Macbeth
Macbeth
by William Shakespeare

Macbeth The Supernatural Quotes Page 1

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How we cite the quotes:
Citations follow this format: (Act.Scene.Line). Line numbers correspond to the Norton edition.
Quote #1

Thunder and lightning. Enter three Witches
First Witch
When shall we three meet again
In thunder, lightning, or in rain?
Second Witch
When the hurlyburly's done,
When the battle's lost and won.
Third Witch
That will be ere the set of sun.
First Witch
Where the place?
Second Witch
Upon the heath.
Third Witch
There to meet with Macbeth.
First Witch
I come, Graymalkin!
Second Witch
Paddock calls.
Third Witch
Anon.
ALL
Fair is foul, and foul is fair:
Hover through the fog and filthy air. (1.1.1)

The witches' appearance in the play's opening scene certainly is dramatic but the sisters are also incredibly ambiguous. They seem to raise more questions than anything else. Who/what are they? (As readers, we're privy to the speech headings, which refer to the figures as witches but we can imagine what it would be like to witness this scene as an audience to a stage performance. The first witch refers to the crew simply as "we three" so their identity is unclear.) Where do they come from? What do they want with Macbeth? And, what do they have to do with the "battle"?

Quote #2

First Witch
A sailor's wife had chestnuts in her lap,
And munch'd, and munch'd, and munch'd:--
'Give me,' quoth I:
[…]
I myself have all the other,
And the very ports they blow,
All the quarters that they know
I' the shipman's card.
I will drain him dry as hay:
Sleep shall neither night nor day
Hang upon his pent-house lid;
He shall live a man forbid:
Weary se'nnights nine times nine
Shall he dwindle, peak and pine:
Though his bark cannot be lost,
Yet it shall be tempest-tost.
Look what I have. (1.3.2)

Here, the witches seem silly for conjuring a storm and casting a spell on a man whose wife refused to share some chestnuts. This pettiness seems to reflect a common problem in rural areas in the 16th and 17th centuries, where it was common for poor, old, unmarried women to be accused of witchcraft after begging for food (like chestnuts) and being turned away, especially if something bad later happened to the individuals or families that refused to help – and bad things like infertility, crop failures, illness, and unexpected deaths were always happening to folks back then.

This passage is also notable for the way it dramatizes a fear of women emasculating men. The First Witch not only whips up a storm to torment the sailor/husband, she also casts a spell to "drain" him or, cause him to be impotent/sterile. In the 16th and 17th centuries, some thought that witches could actually cause male impotence. Even King James (the monarch at the time the play was written) bought into this idea. Check out what he writes in the preface to Daemonologie (his 1603 treatise on witchcraft): "Witches can, by the power of their Master, cure or cast on diseases[…] as of weakening the nature of some men, to make them unavailable for women."

Quote #3

BANQUO
That look not like the inhabitants o' the earth,
And yet are on't? Live you? or are you aught
That man may question? […] You should be women,
And yet your beards forbid me to interpret
That you are so. (1.3.1)

Even Banquo is uncertain about the sisters. He wonders if they are real and whether or not they're "inhabitants" of the earth. What's interesting about this passage is the way in which Banquo's confusion about the witches ultimately registers as confusion about their gender – he's not sure if they're "women" because they have "beards."

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