On the Road Time Quotes

How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)

Quote #1

We felt silly and didn’t know what to say, and I for one didn’t want to get hung-up with a carnival. I was in such a bloody hurry to get to the gang in Denver.

I said, "I don’t know, I’m going as fast as I can and I don’t think I have the time." Eddie said the same thing, and the old man waved his hand and casually sauntered back to his car and drove off. And that was that. (I.3.22, I.3.23)

Interestingly it is Sal, not frantic Dean, that begins the novel with a sense of running out of time.

Quote #2

"What’s the schedule?" I said. There was always a schedule in Dean’s life.

"The schedule is this: I came off work a half-hour ago. In that time Dean is balling Marylou at the hotel and gives me time to change and dress. At one sharp he rushes from Marylou to Camille - of course neither one of them knows what’s going on - and bangs her once, giving me time to arrive at one-thirty. Then he comes out with me - first he has to beg with Camille, who’s already started hating me - and we come here to talk till six in the morning. We usually spend more time than that, but it’s getting awfully complicated and he’s pressed for time. Then at six he goes back to Marylou - and he’s going to spend all day tomorrow running around to get the necessary papers for their divorce. Marylou’s all for it, but she insists on banging in the interim. She says she loves him - so does Camille." (I.7.11, I.7.12)

While Sal claims he doesn’t have enough time, Dean is the master of time, scheduling everything to the minute and never being late. Sal envies this ability.

Quote #3

"It is now" (looking at his watch) "exactly one-fourteen. I shall be back at exactly three- fourteen, for our hour of reverie together, real sweet reverie, darling, and then, as you know, as I told you and as we agreed, I have to go and see the one-legged lawyer about those papers - in the middle of the night, strange as it seems and as I tho-ro-ly explained." (This was a coverup for his rendezvous with Carlo, who was still hiding.) "So now in this exact minute I must dress, put on my pants, go back to life, that is to outside life, streets and what not, as we agreed, it is now one-fifteen and time’s running, running - " (I.7.17)

Dean does, however, later reflect a franticness. He, too, shares Sal’s sense of urgency.

Quote #4

Dean came on schedule. "Everything’s straight," he announced. "I’m going to divorce Marylou and marry Camille and go live with her in San Francisco. But this is only after you and I, dear Carlo, go to Texas, dig Old Bull Lee, that gone cat I’ve never met and both of you’ve told me so much about, and then I’ll go to San Fran." (I.8.8)

Dean treats people recklessly in his schedule – he does not have time, as Sal later says, for scruples.

Quote #5

Ray and Tim and I decided to hit the bars. Major was gone, Babe and Betty were gone. We tottered into the night. The opera crowd was jamming the bars from bar to wall. Major was shouting above heads. The eager, bespectacled Denver D. Doll was shaking hands with everybody and saying, "Good afternoon, how are you?" and when midnight came he was saying, "Good afternoon, how are you?" At one point I saw him going off somewhere with a dignitary. Then he came back with a middle-aged woman; next minute he was talking to a couple of young ushers in the street. The next minute he was shaking my hand without recognizing me and saying, "Happy New Year, m’boy." He wasn’t drunk on liquor, just drunk on what he liked - crowds of people milling. Everybody knew him. "Happy New Year," he called, and sometimes "Merry Christmas." He said this all the time. At Christmas he said Happy Halloween. (I.9.17)

Interestingly, Sal describes madness (or at least the madness of one individual) as the mixing-up of time.

Quote #6

In Oakland I had a beer among the bums of a saloon with a wagon wheel in front of it, and I was on the road again. I walked clear across Oakland to get on the Fresno road. Two rides took me to Bakersfield, four hundred miles south. The first was the mad one, with a burly blond kid in a souped- up rod. "See that toe?" he said as he gunned the heap to eighty and passed everybody on the road. "Look at it." It was swathed in bandages. "I just had it amputated this morning. The bastards wanted me to stay in the hospital. I packed my bag and left. What’s a toe?" Yes, indeed, I said to myself, look out now, and I hung on. You never saw a driving fool like that. He made Tracy in no time. (I.12.2)

There seems to be a correlation between madness and those who move the fastest.

Quote #7

The sun began to get red. Nothing had been accomplished. What was there to accomplish? "Manana" said Rickey. "Manana, man, we make it; have another beer, man, dah you go, dab you go!" (I.13.19)

Characters like Rickey have a poor understanding of time, thinking of tomorrow as an intangible date that never arrives, and suffering because of it. If Dean "knows time," then Rickey is the antithesis, knowing nothing whatsoever of time.

Quote #8

"Nowhere, man. I’m supposed to live with Big Rosey but she threw me out last night. I’m gonna get my truck and sleep in it tonight." Guitars tinkled. Terry and I gazed at the stars together and kissed. "Manana" she said. "Everything’ll be all right tomorrow, don’t you think, Sal-honey, man?"

"Sure, baby, manana." It was always manana. For the next week that was all I heard - manana, a lovely word and one that probably means heaven. (I.13.25, I.13.26)

Sal’s claim that mañana "probably means heaven" is fascinating – mañana, or "tomorrow," is in some ways a day never reached. So is the end of the road, that place father east or farther west or farther south. Sal also refers to the end of the road as heaven.

Quote #9

Suddenly I found myself on Times Square. I had traveled eight thousand miles around the American continent and I was back on Times Square; and right in the middle of a rush hour, too, seeing with my innocent road-eyes the absolute madness and fantastic hoorair of New York with its millions and millions hustling forever for a buck among themselves, the mad dream - grabbing, taking, giving, sighing, dying, just so they could be buried in those awful cemetery cities beyond Long Island City. (I.14.9)

It is interesting that Sal always returns to Times Square when he gets back to New York. Here he relates time to the fear of death. His sense of urgency, we see, comes from his fear of death, the Shrouded Traveler pursuing him ruthlessly.

Quote #10

The first cold winds rattled the windowpane, and I had made it just in time. Dean had come to my house, slept several nights there, waiting for me; spent afternoons talking to my aunt as she worked on a great rag rug woven of all the clothes in my family for years, which was now finished and spread on my bedroom floor, as complex and as rich as the passage of time itself; and then he had left, two days before I arrived, crossing my path probably somewhere in Pennsylvania or Ohio, to go to San Francisco. He had his own life there; Camille had just gotten an apartment. It had never occurred to me to look her up while I was in Mill City. Now it was too late and I had also missed Dean. (I.14.10)

Sal says he arrived "just in time," yet he barely missed Dean! The comment may be sarcastic, or it may be a sigh of relief. This is an odd comment from Sal.

Quote #11

"All right now, children," he said, rubbing his nose and bending down to feel the emergency and pulling cigarettes out of the compartment, and swaying back and forth as he did these things and drove. "The time has come for us to decide what we’re going to do for the next week. Crucial, crucial. Ahem!"...He stared doggedly ahead. Marylou was smiling serenely. This was the new and complete Dean, grown to maturity. I said to myself, My God,, he’s changed. Fury spat out of his eyes when he told of things he hated; great glows of joy replaced this when he suddenly got happy; every muscle twitched to live and go. "Oh, man, the things I could tell you," he said, poking me, "Oh, man, we must absolutely find the time." (II.1.15)

Dean’s evolution involved a frantic feeling of running out of time.

Quote #12

"You remember, Sal, when I first came to New York and I wanted Chad King to teach me about Nietzsche. You see how long ago? Everything is fine, God exists, we know time. Everything since the Greeks has been predicated wrong. You can’t make it with geometry and geometrical systems of thinking. It’s all this!"(II.3.10)

For Dean, enlightenment centers around time.

Quote #13

"Wow! Dig that gone gal on his belt! Let’s all blow!" Dean tried to catch up with them. "Now wouldn’t it be fine if we could all get together and have a real going goofbang together with everybody sweet and fine and agreeable, no hassles, no infant rise of protest or body woes misconceptalized or sumpin? Ah! but we know time." He bent to it and pushed the car. (II.8.10)

While Dean was at first capable of scheduling in his every desire, he is now limited by his supposed understanding of time, incapable of accomplishing anything.

Quote #14

It occurred to me that I had a pocket watch Rocco had just given me for a birthday present, a four-dollar watch. At the gas station I asked the man if he knew a pawnshop in Benson. It was right next door to the station. I knocked, someone got up out of bed, and in a minute I had a dollar for the watch. It went into the tank. Now we had enough gas for Tucson. (II.8.35)

Sal sells his watch so they can travel. This could suggest a few different interpretations: that Sal is abandoning his own notions of time to conform to Dean’s, that keeping track of time has become trivial, or that, since he only received one dollar for a four dollar watch, he has begun to undervalue time.

Quote #15

And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotus-lands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn’t in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn’t remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment. But I didn’t die, and walked four miles and picked up ten long butts and took them back to Marylou’s hotel room and poured their tobacco in my old pipe and lit up. I was too young to know what had happened. (II.10.5)

While Dean reaches his revelations about time on his own, Sal only ruminates on the subject at the vast extremes of hunger or drugs.

Quote #16

Dean stands in the back, saying, "God! Yes!" - and clasping his hands in prayer and sweating. "Sal, Slim knows time, he knows time." Slim sits down at the piano and hits two notes, two Cs, then two more, then one, then two, and suddenly the big burly bass-player wakes up from a reverie and realizes Slim in playing "C-Jam Blues" and he slugs in his big forefinger on the string and the big booming beat begins and everybody starts rocking and Slim looks up just as sad as ever, and they blow jazz for half an hour, and then Slim goes mad and grabs the bongos and plays tremendous rapid Cubana beats and yells crazy things in Spanish, in Arabic, in Peruvian dialect, in Egyptian, in every language he knows, and he knows innumerable languages. Finally the set is over; each set takes two hours. Slim Gaillard goes and stands against a post, looking sadly over everybody’s head as people come to talk to him. A bourbon is slipped in his hand. "Bourbon-orooni - thanky-ou-ovauti..." (II.11.8-II.11.9)

The characters who seem to understand time best are separate from others in some way. Shearing is blind, and Slim speaks in his own odd language. Dean attempts to cross the barriers and get close to these individuals so that he, too, might "know time."

Quote #17

"We’re going to Italy," I said, I washed my hands of the whole matter. Then, too, there was a strange sense of maternal satisfaction in the air, for the girls were really looking at Dean the way a mother looks at the dearest and most errant child, and he with his sad thumb and all his revelations knew it well, and that was why he was able, in tick-tocking silence, to walk out of the apartment without a word, to wait for us downstairs as soon as we’d made up our minds about time. This was what we sensed about the ghost on the sidewalk. I looked out the window. He was alone in the doorway, digging the street. Bitterness, recriminations, advice, morality, sadness - everything was behind him, and ahead of him was the ragged and ecstatic joy of pure being. (III.3.21)

Dean’s new sense of time ostracizes him from the gang, just as the others who know time are made separate from the rest of the world.

Quote #18

"Now, Roy, I know you’re all hung-up with your wife about this thing but we absolutely must make Forty-sixth and Geary in the incredible time of three minutes or everything is lost. Ahem! Yes! (Cough-cough.) In the morning Sal and I are leaving for New York and this is absolutely our last night of kicks and I know you won’t mind." (III.3.41)

We can see Dean’s sense of urgency when he discusses time – he speaks in absolutes, that he "must" and "has to" get certain things done.

Quote #19

Dean and I sat alone in the back seat and left it up to them and talked. "Now, man, that alto man last night had IT - he held it once he found it; I’ve never seen a guy who could hold so long." I wanted to know what "IT" meant. "Ah well" - Dean laughed - "now you’re asking me impon-de-rables - ahem! Here’s a guy and everybody’s there, right? Up to him to put down what’s on everybody’s mind. He starts the first chorus, then lines up his ideas, people, yeah, yeah, but get it, and then he rises to his fate and has to blow equal to it. All of a sudden somewhere in the middle of the chorus he gets it - everybody looks up and knows; they listen; he picks it up and carries. Time stops. He’s filling empty space with the substance of our lives, confessions of his bellybottom strain, remembrance of ideas, rehashes of old blowing. He has to blow across bridges and come back and do it with such infinite feeling soul-exploratory for the tune of the moment that everybody knows it’s not the tune that counts but IT -" Dean could go no further; he was sweating telling about it. (III.5.1)

Why does Dean refuse to tell Sal what "IT" is? The question becomes a game to them, like a Zen master who insists his student must answer a koan for himself.

Quote #20

"Oh, man! man! man!" moaned Dean. "And it’s not even the beginning of it - and now here we are at last going east together, we’ve never gone east together, Sal, think of it, we’ll dig Denver together and see what everybody’s doing although that matters little to us, the point being that we know what IT is and we know TIME and we know that everything is really FINE." Then he whispered, clutching my sleeve, sweating, "Now you just dig them in front. They have worries, they’re counting the miles, they’re thinking about where to sleep tonight, how much money for gas, the weather, how they’ll get there - and all the time they’ll get there anyway, you see." (III.5.5)

Dean’s sense of urgency begins to give way to one of calm. Rather than fear time, Dean begins to accept it.