. Here it is sixty days, and he ain’t showed up." And this was the big point of the story. They’d put such a fear in him that he was too yellow to come back and try to kill them.
The old cop went on, sweetly reminiscing about the horrors of Alcatraz. "We used to march ‘em like an Army platoon to breakfast. Wasn’t one man out of step. Everything went like clockwork. You should have seen it. I was a guard there for twenty-two years. Never had any trouble. Those boys knew we meant business. A lot of fellows get soft guarding prisoners, and they’re the ones that usually get in trouble. Now you take you - from what I’ve been observing about you, you seem to me a little bit too leenent with the men." He raised his pipe and looked at me sharp. "They take advantage of that, you know.»"
I knew that. I told him I wasn’t cut out to be a cop.
"Yes, but that’s the job that you applied for. Now you got to make up your mind one way or the other, or you’ll never get anywhere. It’s your duty. You’re sworn in. You can’t compromise with things like this. Law and order’s got to be kept."(I.11.37-I.11.40)
Police are portrayed in the most negative light possible in On the Road.
Quote #11
"I told some boys in there to keep quiet and they’re still making noise. I told them twice. I always give a man two chances. Not three. You come with me and I’m going back there and arrest them."
"Well, let me give them a third chance," I said. "I’ll talk to them."
"No, sir, I never gave a man more than two chances." I sighed. Here we go. We went to the offending room, and Sledge opened the door and told everybody to file out. It was embarrassing. Every single one of us was blushing. This is the story of America. Everybody’s doing what they think they’re supposed to do. So what if a bunch of men talk in loud voices and drink the night? But Sledge wanted to prove something. He made sure to bring me along in case they jumped him. They might have. They were all brothers, all from Alabama. We strolled back to the station, Sledge in front and me in back. (I.11.43-I.11.45)
Sal’s empathetic nature emerges when he becomes a guard; he sympathizes with the plight of the drunken men, just as he later refuses to pass judgment on Dean.
Quote #12
But Remi Boncœur and I were on duty alone many a night, and that’s when everything jumped. We made our first round of the evening in a leisurely way, Remi trying all the doors to see if they were locked and hoping to find one unlocked. He’d say, "For years I’ve an idea to develop a dog into a super thief who’d go into these guys’ rooms and take dollars out of their pockets. I’d train him to take nothing but green money; I’d make him smell it all day long. If there was any humanly possible way, I’d train him to take only twenties." (I.11.50).
Remi’s criminality is what gets Sal thinking about theft. Why not Dean’s?
Quote #13
I said, "Goddammit, Remi, you’re always getting us into trouble. Why don’t you lay off? Why do you have to steal all the time?"
"The world owes me a few things, that’s all. You can’t teach the old maestro a new tune." (I.11.59, I.11.60)
Remi’s character serves to justify stealing – or at least to attempt such a justification. His repeated phrase "you can’t teach an old maestro a new tune" is an interesting statement to apply to Dean.
Quote #14
The barracks cafeteria was our meat. We looked around to make sure nobody was watching, and especially to see if any of our cop friends were lurking about to check on us; then I squatted down, and Remi put a foot on each shoulder and up he went. He opened the window, which was never locked since he saw to it in the evenings, scrambled through, and came down on the flour table. I was a little more agile and just jumped and crawled in. Then we went to the soda fountain. Here, realizing a dream of mine from infancy, I took the cover off the chocolate ice cream and stuck my hand in wrist-deep and hauled me up a skewer of ice cream and licked at it. Then we got ice- cream boxes and stuffed them, poured chocolate syrup over and sometimes strawberries too, then walked around in the kitchens, opened iceboxes, to see what we could take home in our pockets. I often tore off a piece of roast beef and wrapped it in a napkin. "You know what President Truman said," Remi would say. "We must cut down on the cost of living." ((I.11.62)
Remi’s thievery becomes a commentary on American – a mockery of the President and a satire of his intended goals.
Quote #15
"You know what President Truman said?" She was delighted. I suddenly began to realize that everybody in America is a natural-born thief. I was getting the bug myself. I even began to try to see if doors were locked. The other cops were getting suspicious of us; they saw it in our eyes; they understood with unfailing instinct what was on our minds. Years of experience had taught them the likes of Remi and me. (I.11.69)
Sal likens himself to Remi through thievery, yet he later refuses to take part in Dean’s (when Dean steals cars in Denver). Granted, there is a difference between bags of food and cars, but for some reason Dean is on a pedestal an Remi is relatable.
Quote #16
"Since Denver, Sal, a lot of things - Oh, the things - I’ve thought and thought. I used to be in reform school all the time, I was a young punk, asserting myself - stealing cars a psychological expression of my position, hincty to show. All my jail-problems are pretty straight now. As far as I know I shall never be in jail again. The rest is not my fault." (II.3.10)
Dean discusses his own criminal past as the result of his upbringing. He doesn’t take personal responsibility for it.
Quote #17
Shortly after this, as we pulled out of Washington, a cruising car overtook us with siren going and we had a speeding ticket in spite of the fact that we were going about thirty. It was the California license plate that did it. "You guys think you can rush through here as fast as you want just because you come from California?" said the cop. (II.3.11)
On the Road portrays cops as vindictive and abusive of their power.
Quote #18
I could hear Dean, blissful and blabbering and frantically rocking. Only a guy who’s spent five years in jail can go to such maniacal helpless extremes; beseeching at the portals of the soft source, mad with a completely physical realization of the origins of life-bliss; blindly seeking to return the way he came. This is the result of years looking at sexy pictures behind bars; looking at the legs and breasts of women in popular magazines; evaluating the hardness of the steel halls and the softness of the woman who is not there. Prison is where you promise yourself the right to live. Dean had never seen his mother’s face. Every new girl, every new wife, every new child was an addition to his bleak impoverishment. (II.5.14)
Just as Dean blamed his criminal past on his upbringing, Sal uses Dean’s criminal past as an explanation for Dean’s madness and lust.
Quote #19
Dean went to sleep in the back seat and Dunkel drove. We gave him specific instructions to take it easy. No sooner were we snoring than he gunned the car up to eighty, bad bearings and all, and not only that but he made a triple pass at a spot where a cop was arguing with a motorist - he was in the fourth lane of a four-lane highway, going the wrong way. Naturally the cop took after us with his siren whining. We were stopped. He told us to follow him to the station house. There was a mean cop in there who took an immediate dislike to Dean; he could smell jail all over him. He sent his cohort outdoors to question Marylou and me privately. They wanted to know how old Marylou was, they were trying to whip up a Mann Act idea. But she had her marriage certificate. Then they took me aside alone and wanted to know who was sleeping with Marylou. "Her husband," I said quite simply. They were curious. Something was fishy. They tried some amateur Sherlocking by asking the same questions twice, expecting us to make a slip. (II.6.6)
Dean and Sal always one-up the police, a fact which may be attributed to the story’s point of view.
Quote #20
We had to give them the twenty-five. But first Ed Dunkel, that culprit, offered to go to jail. Dean considered it. The cop was infuriated; he said, "If you let your partner go to jail I’m taking you back to Pennsylvania right now. You hear that?" All we wanted to do was go. "Another speeding ticket in Virginia and you lose your car," said the mean cop as a parting volley. Dean was red in the face. We drove off silently. It was just like an invitation to steal to take our trip-money away from us. They knew we were broke and had no relatives on the road or to wire to for money. The American police are involved in psychological warfare against those Americans who don’t frighten them with imposing papers and threats. It’s a Victorian police force; it peers out of musty windows and wants to inquire about everything, and can make crimes if the crimes don’t exist to its satisfaction. "Nine lines of crime, one of boredom," said Louis-Ferdinand Céline. Dean was so mad he wanted to come back to Virginia and shoot the cop as soon as he had a gun. (II.6.11)
Dean uses criminality and law enforcement as a lens through which to examine America.