Sometimes, there’s more to Lit than meets the eye.
The first time we read The Catcher in the Rye, we noticed that this red hat kept cropping up, but actually, we didn't really know what to do with it. At first it just seemed a little ridiculous. Af...
Holden is always worried about where the ducks go when it's winter. What happens to them? Do they leave? Do they freeze to death?In one sense, the ducks might symbolize resurrection – they al...
On the other hand, you could argue that Holden draws a distinction between death and disappearing, and that's why he's so into the mummies. He explains the process of mummification to two younger b...
To be fair, it's not like Holden's obsession with death is entirely unwarranted. This stuff is everywhere, right down to the money that paid for his dormitory at Pencey Prep. We're talking about ol...
Well, speaking of death, we've got one more base to cover. Holden digresses in Chapter Twenty-Two about James Castle, a classmate of his that killed himself at Elkton Hills. On the surface, this is...
Let's get away from this mortality business and talk instead about the inevitable passing of time and the changes that it brings. For Holden especially, this is a source of depression; he doesn't l...
Holden's interest in the Little Shirley Beans record for his sister is intriguing. When he talks about the singer, Estelle Fletcher, he describes her singing it as "very Dixieland and whorehouse [&...
Before Holden wakes Phoebe up, he sits down and reads through her school notebook (check this out – it's not too far from the start of Chapter Twenty-One). Holden, much like the reader, finds...
Holden is incredibly bothered by the "fuck you" signs he sees on walls. He's even more bothered by the locations in which he finds them – on the wall at Phoebe's school and in the once-sacred...
As far as we can tell, there's only one place in the entire novel where Holden declares himself to be really happy. So happy, in fact, that he's "damn near bawling." And that moment is at the end o...
