On the Road Sadness Quotes

There was a lull when we came in. Gene and Blondey just stood there, looking at nobody; all they wanted was cigarettes. There were some pretty girls, too. And one of them made eyes at Blondey and he never saw it, and if he had he wouldn’t have cared, he was so sad and gone. (I.4.62)

Flat on my back, I stared straight up at the magnificent firmament, glorying in the time I was making, in how far I had come from sad Bear Mountain after all, and tingling with kicks at the thought of what lay ahead of me in Denver - whatever, whatever it would be. And Mississippi Gene began to sing a song. He sang it in a melodious, quiet voice, with a river accent, and it was simple, just "I got a purty little girl, she’s sweet six-teen, she’s the purti-est thing you ever seen," repeating it with other lines thrown in, all concerning how far he’d been and how he wished he could go back to her but he done lost her.

I said, "Gene, that’s the prettiest song."

"It’s the sweetest I know," he said with a smile.

"I hope you get where you’re going, and be happy when you do."

"I always make out and move along one way or the other." (I.4.63-I.4.67)

Slim was dozing on a bench. I sat down. The floors of bus stations are the same all over the country, always covered with butts and spit and they give a feeling of sadness that only bus stations have. For a moment it was no different from being in Newark, except for the great hugeness outside that I loved so much. I rued the way I had broken up the purity of my entire trip, not saving every dime, and dawdling and not really making time, fooling around with this sullen girl and spending all my money. It made me sick. I hadn’t slept in so long I got too tired to curse and fuss and went off to sleep; I curled up on the seat with my canvas bag for a pillow, and slept till eight o’clock in the morning among the dreamy murmurs and noises of the station and of hundreds of people passing. (I.5.12)

The opera was Fidelio. "What gloom!" cried the baritone, rising out of the dungeon under a groaning stone. I cried for it. That’s how I see life too. I was so interested in the opera that for a while I forgot the circumstances of my crazy life and got lost in the great mournful sounds of Beethoven and the rich Rembrandt tones of his story.

[...]

"What gloom, what gloom," I said. "It’s absolutely great." (I.9.6, I.9.8)

The night was getting more and more frantic. I wished Dean and Carlo were there - then I realized they’d be out of place and unhappy. They were like the man with the dungeon stone and the gloom, rising from the underground, the sordid hipsters of America, a new beat generation that I was slowly joining. (I.9.15)

Everything seemed to be collapsing. As we were going out to the car Babe slipped and fell flat on her face. Poor girl was overwrought. Her brother and Tim and I helped her up. We got in the car; Major and Betty joined us. The sad ride back to Denver began. (I.9.21)

Then I went to meet Rita Bettencourt and took her back to the apartment. I got her in my bedroom after a long talk in the dark of the front room. She was a nice little girl, simple and true, and tremendously frightened of sex. I told her it was beautiful. I wanted to prove this to her. She let me prove it, but I was too impatient and proved nothing. She sighed in the dark. "What do you want out of life?" I asked, and I used to ask that all the time of girls.

"I don’t know," she said. "Just wait on tables and try to get along." She yawned. I put my hand over her mouth and told her not to yawn. I tried to tell her how excited I was about life and the things we could do together; saying that, and planning to leave Denver in two days. She turned away wearily. We lay on our backs, looking at the ceiling and wondering what God had wrought when He made life so sad. We made vague plans to meet in Frisco. (I.10.9, I.10.10).

I wanted to go and get Rita again and tell her a lot more things, and really make love to her this time, and calm her fears about men. Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk - real straight talk about souls, for life is holy and every moment is precious. (I.10.11)

Roy Johnson and I walked in the drizzle; I went to Eddie’s girl’s house to get back my wool plaid shirt, the shirt of Shelton, Nebraska. It was there, all tied up, the whole enormous sadness of a shirt. (I.10.15)

That night it started raining as Lee Ann gave dirty looks to both of us. Not a cent left in the house. The rain drummed on the roof. "It’s going to last for a week," said Remi. He had taken off his beautiful suit; he was back in his miserable shorts and Army cap and T-shirt. His great brown sad eyes stared at the planks of the floor. The gun lay on the table. We could hear Mr. Snow laughing his head off across the rainy night somewhere. (I.11.81)

In the morning, as Remi and Lee Ann slept, and as I looked with some sadness at the big pile of wash Remi and I were scheduled to do in the Bendix machine in the shack in the back (which had always been such a joyous sunny operation among the colored women and with Mr. Snow laughing his head off), I decided to leave. (I.11.100)

I had bought my ticket and was waiting for the LA bus when all of a sudden I saw the cutest little Mexican girl in slacks come cutting across my sight. She was in one of the buses that had just pulled in with a big sigh of airbrakes; it was discharging passengers for a rest stop. Her breasts stuck out straight and true; her little flanks looked delicious; her hair was long and lustrous black; and her eyes were great big blue things with timidities inside. I wished I was on her bus. A pain stabbed my heart, as it did every time I saw a girl I loved who was going the opposite direction in this too-big world. The announcer called the LA bus. I picked up my bag and got on, and who should be sitting there alone but the Mexican girl. I dropped right opposite her and began scheming right off. I was so lonely, so sad, so tired, so quivering, so broken, so beat, that I got up my courage, the courage necessary to approach a strange girl, and acted. Even then I spent five minutes beating my thighs in the dark as the bus rolled down the road. (I.12.5)

"Terry," I pleaded with all my soul. "Please listen to me and understand, I’m not a pimp." An hour ago I’d thought she was a hustler. How sad it was. Our minds, with their store of madness, had diverged. O gruesome life, how I moaned and pleaded, and then I got mad and realized I was pleading with a dumb little Mexican wench and I told her so; and before I knew it I picked up her red pumps and hurled them at the bathroom door and told her to get out. "Go on, beat it!" I’d sleep and forget it; I had my own life, my own sad and ragged life forever. There was a dead silence in the bathroom. I took my clothes off and went to bed. (I.12.25)

We were very happy in our little hotel room. In the middle of the night I got up because I couldn’t sleep, pulled the cover over baby’s bare brown shoulder, and examined the LA night. What brutal, hot, siren-whining nights they are! Right across the street there was trouble. An old rickety rundown rooming house was the scene of some kind of tragedy. The cruiser was pulled up below and the cops were questioning an old man with gray hair. Sobbings came from within. I could hear everything, together with the hum of my hotel neon. I never felt sadder in my life. LA is the loneliest and most brutal of American cities; New York gets god-awful cold in the winter but there’s a feeling of wacky comradeship somewhere in some streets. LA is a jungle. (I.13.1)

On our left were the freight cars, sad and sooty red beneath the moon; straight ahead the lights and airport pokers of Bakersfield proper; to our right a tremendous aluminum Quonset warehouse. Ah, it was a fine night, a warm night, a wine-drinking night, a moony night, and a night to hug your girl and talk and spit and be heavengoing. This we did. She was a drinking little fool and kept up with me and passed me and went right on talking till midnight. We never budged from those crates. Occasionally bums passed, Mexican mothers passed with children, and the prowl car came by and the cop got out to leak, but most of the time we were alone and mixing up our souls ever more and ever more till it would be terribly hard to say good-by. At midnight we got up and goofed toward the highway. (I.13.11)

I huddled in the cold, rainy wind and watched everything across the sad vineyards of October in the valley. My mind was filled with that great song "Lover Man" as Billie Holiday sings it; I had my own concert in the bushes. "Someday we’ll meet, and you’ll dry all my tears, and whisper sweet, little things in my ear, hugging and a-kissing, oh what we’ve been missing, Lover Man, oh where can you be . . ." It’s not the words so much as their great harmonic tune and the way Billie sings it, like a woman stroking her man’s hair in soft lamplight. The winds howled. I got cold. (I.13.45).

I plodded along in the ditch. Any minute I expected the poor little madman to go flying in the night, dead. We never found that bridge. I left him at a railroad underpass and, because I was so sweaty from the hike, I changed shirts and put on two sweaters; a roadhouse illuminated my sad endeavors. A whole family came walking down the dark road and wondered what I was doing. Strangest thing of all, a tenorman was blowing very fine blues in this Pennsylvania hick house; I listened and moaned. It began to rain hard. A man gave me a ride back to Harrisburg and told me I was on the wrong road. I suddenly saw the little hobo standing under a sad streetlamp with his thumb stuck out - poor forlorn man, poor lost sometime boy, now broken ghost of the penniless wilds. I told my driver the story and he stopped to tell the old man. (I.14.3)

"Ah now, man," said Dean, "I’ve been digging you for years about the home and marriage and all those fine wonderful things about your soul." It was a sad night; it was also a merry night. In Philadelphia we went into a lunchcart and ate hamburgers with our last food dollar. (II.2.3)

My aunt - a respectable woman hung-up in this sad world, and well she knew the world. She told us about the cop. "He was hiding behind the tree, trying to see what I looked like. I told him - I told him to search the car if he wanted. I’ve nothing to be ashamed of." She knew Dean had something to be ashamed of, and me too, by virtue of my being with Dean, and Dean and I accepted this sadly. (II.3.13).

Dean was having his kicks; he put on a jazz record, grabbed Marylou, held her tight, and bounced against her with the beat of the music. She bounced right back. It was a real love dance. Ian MacArthur came in with a huge gang. The New Year’s weekend began, and lasted three days and three nights. Great gangs got in the Hudson and swerved in the snowy New York streets from party to party. I brought Lucille and her sister to the biggest party. When Lucille saw me with Dean and Marylou her face darkened - she sensed the madness they put in me.

"I don’t like you when you’re with them."

"Ah, it’s all right, it’s just kicks. We only live once. We’re having a good time."

"No, it’s sad and I don’t like it." (II.4.10-II.4.13)