How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)
Quote #1
With the coming of Dean Moriarty began the part of my life you could call my life on the road. Before that I’d often dreamed of going West to see the country, always vaguely planning and never taking off. (I.1.1)
Part of Dean’s appeal to Sal surely arises from his origin; Sal is interested in the adventures of the West, and Dean arrives as the embodiment of that region.
Quote #2
My first impression of Dean was of a young Gene Autry - trim, thin-hipped, blue-eyed, with a real Oklahoma accent - a side burned hero of the snowy West. In fact he’d just been working on a ranch, Ed Wall’s in Colorado, before marrying Marylou and coming East. (I.1.4)
Sal’s description of Dean as a "hero" is necessarily tied to his conceptions of the West. For Sal, heroes exist only in the West, not in the East.
Quote #3
But Dean’s intelligence was every bit as formal and shining and complete, without the tedious intellectualness. And his "criminality" was not something that sulked and sneered; it was a wild yea- saying overburst of American joy; it was Western, the west wind, an ode from the Plains, something new, long prophesied, long a-coming (he only stole cars for joy rides). (1.1.16)
Sal identifies "American joy" as a Western element, but is soon disillusioned to find American sadness there instead.
Quote #4
A western kinsman of the sun, Dean. (I.1.17)
Sal repeatedly describes Dean in terms of his Western origins, suggesting that he is unable to ever separate in his mind his notions of the West and his conception of Dean.
Quote #5
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn’t know who I was - I was far away from home, haunted and tired with travel, in a cheap hotel room I’d never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds. I wasn’t scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost. I was halfway across America, at the dividing line between the East of my youth and the West of my future, and maybe that’s why it happened right there and then, that strange red afternoon. (I.3.6)
Sal used geography to describe Dean, and now he does the same to describe himself. His vision of the East as past and the West as future illustrates the simplicity of his view of time when the novel begins. Matters are soon complicated as Sal travels west, back east, west again, east, and eventually south.
Quote #6
We arrived at Council Bluffs at dawn; I looked out. All winter I’d been reading of the great wagon parties that held council there before hitting the Oregon and Santa Fe trails; and of course now it was only cute suburban cottages of one damn kind and another, all laid out in the dismal gray dawn. Then Omaha, and, by God, the first cowboy I saw, walking along the bleak walls of the wholesale meat warehouses in a ten-gallon hat and Texas boots, looked like any beat character of the brickwall dawns of the East except for the getup. (I.3.9)
Sal’s vision of the West is rooted in the past – illustrating his initial confusion and misunderstanding of time. He has difficulty reconciling this historical vision with the reality of the present.
Quote #7
We stopped along the road for a bite to eat. The cowboy went off to have a spare tire patched, and Eddie and I sat down in a kind of homemade diner. I heard a great laugh, the greatest laugh in the world, and here came this rawhide old-timer Nebraska farmer with a bunch of other boys into the diner; you could hear his raspy cries clear across the plains, across the whole gray world of them that day. Everybody else laughed with him. He didn’t have a care in the world and had the hugest regard for everybody. I said to myself, Wham, listen to that man laugh. That’s the West, here I am in the West. He came booming into the diner, calling Maw’s name, and she made the sweetest cherry pie in Nebraska, and I had some with a mountainous scoop of ice cream on top. "Maw, rustle me up some grub afore I have to start eatin myself raw or some damn silly idee like that." And he threw himself on a stool and went hyaw hyaw hyaw hyaw. "And throw some beans in it." It was the spirit of the West sitting right next to me. I wished I knew his whole raw life and what the hell he’d been doing all these years besides laughing and yelling like that. Whooee, I told my soul, and the cowboy came back and off we went to Grand Island. (I.3.15)
As he travels across the country, Sal chooses certain people to assign specific roles. Yet he never actually connects with these characters in any concrete way, just views them with awe from a distance.
Quote #8
As the truck reached the outskirts of Cheyenne, we saw the high red lights of the local radio station, and suddenly we were bucking through a great crowd of people that poured along both sidewalks. "Hell’s bells, it’s Wild West Week," said Slim. Big crowds of businessmen, fat businessmen in boots and ten-gallon hats, with their hefty wives in cowgirl attire, bustled and whoopeed on the wooden sidewalks of old Cheyenne; farther down were the long stringy boulevard lights of new downtown Cheyenne, but the celebration was focusing on Oldtown. Blank guns went off. The saloons were crowded to the sidewalk. I was amazed, and at the same time I felt it was ridiculous: in my first shot at the West I was seeing to what absurd devices it had fallen to keep its proud tradition. (I.4.10)
Sal experiences sadness at his discovery of the real West. It seems that it isn’t the ideal and hero-ridden West of his imagination. It fails to live up to Sal’s expectations just as Dean, his Western hero, later does.
Quote #9
It was beautiful in Longmont. Under a tremendous old tree was a bed of green lawn-grass belonging to a gas station. I asked the attendant if I could sleep there, and he said sure; so I stretched out a wool shirt, laid my face flat on it, with an elbow out, and with one eye cocked at the snowy Rockies in the hot sun for just a moment. I fell asleep for two delicious hours, the only discomfort being an occasional Colorado ant. And here I am in Colorado! I kept thinking gleefully. Damn! damn! damn! I’m making it! And after a refreshing sleep filled with cobwebby dreams of my past life in the East I got up, washed in the station men’s room, and strode off, fit and slick as a fiddle, and got me a rich thick milkshake at the road-house to put some freeze in my hot, tormented stomach. (I.5.14)
Sal uses the West as a tool for moving on from his past in the East.
Quote #10
I saw the little midget newspaper-selling woman with the short legs, on the corner of Curtis and 15th. I walked around the sad honkytonks of Curtis Street; young kids in jeans and red shirts; peanut shells, movie marquees, shooting parlors. Beyond the glittering street was darkness, and beyond the darkness the West. I had to go. (I.10.13)
Sal treats the West as his own religious icon, a personal Mecca. When it fails this role, the South (Mexico) becomes he and Dean’s new destination.
Quote #11
With the flashlight to illuminate my way, I climbed the steep walls of the south canyon, got up on the highway streaming with cars Frisco-bound in the night, scrambled down the other side, almost falling, and came to the bottom of a ravine where a little farmhouse stood near a creek and where every blessed night the same dog barked at me. Then it was a fast walk along a silvery, dusty road beneath inky trees of California - a road like in The Mark of Zorro and a road like all the roads you see in Western B movies. I used to take out my gun and] play cowboys in the dark. (I.11.17)
Sal identifies parts of the West with the West of his childhood imagination, but is unable to find the Western heroes he hoped for.
Quote #12
I spun around till I was dizzy; I thought I’d fall down as in a dream, clear off the precipice. Oh where is the girl I love? I thought, and looked everywhere, as I had looked everywhere in the little world below. And before me was the great raw bulge and bulk of my American continent; somewhere far across, gloomy, crazy New York was throwing up its cloud of dust and brown steam. There is something brown and holy about the East; and California is white like washlines and emptyheaded - at least that’s what I thought then. (I.11.102)
Sal comes to a sobering conclusion about the West; it is a far cry from what he hoped to find.
Quote #13
"LA." I loved the way she said "LA"; I love the way everybody says "LA" on the Coast; it’s their one and only golden town when all is said and done. (I.12.11)
Sal learns about the West in the time he spends there.
Quote #14
I thought all the wilderness of America was in the West till the Ghost of the Susquehanna showed me different. No, there is a wilderness in the East; it’s the same wilderness Ben Franklin plodded in the oxcart days when he was postmaster, the same as it was when George Washington was a wild-buck Indian-fighter, when Daniel Boone told stories by Pennsylvania lamps and promised to find the Gap, when Bradford built his road and men whooped her up in log cabins. There were not great Arizona spaces for the little man, just the bushy wilderness of eastern Pennsylvania, Maryland, and Virginia, the backroads, the black-tar roads that curve among the mournful rivers like Susquehanna, Monongahela, old Potomac and Monocacy. (I.14.7)
Sal is able to look back in his first trip west with a certain amount of knowledge and insight. Both Sal and Dean, it seems, are learning and evolving on their journeys, just in very different ways.
Quote #15
"Sal, where did you find these absolutely wonderful people? I’ve never seen anyone like them."
"I found them in the West." (II.4.8, II.4.9)
Sal still uses the renown of the West to explain Dean to friends in the East.
Quote #16
"Yes," I said, "let’s go to Italy." And so we picked up our bags, he the trunk with his one good arm and I the rest, and staggered to the cable-car stop; in a moment rolled down the hill with our legs dangling to the sidewalk from the jiggling shelf, two broken-down heroes of the Western night. (III.2.26)
It is interesting that, having traveled to the West, Sal now describes himself as a Western hero, a title he once used only for Dean.
Quote #17
At night in this part of the West the stars, as I had seen them in Wyoming, are big as roman candles and as lonely as the Prince of the Dharma who’s lost his ancestral grove and journeys across the spaces between points in the handle of the Big Dipper, trying to find it again. So they slowly wheeled the night, and then long before actual sunrise the great red light appeared far over the dun bleak land toward West Kansas and the birds took up their trill above Denver. (III.7.18)
For Sal, everything is different in the West, all the way up to the movement of the stars.
Quote #18
The Jesuit boys giggled. They were full of corny quips and Eastern college talk and had nothing on their bird-beans except a lot of ill-understood Aquinas for stuffing for their pepper. Dean and I paid absolutely no attention to them. As we crossed the muddy plains he told stories about his cowboy days. (III.8.18)
Sal has converted to a man of the West, looking at academics from the East (which he once was) as silly and useless.
Quote #19
The kind of utter darkness that falls on a prairie like that is Inconceivable to an Easterner. There were no stars, no moon, no light whatever except the light of Mrs. Wall’s kitchen. What lay beyond the shadows of the yard was an endless view of the world that you wouldn’t be able to see till dawn. (III.8.19)
For Sal, everything is different in the West, all the way up to the movement of the stars.
Quote #20
The picture was Singing Cowboy Eddie Dean and his gallant white horse Bloop, that was number one; number two double-feature film was George Raft, Sidney Greenstreet, and Peter Lorre in a picture about Istanbul. We saw both of these things six times each during the night. We saw them waking, we heard them sleeping, we sensed them dreaming, we were permeated completely with the strange Gray Myth of the West and the weird dark Myth of the East when morning came. (III.11.2)
Sal continues to struggle to reconcile his visions of the East and the West.