On the Road Drugs and Alcohol Quotes

How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)

Quote #21

"I got hung-up myself - 1 gunned shopping women in the afternoon, right here, downtown, supermarkets" - we flashed by in the empty night – "and found a real gone dumb girl who was out of her mind and just wandering, trying to steal an orange. She was from Wyoming. Her beautiful body was matched only by her idiot mind. I found her babbling and took her back to the room. Bull was drunk trying to get this young Mexican kid drunk. Carlo was writing poetry on heroin. Hassel didn’t show up till midnight at the jeep. We found him sleeping in the back seat. The ice was all melted. Hassel said he took about five sleeping pills. Man, if my memory could only serve me right the way my mind works I could tell you every detail of the things we did. Ah, but we know time. Everything takes care of itself. I could close my eyes and this old car would take care of itself." (II.8.9)

Dean, like Sal, ties up drug use with his friends.

Quote #22

Finally he got hold of some bad green, as it’s called in the trade - green, uncured marijuana - quite by mistake, and smoked too much of it.

"The first day," he said, "I lay rigid as a board in bed and couldn’t move or say a word; I just looked straight up with my eyes open wide. I could hear buzzing in my head and saw all kinds of wonderful technicolor visions and felt wonderful. The second day everything came to me, EVERYTHING I’d ever done or known or read or heard of or conjectured came to me and rearranged itself in my mind in a brand-new logical way and because I could think of nothing else in the interior concerns of holding and catering to the amazement and gratitude I felt, I kept saying, ’Yes, yes, yes, yes.’ Not loud. Yes,’ real quiet, and these green tea visions lasted until the third day. I had understood everything by then, my life was decided, I knew I loved Marylou, I knew I had to find my father wherever he is and save him, I knew you were buddy et cetera, I knew how great Carlo is. I knew a thousand things about everybody everywhere. Then the third day began having a terrible series of waking nightmares, and the were so absolutely horrible and grisly and green that I lay there doubled up with my hands around my knees, saying, ’Oh, oh, oh, ah, oh . . .’ The neighbors heard me and sent for a doctor. Camille was away with the baby, visiting hot folks. The whole neighborhood was concerned. They came in and found me lying on the bed with my arms stretched out forever. Sal, I ran to Marylou with some of that tea. And do you know that the same thing happened to that dumb little box? - the same visions, the same logic, the same final decision about everything, the view of all truths in one painful In leading to nightmares and pain - ack! Then I knew I loved her so much I wanted to kill her. I ran home and beat my head on the wall [...] came back in an hour, I barged in, she was alone - and gave her the gun and told her to kill me. She held the gun in her hand the longest time. I asked her for a sweet dead pact. She didn’t want. I said one of us had to die. She said no. I beat my head on the wall. Man, I was out of my mind. She’ll tell you, she talked me out of it." (III.2.5, III.2.6)

Dean’s experience with "bad green" highlights the physical dangers of his drug use, and his own repeated flirtations with death.

Quote #23

"See? See?" whispered Dean in my ear. "He doesn’t drink any more and he used to be the biggest whiskyleg in town, he’s got religion now, he told me over the phone, dig him,- dig the change in a man - my hero has become so strange." Sam Brady was suspicious of his young cousin. He took us out for a spin in his old rattly coupe and immediately he made his position clear in regard to Dean. (III.6.28)

Through the character Sam Brady, we see that some people managed to move past alcohol and drugs.

Quote #24

As the cab honked outside and the kids cried and the dogs barked and Dean danced with Frankie I yelled every conceivable curse I could think over that phone and added all kinds of new ones, and in my drunken frenzy I told everybody over the phone to go to hell and slammed it down and went out to get drunk. (III.7.13)

Sal uses alcohol as a crutch when his life is going badly.

Quote #25

He was reduced to simple pleasures like these. He lived with Inez in a cold water flat in the East Eighties. When he came home at night he took off all his clothes and put on a hip-length Chinese silk jacket and sat in his easy chair to smoke a water pipe loaded with tea. These were his coming-home pleasures, together with a deck of dirty cards. (IV.1.2)

Dean’s drug use evolves from a frenetic pace to a calming activity.

Quote #26

Remember that the Windsor, once Denver’s great Gold Rush’ hotel and in many respects a point of interest - in the big saloon downstairs bullet holes are still in the walls - had once been Dean’s home. He’d lived here with his father in one of the rooms upstairs. He was no tourist. He drank in his saloon like the ghost of his father; he slopped down wine, beer, and whisky like water. His face got red and sweaty and he bellowed and hollered at the bar and staggered across the dance-floor where honkytonkers of the West danced with girls and tried to play the piano, and he threw his arms around ex-cons and shouted with them in the uproar.[...] In the men’s room Dean and I punched the door and tried to break it but it was an inch thick. I cracked a bone in my middle finger and didn’t even realize it till the next day. We were fumingly drunk. Fifty glasses of beer sat on our tables at one time. All you had to do was rush around and sip from each one. Canyon City ex-cons reeled and gabbled with us. In the foyer outside the saloon old former prospectors sat dreaming over their canes under the tocking old clock. This fury had been known by them in greater days. Everything swirled. There were scattered parties everywhere. There was even a party in a castle to which we all drove - except Dean, who ran off elsewhere - and in this castle we sat at a great table in the hall and shouted. There were a swimming pool and grottoes outside. I had finally found the castle where the great snake of the world was about to rise up. (IV.3.13)

Sal and Dean’s frenetic activities and frantic pace are enhanced by their use of alcohol.

Quote #27

Presently Victor’s tall brother came ambling along with some weed piled on a page of newspaper. He dumped it on Victor’s lap and leaned casually on the door of the car to nod and smile at us and say, "Hallo." Dean nodded and smiled pleasantly at him. Nobody talked; it was fine. Victor proceeded to roll the biggest bomber anybody ever saw. He rolled (using brown bag paper) what amounted to a tremendous Corona cigar of tea. It was huge. Dean stared at it, popeyed. Victor casually lit it and passed it around. To drag on this thing was like leaning over a chimney and inhaling. It blew into your throat in one great blast of heat. We held our breaths and all let out just about simultaneously. Instantly we were all high. The sweat froze on our foreheads and it was suddenly like the beach at Acapulco. I looked out the back window of the car, and another and the strangest of Victor’s brothers - a tall Peruvian of an Indian with a sash over his shoulder - leaned grinning on a post, too bashful to come up and shake hands. It seemed the car was surrounded by brothers, for another one appeared on Dean’s side. Then the strangest thing happened. Everybody became so high that usual formalities were dispensed with and the things of immediate interest were concentrated on, and now it was the strangeness of Americans and Mexicans blasting together on the desert and, more than that, the strangeness of seeing in close proximity the faces and pores of skins and calluses of fingers and general abashed cheekbones of another world. So the Indian brothers began talking about us in low voices and commenting; you saw them look, and size, and compare mutualities of impression, or correct and modify, "Yeh, yeh", while Dean and Stan and I commented on them in English.(IV.5.32)

Sal and Dean’s drug use takes on a different form in Mexico – greater in intensity and lacking the frenzy and dependence of their use in America. It is interesting to see how these different uses might reflect Sal’s visions of the countries.

Quote #28

For a mad moment I thought Dean was understanding everything he said by sheer wild insight and sudden revelatory genius inconceivably inspired by his glowing happiness. In that moment, too, he looked so exactly like Franklin Delano Roosevelt - some delusion in my flaming eyes and floating brain - that I drew up in my seat and gasped with amazement. In myriad pricklings of heavenly radiation I had to struggle to see Dean’s figure, and he looked like God. I was so high I had to lean my head back on the seat; the bouncing of the car sent shivers of ecstasy through me. The mere thought of looking out the window at Mexico - which was now something else in my mind - was like recoiling from some gloriously riddled glittering treasure-box that you’re afraid to look at because of your eyes, they bend inward, the riches and the treasures are too much to take all at once. I gulped. I saw streams of gold pouring through the sky and right across the tattered roof of the poor old car, right across my eyeballs and indeed right inside them; it was everywhere. I looked out the window at the hot, sunny streets and saw a woman in a doorway and I thought she was listening to every word we said and nodding to herself - routine paranoiac visions due to tea. But the stream of gold continued. For a long time I lost consciousness in my lower mind of what we were doing and only came around sometime later when I looked up from fire and silence like waking from sleep to the world, or waking from void to a dream, and they told me we were parked outside Victor’s house and he was already at the door of the car with his little baby son in his arms, showing him to us. (IV.5.40)

Sal makes Dean into a hero indirectly when he’s sober, but when they get high together, his visions take on a whole new level of idolatry.

Quote #29

Dean’s pretty Venezuelan dragged me through a door and into another strange bar that apparently belonged to the whorehouse. Here a young bartender was talking and wiping glasses and an old man with handlebar mustache sat discussing something earnestly. And here too the mambo roared over another loud speaker. It seemed the whole world was turned on. Venezuela clung about my neck and begged for drinks. The bartender wouldn’t give her one. She begged and begged, and when he gave it to her she spilled it and this time not on purpose, for I saw the chagrin in her poor sunken lost eyes. "Take it easy, baby," I told her. I had to support her on the stool; she kept slipping off. I’ve never seen a drunker woman, and only eighteen. I bought her another drink; she was tugging at my pants for mercy. She gulped it up. I didn’t have the heart to try her. My own girl was about thirty and took care of herself better. With Venezuela writhing and suffering in my arms, I had a longing to take her in the back and undress her and only talk to her - this I told myself. (IV.5.47).

Sal characterizes women’s use of alcohol differently than men’s.

Quote #30

We staggered out; we had forgotten Stan; we ran back in to get him and found him charmingly bowing to the new evening whores, who had just come in for night shift. He wanted to start all over again. When he is drunk he lumbers like a man ten feet tall and when he is drunk he can’t be dragged away from women. Moreover women cling to him like ivy. He insisted on staying and trying some of the newer, stranger, more proficient senoritas. Dean and I pounded him on the back and dragged him out. He waved profuse good-bys to everybody - the girls, the cops, the crowds, the children in the street outside; he blew kisses in all directions to ovations of Gregoria and staggered proudly among the gangs and tried to speak to them and communicate his joy and love of everything this fine afternoon of life. (IV.5.53)

Sal uses the way people drink as a means to understanding their character.